Can anyone help me find the characteristics of the body

In general: dignified and strong, strict and neat.

1. Ma Zonghuo's "Shulin Zaojian": "The ancient method is in the new meaning, and the new meaning is outside the ancient meaning, and the pottery casts all things, and the ...... is hidden in the long and long ."”

2, Qing, Wang Shu "Bamboo Cloud Inscription": "Du Zhi Lu Gong (that is, Yan) does not make tricks, does not seek flattery, does not tend to be simple, does not avoid repetition, cuts the rope in a proper manner, and keeps its clumsiness, and is difficult to ......."”

3, Song, Ouyang Xiu: "....Therefore, its calligraphy and painting are strong and independent, and they do not attack the previous traces, and they are quite strange and ......”

4, Ming, Sun Jinguang, "Calligraphy and Painting": "The first slight with vulgar ......."”

5, Qing, Wanjing, "Subordinate and Occasional": "Spit the wind god with mixed strength, and ...... with change in posture."”

1, "The Story of Magu Xiantan", Qing, He Shaoji: "Shenguang Bingshi, Pu Yihou Yuan......”

2, "Baguan Zhai Hui Bao De Ji", majestic and vigorous, square and round, with a humble and simple taste.

3, "Yan Qinli Monument": dignified and generous, handsome and slender, with a calm and heavy pen.

4, "Manuscript of the Sacrifice of Nephews", Chen Shen, "Inscription of the Stopping Cloud Pavilion Post": "The longitudinal pen is magnificent, a thousand miles, the time is vigorous, mixed with fluent, or such as a seal, or if engraved, its wonderful solution, out of the heavenly ......."”

5, "Fight for the Seat Post", the majestic flying, full of interest, beautiful and plump, calm and elegant, tends to be beautiful and elegant. Song, Mitty: "....The flying is strange and strange, and it is ...... to be accidental”

6, "General Pei's Post", the pen gesture is strong and elegant, and there is also a seal atmosphere.

The inside is sparse and the outside is dense and simple.

In terms of characteristics, the shape of the face and body is new, the law is severe, and the momentum is majestic and unprecedented. From an aesthetic point of view, the face and body are dignified and beautiful, masculine and artificial, and the number of beauties is at the same time, which is the rule for future generations. From the theory of the times, the early Tang Dynasty inherited the remnants of the Jin and Song dynasties, failed to stand on its own, and as soon as the face came out, the new body cast by the Tang Doutan became one of the distinctive aspirations of the Tang Dynasty.

The palace is wide and generous, the surrounding is tight, the knot is square and dense, the strokes are horizontal and light and vertical, the pen is strong and round, and the momentum is solemn and majestic. With a symmetrical positive image, it is like a plump man sitting on his face. Therefore, Yan Ti is very suitable for writing big characters.

Yan Zhenqing's cursive writing has the characteristics of both concise and vigorous, as well as vertical and horizontal. His pen is full of momentum, ingenious and natural, and has a seal atmosphere, but his cursive writing still does not lose the standard of Wei and Jin.

Facial achievements

Yan Zhenqing's calligraphy beginner Chu Suiliang, and then got to write to Zhang Xu, and also worked with Huaisu to ** calligraphy. He conducted in-depth research on the calligraphy of Erwang and Chu Suiliang, absorbed their strengths, completely got rid of the style of the early Tang Dynasty, and created a new style of calligraphy. Yan Zhenqing's book style is called "Yan Ti", and Liu Gongquan is called "Yan Liu", which has the reputation of "Yan Muscle and Willow Bone".

Yan Zhenqing's real book is majestic and dignified, and the knot has changed from the slender and long in the early Tang Dynasty to a square, with a centripetal force. The pen is strong and strong, good use of the center of the penmanship, there are muscles and bones, there is also a sharp edge, the general horizontal painting is slightly thinner, vertical painting, point, apostrophement and slightly thicker. This style of writing is majestic, multi-forced, and has the atmosphere of the Tang Dynasty.

His cursive writing, strong and powerful, revealing his true feelings, calm structure, and flying dot paintings, opened a lifetime for cursive writing after the Wang School. Yan Zhenqing's calligraphy is vigorous and vigorous, this style also reflects the prosperous demeanor of the Tang Empire, and fits with his noble personality, which is a perfect combination of calligraphy beauty and personality beauty, so it is praised by later generations as "the second line of calligraphy in the world".

"Qintai Asks" No. 5 Pan Hui (5): Is the characteristics of the horizontal and vertical weight of the Yan body reflected in every character and every stroke?

"Yan Ti" is aimed at Yan Zhenqing's regular script, which is characterized by a square and dense structure, horizontal and vertical strokes, strong pen power, upright, open and majestic.

"Yan Ti" was created by the Tang Dynasty calligrapher Yan Zhenqing, and Liu Gongquan is called "Yan Liu", and there is a saying of "Yan muscles and willow bones". Yan Zhenqing has created a unique realm of calligraphy in the history of calligraphy with "Yan Ti".

Yan Zhenqing is best at Xingshu and regular script, and created his own Yan style, which is known for its exquisite calligraphy. The same name as Yan Zhenqing is Liu Gongquan, Liu Gongquan is famous for his regular script, he uses a pen to balance and be thin and hard, and his bones are strong, while Yan Zhenqing is fat and stupid with a pen.

