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If Qin Shi Huang's terracotta maid is a model to show the world the ancient Chinese sculpture art, then the pottery maid art of the Han Dynasty and the Han Dynasty is a small jasper that embodies China's unique sculpture creation techniques and expressions. The majestic and magnificent soldiers and horses of Qin Shi Huang and the lively two Han Dynasty characters are in harmony. Together, they played the first cadenza in the history of Chinese sculpture.
The art of the two Han Dynasty pottery maids has always been praised. Today's sculptors and sculpture enthusiasts, in particular, are more interested in it. On the basis of realism, the pottery art of the two Han Dynasty has a strong ability to summarize art, use skills, and accurately express the inner psychological activities and emotional world of the characters.
The image seems to be relatively mediocre and rarely has distinct character traits, but it makes such a body full of vitality and shows a rich inner world. The Han Dynasty pottery maids did not pay attention to the details of the description, so the figures had soft body lines, and the movements of the fingers were as if there were none, like the face giving people the feeling of being pinched and molded at will. The contours between the eyebrows and eyes are not very clear, but when you pay attention to their facial expressions, you will be infected by this vivid mood.
Their heads are slightly raised, their eyes are closed, they seem to be staring at something, their mouths are open, full of smiles, this kind of blind and forgetful smile is exactly what the author wants to hint at, they are silent in the performance, they laugh so unrestrained, unrestrained, maybe only ** can move their hearts so much.
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Haiyu costume for performing burlesque in ancient China. It is characterized by witty, humorous, mostly rapping by one person, accompanied by small drum beats. The drumming and rapping figurines depict the image of an artist performing a rap performance in a realistic way, reflecting the high achievement of shaping art in the Eastern Han Dynasty and having high artistic value.
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Judging from the overall shape of this figurine, it still belongs to the ancient artistic style. The author obviously does not simply imitate the rap artists in his life, but focuses on a special kind of aura of the rap artist, that is, he tries to arouse the strong interest of the audience with the interesting stories he tells and sings.
The rapper's demeanor of sticking out his head, shrugging his shoulders, smiling, and almost dancing with his hands portrays his colorful performance vividly and vividly. From his witty and healthy demeanor, people seem to hear his hearty laughter.
And it is possible to imagine what he said and sang, and even made it seem that in front of the rapper, there was a group of listeners who were listening to his excellent performance with great interest. Obviously, the author of this terracotta figurine seems to know how to play the role of association with the viewer.
The shape of the Qin and Han Dynasty terracotta figurines not only has a mighty military array, but also has such a very life-like figure. The terracotta figurines are made of gray pottery, shaped by hand, with a drum in the left arm and a mallet in the right hand to beat the drum.
The form of his hands dancing and his eyebrows dancing vividly show the live feeling of a "rap artist" in the Han Dynasty, and also reflect the superb level of ceramic sculpture art in the Eastern Han Dynasty. This terracotta figurine is rich in strong folk flavor and local style.
The Eastern Han Dynasty tomb in Sichuan has unearthed a number of drumming and rap figurines with similar images, which shows that the rap performance of Shu was quite popular at that time. Rappers in the Han Dynasty often used short, fat, comical-looking gnomes as performers, performing alongside other dance and music performances.
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The main artistic characteristics are: tall shape, advocating realism, and rigorous techniques; There are many types and distinct personalities.
Its characteristics are mainly embodied in the figurine sculpture, which occupies an extremely important position in the history of ancient Chinese sculpture, its emergence and development, and the social change has a direct relationship, marking the outstanding achievements of the sculpture art of the Qin Dynasty, reproducing the spirit of the Qin army fighting millions, chariots and thousands of vehicles, the courage to fight publicly, and the cowardice of private fighting, reflecting the extreme majesty of royal power.
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I don't know, I don't know.
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