Zhao Mengfu s original text, Zhao Mengfu s book is a detailed explanation

Zhao Mengfu's "Idle Living Fu", Xingshu, 38 cm long, 38 cm wide. Collection of the Palace Museum, Beijing. Zhao Mengfu wrote the famous Western Jin Dynasty writer Pan Yue's "Idle Residence Fu", 56 lines, 627 words, and the paragraph was signed by Ziang.

No year. The penmanship is leisurely, the rhyme is fresh, the whole line is combined, the square and the circle are both, and the posture is elegant, reflecting the bookish spirit and wealth of Zhao's calligraphy art.

Original text of "Idle Residence Fu":

The long garden of the tomb element, the high Qu of the first philosopher. Although my face is thick, I am still ashamed of tranquility. There is no way, and I am not stupid.

What a lack of ingenuity, and more than enough clumsiness! So he retired and lived idle, and Yu Luo Zhiluo. Qi Yimin, his name is a corporal.

Back to Beijing and Yi, facing the suburbs of the city. The floating beam is swarthy, and the Lingtai is high. Peek into the mysteries of astronomy and see the beginning of the end of human affairs.

In the west, there is the Yuanrong forbidden camp, the green emblem of the Xuanmu, the giant millet of the stream, the same return, the cannon stone is terrifying, the arrow flies, the first to set off, show off my imperial might. In the east of it, there is Mingtang Piyong, Qingmu is open and idle, the ring forest lingers, the round sea returns to the spring, Yu chases filial piety to strict father, Zongwen test to match the sky, only the saint respects Mingshun, and raises the old to worship the year. If it is back to winter and spring, yin and yang, the Son of Heaven has something to do with firewood, to the suburbs and the ancestors to show righteousness, Zhang Juntian's Guangle, prepare thousands of rides, serve the fang to Qi Xuan, pipe chirp and blow, brilliant, faint, the magnificence of the courtesy, and the giant beauty of the royal system.

The two schools are in unison, the two universes are as one, the right extends the country, and the left Na Liangyi. Qi Qi was a disciple, and he was a confucianist, or ascended to the hall, or entered the room. Teach the teacher of impermanence, and the Tao is there.

Therefore, the fashionable man throws his hand, the name Wang Huaixi, if the training is popular, it should be grassy. This is so beautiful, and Meng's mother is so three-migration.

Settle my dwelling, build a room and wear a pond, the long poplar reflects the swamp, the fang citrus tree, the swimming scales, the lotus is clothed, the bamboo and wood are green, and the spiritual fruit is uneven. The pears of Zhang Gong Dagu, the persimmons of Lianghou Wuzhen, the jujube of Zhou Wen's weak branches, and the plums of Zhu Zhong of Fangling are incomplete. The three peaches are different from the cherry blossoms, the two are the color of the white Dan, and the treasure of the pomegranate and the peach, and the fall spreads to its side.

The genus of plum apricot and Yudi, the decoration of prosperity and beauty, the glory is rotten, and the words are extremely unspeakable. The vegetables are green onions, leeks, garlic and taro, green bamboo shoots and purple ginger, violet and sweet purpose, knotweed fragrant, lotus and yin, weed to the sun, green sunflower with dew, and white shallot with negative frost.

So the autumn and summer retreated, the spring was cold, the light rain was sunny, and the Liuhe was clear. Mrs. Tai is the royal version of the public opinion, ascending to the light Xuan, looking at Wangji, near the Zhou homeland, the body is in harmony, the medicine is in labor, the regular meal is added, and the old is healed. So the banquet is long, the grandson is hanging willows, the car is finished, the land picks the purple house, the water hangs the carp, or the banquet is in the forest, or the rice is in the river.

Kundi is white, children have childish teeth, and they are called longevity to offer their lives, and they are afraid and happy. Shou Yu Ju, Kind Yan He, Floating Cup Drink, Silk Bamboo Luo, Dancing with Feet, Anti-Tone Singing, Life Happiness, Who Knows Others. Retreat and introspect, credit is thin and inferior.

According to Zhou Ren's motto, dare to show his strength and be listed. A few ugly bodies are not guaranteed, and Xi is like a wise man, looking up to the wonderful and desperate thoughts, and finally traveling to nourish the clumsiness.

He Wu people's Jiete, go to friends and have nothing. When you are out of the limelight, you will be entertained, and you will be worried about (elimination) (sales) when you are not happy. What time is like a ruin, and the impermanence of people's livelihood is restored.

Feeling the spring of the hair festival, talk about driving lightly and flying far. Climb the high hill to prolong the enterprise, and it will rain at dusk. Yang returns to the clouds to run, and meets the long garden of Lan Hui.

The fragrance of Ji can be served, and the spring balance is prolonged. Enter the leisure hall of the virtual corridor, and the high house of the wind is born. The cultivation of sparse and dense is the Xuanyu that covers the scene.

The jade soars in the south branch, and the crane sings in the north field. The herring leaps in the east marsh, and the white bird plays in the west nagisa. Then it is the back of the valley, to the green wave, through Wenyin, the spring flower.

The dan hub is more galloping, and the feather rides have passed.

Zhao Mengfu's explanation.

Zhao Mengfu (fǔ) (October 20, 1254[1], July 30, 1322[1]

Ling Nai, the word Ang, Han nationality, Songxue Daoren, also known as Shuijing Palace Daoren, Oubo, middle-aged Zeng signed Meng Zhuan. A native of Wuxing, Zhejiang (now Huzhou, Zhejiang). At the beginning of the Yuan Dynasty, he was a famous calligrapher, painter, poet, the eleventh grandson of Zhao Kuangyin, Taizu of the Song Dynasty, and the descendant of Zhao Defang, the king of Qin; His father, Zhao Qichaichun and Xu, served as the squire of the household department of the Southern Song Dynasty and the pacification envoy of Lin'an Prefecture and Zhejiang Xi.