However, although its calligraphy is thick, it does not lose the sense of richness and fullness, and the whole is dignified and respectful. Yan Zhenqing's regular script is complete but has muscles and bones, strong pen power, calm momentum, and the overall momentum is magnificent.

A closer look at Yan Zhenqing's calligraphy, his regular script changed the style of the Tang Dynasty, at the beginning of Yan Zhenqing's calligraphy, the family was poor, there was no pen and paper to practice calligraphy, and he used a pen dipped in yellow mud water to practice calligraphy on the wall, and began to practice calligraphy.

Yanti calligraphy is characterized by a square and dense structure, light and vertical strokes, strong brushwork, upright, open and vigorous. "Yan Ti" is for Yan Zhenqing's regular script, and the structural characteristics of Yan Ti characters can be summarized in four words: round, qi, even, and sparse.

"Yan Ti" was created by the Tang Dynasty calligrapher Yan Zhenqing, and Liu Gongquan is called "Yan Liu", and there is a saying of "Yan muscles and willow bones". Yan Zhenqing has created a unique realm of calligraphy in the history of calligraphy with "Yan Ti". With excellent spirituality, the realm is naturally magnificent; It is cast with a strong soul, and the realm is naturally strong; and with its abundance of procreation.

The realm is naturally broad and majestic.

Point method: homeopathic into the pen right down lightly, fold the pen homeopathic downward press, vertical paving, to the upper left light pen. The point method has long points, side points, square points, vertical points, and reverse points. Among them, the long point is rich and round, and the sheep's head point is rich and different. The three points of water are connected like water potential.

The most detailed brushstrokes for the introduction of the face body are as follows:

1. Horizontal method: after the Tibetan front or oblique cutting pen, to the right line of the pen, the center of the pen, the middle waist is slightly thinner, gradually thickened to the end of the tomb slightly paused, the reverse front of the pen, the face of the horizontal frustration and heavy. Horizontal painting is divided into pointed and short horizontal. Sharp and horizontal snatched into the paper, revealing its edge.

2. Vertical painting: Tibetan front or oblique cut slightly thickened downward, the center of the pen, the power is thickened to the end of the gradual refinement to the tip, the tip can not float. Vertical age such as Qi painting, there are hanging dew vertical and hanging needle vertical. The vertical dew is slightly arced, beautiful and colorful. The suspension needle is thick and sharp, and the force is unstoppable.

3. Apostrophe: After oblique cutting or reverse front of the pen, skimming the head or square or round, slowly to the lower left side of the line to the tip of the pen, so it is required to control the pen. Apostrophes have long apostrophes, short apostrophes, vertical apostrophes, etc., and the face characters are short and not long and charming, short and powerful.

4, the method: the pen has a fine and thick up, turn the pen to the right gradually press the pen, to the foot slightly stop to build momentum, lift the pen to the right out, the foot is heavier, there are twists and turns. There are oblique, flat and reverse. The face character is long and powerful, and it is straight and heavy.

Teacher Cai explained in detail the characteristics of Yan Qinli's tablet strokes.

First, the characteristics of Yan Ti characters:

1. The knot is square and dense.

2. The strokes are horizontal and vertical.

3. The pen is strong and round.

4. The momentum is solemn and majestic.

II. Other Information.

1. Yan Ti character was created by the Tang Dynasty calligrapher Yan Zhenqing, and Liu Gongquan is collectively called "Yan Liu", and there is a saying of "Yan muscles and willow bones".

2. Yan Zhenqing (709-784) was a native of Tang Jingzhao Wannian, and Ouyang Xun, Liu Gongquan, and Zhao Mengfu were known as the four masters of ancient regular script.

Yan muscles and willow bones.

Horizontal left bottom right high; The knot is tight at the top and loose at the bottom! Use the pen to pen the center of the pen!

The font style of Tang calligrapher Yan Zhenqing. His calligraphy beginner Chu Suiliang, after learning Zhang Xu's penmanship, the block is dignified and majestic, and the momentum is open; The book is vigorous and lush. The ancient method has changed, and it is known as "Yan Ti".

Bai Sha "Kang Youwei and Han Wuxi's "Guangyi Zhou Shuangji": "If the word 'body' before the Wei and Jin dynasties was to indicate the quiet style of the book, after the Wei and Jin dynasties, it turned to express personal styles, such as 'Yan Ti', 'Liu Ti', and 'Zhao Ti', not three sedan fonts, but only three different styles of calligraphy. "Lu Gengrong's "A Brief History of Chinese Calligraphy" Lecture 8 (3):

Yan Zhenqing's calligraphy was mainly guided by Zhang Xu, inheriting the tradition of Wang Xizhi, and learning the characteristics of the four families of the early Tang Dynasty, and absorbing the fresh nutrition of calligraphy in the Northern and Southern Dynasties. There are choices and trade-offs when learning, and he is the creator of the new calligraphy style of the Tang Dynasty, called 'Yan Ti'. ”

Yan Ti "is for Yan Zhenqing's regular script, his regular script is contrary to the style of the early Tang Dynasty calligraphy, the line to the pen of the seal, thin and hard for plump and majestic, the body is broad and magnificent, the bone strength is strong and awe-inspiring, explore the source of the seal, the regular law is strict, let go but not flow, restrained but not clumsy, the knot is round, and the penmanship is fat. This style also reflects the prosperous demeanor of the Tang Empire, and is in line with his noble personality, which is a classic example of the perfect combination of calligraphy and personality.