What is the truth behind Du Mu s mountain travel?

Original] Mountain Trip - [Tang] Du Mu.

Far up the cold mountain stone path slope, Baiyunsheng has a home.

Parking sits in love with the maple forest in the evening, and the frost leaves are red in February flowers.

Notes] Mountain walking: Walking in the mountains. Hanshan: Refers to the mountain in late autumn.

Stone paths: stone paths, stone paths. Baiyunsheng: refers to the depths of the mountains and forests, the place where the white clouds are born.

Sitting: because, because. Red Yu: Yu red, than ......Red.

In the evening of late autumn, when I came up to the mountain, a stone path in front of me winded and stretched to the depths of the mountain forest, and then deleted the place where the white clouds rose in the forest, and there were faint houses of residence. In the large maple forest next to the mountain road, the scenery is sultry, not only stop to watch, the maple leaves that have experienced the autumn frost are more vivid than the flowers in spring.

Appreciation] Du Mu (803 805), the word Muzhi, the name Fan Chuan, Jingzhao Wannian (now Xi'an City, Shaanxi Province) people, Tang Dynasty poet, called "Xiao Du". Most of his works are works that ridicule current affairs, and his poetic style is bold and beautiful, which is unique. His poems are fresh and vivid.

This poem describes what you see on the way to the mountain, the whole painting and poetry are born of each other, along with the poet's leisurely journey, the letter is written, especially the last sentence is endless, expressing the poet's spirit of striving for progress, which is very infectious.

Far up the cold mountain stone path slope", write the mountain, write the mountain path. A winding path winds into the depths of the forest. The word "far" writes the length of the mountain road, "oblique (xi, mantle, bell, bar, scarce, toe, chuang, shuo, drought, tired, crushing, non-tasting, milk, and reciting non-tassy?

There are people everywhere in Baiyunsheng", cooking smoke, writing about people's homes. The poet's gaze followed the mountain road all the way up, and in the mountains and forests where the smoke rose like clouds, under the white clouds of the dwellings of several families. The "people" here correspond to the "stone path" in the previous sentence, and this long and winding mountain path should be related to those families, right?

This organically links the two scenes.

"Parking and Sitting in Love Maple Grove Evening" is a change in the behavior of the poet, walking and walking, the poet stopped, because of what? Because of those "red February flowers" and "frost leaves", the maple leaves are particularly bright and fiery after the baptism of autumn frost, and even the flowers in February are not compared. The mountain road, the white clouds, and the people did not move the poet, but the evening scene of the maple forest surprised him so much that he stopped to watch it, and he didn't care about driving away, which showed the degree of its beauty.

Frost leaves red in February" while adding the reason for the poet's stoppage, but also a late autumn maple forest scenery is concretely and vividly displayed in front of us. The maple forest in late autumn was originally bright red and dazzling, at this time under the illumination of the afterglow of the sunset, it is even more crystal clear, red and glamorous, Danyang is full of mountains, more fiery red than the spring flowers in February in the south of the Yangtze River, and more gorgeous.

This little poem is not only an impromptu song, but also a song of words, is the poet's inner spiritual world of expression, the sustenance of interest, just like the maple tree in this late autumn, the more it has been baptized by wind and frost, the more red it looks, so it can give people encouragement and enlightenment.

Frost leaves red in February flowers - the mature thinking and insight of the elderly are thicker and more connotative than those of the young.

Tang Poetry Appreciation Dictionary Du Mu Mountain Travel.

"Mountain Walk" is a poem written by the Tang Dynasty poet Du Mu. This poem depicts the scenery seen in the autumn mountain walk, showing a moving picture of the autumn colors of the mountains and forests, the mountain roads, people's houses, white clouds, and red leaves, forming a harmonious and unified picture, showing the author's lofty and heroic thoughts.

The content of Du Mu's "Mountain Walk" is: The stone path of the cold mountain is sloping far away, and there are people in Baiyunsheng. Parking sits in love with the maple forest in the evening, and the frost leaves are red in February flowers.

This poem describes a picture of mountains and forests in late autumn, expressing the poet's praise for the scenery of mountains and forests in late autumn. The author sings the praises of the beautiful autumn colors of nature, in fact, it also shows his very bold mental state. The fiery red maple leaves are compared to the delicate flowers in February, which is very vivid and vivid, expressing the author's praise for the maple leaves.

The first poem expresses the poet's appreciation for the scenery of the mountains and forests in late autumn. On the surface, the poem is written about the beautiful scenery of the maple forest in late autumn and the praise of the natural scenery, but in fact, it expresses the poet's love and yearning for this quiet and ordinary mountain life, and pursues an emotional portrayal of calm and away from the noise.

Du Mu's mountain trip expresses the poet's love for the autumn scenery.

Parking sits in love with the maple forest in the evening, and the frost leaves are red in February flowers. It can be said that it is a poem that directly expresses this feeling.