Zhao Mengfu is erudite and talented, can be good at poetry and literature, understands economics, works calligraphy, fine painting art, is good at gold and stone, is good at law and law, and understands and appreciates. In particular, he has the highest achievements in calligraphy and painting, creating a new style of painting in the Yuan Dynasty, and is known as the "Yuan Ren Crown". He is also good at seal, subordinate, true, line, cursive, especially in Kai, Xingshu is famous in the world.

His style of writing is charming, beautiful, neat, and skillful, creating a "Zhao Ti" book, and Ouyang Xun, Yan Zhenqing, and Liu Gongquan are called "the four masters of regular script".

Word decomposition Explanation of Zhao Zhao (赵) à China Ancient country names (a "Zhao" in the Warring States period; b At the end of the Western Jin Dynasty, the Xiongnu and the Xiongnu successively established the "Zhao State" in the north, known as "Former Zhao" and "Later Zhao"): Zhao Ke (Yan Zhao had many chivalrous warriors during the Warring States Period, so Zhao Ke was known as "Zhao Ke" as a chivalrous man). Yan (乶) Zhao (Yan Zhao's land.

He Wu people's Jiete, go to friends and have nothing. When you are out of the limelight, you will be entertained, and you will be worried about (elimination) (sales) when you are not happy. What time is like a ruin, and the impermanence of people's livelihood is restored.

Feeling the spring of the hair festival, talk about driving lightly and flying far. Climb the high hill to prolong the enterprise, and it will rain at dusk. Yang returns to the clouds to run, and meets the long garden of Lan Hui.

The fragrance of Ji can be served, and the spring balance is prolonged. Enter the leisure hall of the virtual corridor, and the high house of the wind is born. The cultivation of sparse and dense is the Xuanyu that covers the scene.

The jade soars in the south branch, and the crane sings in the north field. The herring leaps in the east marsh, and the white bird plays in the west nagisa. Then it is the back of the valley, to the green wave, through Wenyin, the spring flower.

The dan hub is more galloping, and the feather rides have passed.

He Wu people's Jiete, go to friends and have nothing. When you are out of the limelight, you will be entertained, and you will be worried about (elimination) (sales) when you are not happy. What time is like a ruin, and the impermanence of people's livelihood is restored.

Feeling the spring of the hair festival, talk about driving lightly and flying far. Climb the high hill to prolong the enterprise, and it will rain at dusk. Yang returns to the clouds to run, and meets the long garden of Lan Hui.

The fragrance of Ji can be served, and the spring balance is prolonged. Enter the leisure hall of the virtual corridor, and the high house of the wind is born. The cultivation of sparse and dense is the Xuanyu that covers the scene.

The jade soars in the south branch, and the crane sings in the north field. The herring leaps in the east marsh, and the white bird plays in the west nagisa. Then it is the back of the valley, to the green wave, through Wenyin, the spring flower.

The dan hub is more galloping, and the feather rides have passed. One of the famous sentences: The cold wind is open to the placket, and I am willing to be with the cold girl.

"Idle Fu" is a combination of lines and letters, with a leisurely penmanship, fresh charm, elegant posture, charming and moving, very bookish and rich. Analysis of its pen, warm and round, pen strength, both square and round, delicate and beautiful. The pen is mostly straight into the sharp edge, and the pen is either lightly pressed or back to the front, the stroke is even, the tendons are not exposed, the fat is not bloated, it can be said that the edge is complete, and the pen is in place.

The dot painting echoes the hope, and the change is in the plain. The knots are beautiful and elegant, rigorous and full of changes, the lines are plump and beautiful, the Tao is elegant and elegant, the grass is handsome and free, light and flowing, the words are contained in the bones, and the spirit overflows. Zhao Mengfu longed for an idyllic life, because the Yuan Emperor favored him, so that he was too far away from the real secluded life, so there was always a kind of brilliance between the lines, a kind of wealth, but as long as he was satisfied, he achieved spiritual purification.

Zhao Mengfu has always pursued the beauty of form, the wonder of arrangement, and the wonder of use, and tried to avoid bad habits. From the sophistication of writing instruments to the delicacy and elegance of calligraphy, as well as the conscious arrangement of the spirit and affection, his "Idle Residence Fu" can be described as a proof. The predecessors described the beauty of Zhao Shu as "in the flower dance wind, the clouds are born in the eyes", "the phoenix rushes into the sky, and the auspicious clouds hold the sun".

Xian Yu Shu Zhao Shu "On the Passage of Qin" said: "The pen is soft and charming, and the rules are extremely regular." Those who read it later, how do you know that the next pen is as fast as wind and rain.

Mr. Xiong Bingming, a contemporary man, described his book as "the best representative of aestheticism".

Zhao Mengfu's calligraphy achievements and concepts have deeply influenced later generations. The calligraphy of the entire Yuan Dynasty was almost shrouded in the shade of Zhao Mengfu. Not only contemporaries such as Deng Wenyuan and Xian Yushu have taken him as an example, but also Zhu Yunming and Wen Zhengming in the Ming Dynasty, Liu Yong and Emperor Qianlong in the Qing Dynasty have also drawn a lot of nourishment from it.

【Name】Yuan Zhao Mengfu Shu Idle Residence Fu.

Category] Chinese calligraphy.

Date] Yuan Dynasty.

The cultural relics originally belonged to a private collection.

Cultural relics status] Collection of the Palace Museum in Beijing.

Introduction] Xingshu, length: 38 cm, width: cm.