What are the conditions for a good regular calligraphy work?

A good regular script calligraphy work should meet the following conditions:

1.Solid basic skills: This is a prerequisite for mastering the basic elements and techniques of calligraphy.

2.The style of the whole work is consistent: a good regular script calligraphy work should maintain a consistent style and characteristics as a whole.

3.Elegant style: A good regular script calligraphy work should have an elegant style and not be tacky.

4.Strong charm: A good regular script calligraphy work should have a certain charm and be able to resonate and feel the audience.

5.Delicate dot painting: The dot painting in regular script is static, each dot painting should be delicate and independent, and the dot painting in Xingshu is dynamic and should be smooth and natural.

6.Strict knotting: There are 36 ways to knot in regular script, and the knot in the line is not limited to what method, but it is necessary to write smoothly and naturally, and the knotting method in cursive is ever-changing.

7.Rational Discipline: The rational use of discipline is also very important in creation, and it is also a part of calligraphy skills.

In short, a good regular script calligraphy work should have solid basic skills, consistent style, elegant style, strong charm, exquisite dot painting, rigorous knots and reasonable rules.

1) Solid basic skills, which is a prerequisite. (2) The style of the whole work is consistent. (3) elegant style, (4) strong charm.

A good calligraphy work contains the following aspects:

Shape: The shape of the word should be whole, natural and vivid, and can form a visual beauty that is about to come out.

Structure: The structure of the word should be robust and solid, so that the whole work has a good balance and stability, and the spacing between the words should be appropriate.

Use the pen: The use of the pen should be handy, the change of the pen should be natural and tactful, accurate and decent, and the work is more delicate and vivid.

Ink color: The appropriate size of the ink color is very important, the ink color should be dark, vivid and powerful, clear and clear, pure and rich in connotation. Chapters: The distribution of chapters should be reasonable, and the size and height should be coordinated to create an overall atmosphere and texture.

Regression: The length and slip of the retract pen should just echo the shape and structure of the font, without appearing stiff and abrupt.

1. The writing rules are correct.

The writing rule of Chinese characters here refers to the basic stroke order to produce the stroke meaning, and if the stroke order is not right, the stroke intention is not smooth. If the pen is not smooth, it will lose momentum.

2. Excellent line texture.

The practice of the quality of the line should be practiced more often, and the Dharma should be studied in a similar direction to oneself. Sun Guoting said that at the time of the meeting, everyone was old. The ancients often said that the shape and quality of the character cover clan was mostly determined by the lines, which was reflected in the inner cultivation, temperament and temperament of the literati, as well as the divine understanding of the ancient penmanship.

3. Strict handwriting.

There is a law in calligraphy, any kind of calligraphy has its own writing methods and rules, Zheng Ling's rules can not be abolished, no rules can not, non-calligraphy also. The modernist book collection is full of creativity and is a counterexample.

4. The writing taste is ancient.

The ancient means that there is an ancient meaning, there is an ancient law, and the law is intended to be ancient, and the Book of Changes has a saying: take the law on the top, only among them; Take the law in the middle, only get the following.

5. Stroke movement.

Penmanship is the embodiment of a calligrapher's skill, the classic brushwork of the ancients into the end of the pen, the use of wonderful, the writing of the work is excellent.

A good calligraphy work needs to have the following elements:The first element: fine skillsA good calligraphy, first of all, to be proficient in penmanship, structure norms, and reasonable rules, this is the minimum requirement.

Calligraphy, as the name suggests, is a work written with a pen in accordance with the rules and laws of writing, following the reasonable structure of Chinese characters and the standardized layout of chapters, which can be called a qualified calligraphy work. However, such calligraphy works can only reflect the craftsmanship of the creator, and their works often appear to be the same because they are too law-abiding. For example, many of Tian Yingzhang's protégés wrote calligraphy works that were exactly the same, exactly the same, as if they were printed, and even if the signature of the signature was covered, everyone thought it was written by the same person.

Why is this so? Because there is no personality and creativity on the basis of the law, the works only have ingenuity, not art.

Second Limb Bridge Base Element: AscensionOn the basis of skillful technique, the creator's personality, emotion, imagery and the content, style, and artistic conception of the subject matter are integrated, so that the calligraphy works written in this style can express ideas and show their artistry. It's like if the text doesn't convey affection, and the poem doesn't convey the meaning, it is not literature and art.

For example, if you create a calligraphy work with the theme of "Qinyuan Spring Snow", you can not express the bold style of the article by writing with Li and Kai, and you can only use lines and cursive writing to show the style and artistic conception of the work. When writing "Man Jianghong", you should use a heavy pen with thick ink, and you should use a light ink round pen when writing "Spring River Flowers and Night Moon". That's why South Korea calls calligraphy learned from China calligraphy.

It can be seen that art is on the basis of the law and higher than the law.

Third: InitiationThe highest level of calligraphy is the expression of the Tao. Calligraphy can only reach its peak by upgrading from skill to art and from art to Taoism.

In Japan, calligraphy originated in China as calligraphy. Tao is the natural law that transcends art, is the supreme state of art, and the key to the difference in calligraphy and understanding of people with different qualifications and cultivation lies in the degree of conformity with the wonderful truth. If the essence of the art is the expression of ingenuity, then the ascension of art is the expression of artistic conception, and the Tao can express philosophy.

For example, Buddhism is compassionate, and Buddhism is a quiet place, so the calligraphy in Buddhist temples should be rich and broad, elegant and tranquil; Taoism advocates the law in nature, and yang and yang, so the calligraphy works used for Taoist temples should be based on natural changes, yin and yang, and rigidity and softness as the style. Therefore, only by understanding the wonderful principles of calligraphy from the law of nature can calligraphers write masterpieces with spirit and spirit. Only when the law is to seek art, and art is to seek the Tao, can we gain insight into the true meaning of calligraphy.

A good calligraphy work needs to have about three aspects, one is the standard of technique, calligraphy techniques include not only the brush, but also the techniques of using the classic calligraphy. Classical calligraphy techniques are our modern ontological standards, so good calligraphy works must see traditional calligraphy theories and techniques.

A question of calligraphy style and style, a good and mature calligraphy work must not be a complete collection of characters to copy or imitate the work, but must be a work that completely has its own aesthetic ideals and elements of classical techniques and language.

Another source is calligraphy and cultural accomplishment, and the integration of emotions. The ancients said that the word is the heart painting, and the cracked cherry book is like its person, such as its ambition, such as its heart, which lies in this. A good calligraphy work is a work full of the calligrapher's personal emotions, a work of aesthetic ideals, and a work that meets the aesthetic standards of classic calligraphy can be said to be a good work and an excellent work.

Good calligraphy must have the following conditions: 1. Have calligraphy art accomplishment. Because calligraphy is a traditional art in our country, it is necessary to have a literati temperament.

2. To have writing skills, including literacy, word interpretation, and word use. 3. There should be no work outside the words, such as Chinese studies (including Confucianism, Buddhism, Taoism, etc.) to prepare for wisdom and suspicion of rolling bird history, literature, painting, **, ancient characters, etc. 4. The basic skills of calligraphy are profound, and they are famous all over the world.

Can five bodies (Kai, line, grass, celery early li, seal) book, and have expertise. 5. High character and wide knowledge. Character is not only about character, but also about works; Insight refers to both tradition and brushwork, and the times.