It expresses the author's praise for the beauty of autumn and the author's positive and optimistic attitude towards life.

Through the poet's emotional tendency, this poem takes the maple forest as the main scene, and paints a picture of the autumn colors of the mountains and forests with warm colors and gorgeous colors.

Du Fu's mountain walks express the author's special subtle observation ability and his special love for nature.

Far up the cold mountain stone path slope, deep in the white clouds there are people.

Parking sits in love with the maple forest in the evening, and the frost leaves are red in February flowers.

It expresses the author's praise and love for the mountain forest scenery in late autumn.

The author organically connects these scenes and presents a colorful picture of mountains and forests in front of the reader, which shows that the author usually pays great attention to the cultivation of literary taste. We also have to start from bit by bit and cultivate our own cultivation in all aspects.

This poem is from the Tang Dynasty poet Du Mu's "Mountain Walk".

The original text is as follows: Far up the cold mountain stone path slopes, there are people in Baiyunsheng.

Parking sits in love with the maple forest in the evening, and the frost leaves are red in February flowers.

Vernacular translation: In late autumn, I climbed the distant mountains along the crooked path, and there were still people in the place where the white clouds were generated. I stopped because I love the evening view of the maple forest in late autumn, and the maple leaves dyed with autumn frost are better than the red flowers in February.

The poetry of "Mountain Walk" is: In late autumn, I walked along the winding mountain road on the mountain. In the mist-shrouded place, you can faintly see a few houses.

I couldn't help but pull over because I was really attracted by the beauty of the maple grove in the evening, and the frost-beaten maple leaves were redder than the February flowers.

Original text]: Mountain Travel" Du Mu.

Far up the cold mountain stone path slope, Baiyunsheng (deep) there are people.

Parking sits in love with the maple forest in the evening, and the frost leaves are red in February flowers.

About the Author]:

Du Mu (803 A.D. 852 A.D.), the word Muzhi, the grandson of his prime minister Du You, the son of Du Congyu. Fan Chuan Jushi, an outstanding poet and essayist in the late Tang Dynasty, is especially known for his seven-character quatrains, and his descendants are called "Xiao Du", in order to distinguish him from Du Fu, and Li Shangyin is called "Little Li Du", because he lived in Chang'an South Fan Chuan Villa in his later years, so he is called "Du Fan Chuan" in later generations. Tang Wenzong and the second year of the Jinshi, awarded the Hongwenguan school book, and then went to Jiangxi to observe the envoy, transferred to the Huainan Jiedu envoy, and then entered the observation of the envoy, the Liren National History Museum revised, the food department, the department, the division of the secretary of the foreign lang, Huangzhou, Chizhou, Muzhou Thorn History, etc., and finally the official residence in the middle of the scholar.

He is the author of "Jiangnan Spring", "Bo Qinhuai", "Huaqing Palace", "A Fang Gong Fu", etc., among which "A Fang Gong Fu" is recited by later generations.

Poetry Appreciation]:

Through the poet's emotional tendency, the poem takes the maple forest as the main scene, and paints a picture of the autumn colors of the mountains and forests with warm colors and gorgeous colors. The stone path up to Akiyama first gives the reader a far-sighted view. At the top of the mountain road is a place covered in white clouds.

The road is walked out by people, so the white clouds are swirling but not ethereal, the cold mountain contains vitality, and the sentence "there are people everywhere in the white clouds" is naturally a chapter. However, this is only to build momentum for the last two lines, and then the poet clearly tells the reader that it is so late, and I am still stopping in front of the mountain, just because the mountain in front of me is in full swing, better than the maple leaves of spring flowers. Compared with the white clouds in the distance and the homes that are not necessarily visible, the maple forest is full of the pure beauty and vitality of life.

Poetry controversy]:

In the second sentence of the article, whether the word "deep" or "raw" is still controversial in academic circles. Qing Kangxi Chen Menglei's "Ancient and Modern Books Dust" as "There are people in the depths of the white clouds". Ming Wanli Zhao Huanguang published it, and Song Hongmai edited "Ten Thousand Tang Dynasty Quatrains" as "There are people in the depths of Baiyun".

There are two versions included in Qianlong's "Siku Quanshu" of the Qing Dynasty, such as "Tang Poetry Collection" and "Yuding Quantang Poems" edited by Ming Gaoqi as "There are people in the depths of Baiyun", and Song Hongmai compiled "Ten Thousand Tang People's Quatrains" as "There are people in Baiyunsheng". In some textbooks, the poem has also been revised from the original "there are people in the depths of the white clouds" to the current "there are people in the white clouds", and the annotations explain that "'shengfu' is the same as 'deep'" (the textbook used should prevail during the examination). The 94th edition of the Ministry of Education recompiled the Chinese dictionary as "There are people in the depths of Baiyun".