What is the main line that Du Fu runs through the whole text

Ascend Du Fu.

The wind is urgent, the sky is high, the ape is howling, and the white bird flies back.

Boundless falling trees and Xiao Xiao, endless Yangtze River rolling.

He is often a guest in the sad autumn, and he has been on stage alone for more than a hundred years.

Hardship, bitterness, hatred, frost and sideburns, pouring down a new turbid wine glass.

The following is completely original! ）

The thread that runs through the poem is "sadness". The first couplet lays the sad tone of the whole poem with very camera-like verses, with a look up (the wind is high in the sky) and a downward view (Zhu Qingsha Bai), a color (clear, white) and a sound (the wind is urgent, the ape is howling), a wide angle (the sky is high, the ape is roaring, Zhu Qing, Shabai) and a close-up (the bird flies back), and a few strokes make people immersive. On this basis, the jaw couplet focuses on the two intentions of falling wood and the Yangtze River with a large close-up, pointing out the "boundless" and "endless" of its shape, and the "Xiao Xiao" and "rolling" of its gods, further strengthening the feeling of depression and openness.

With a turn of the neck couplet, the image of the poet appeared, and there was a clue to the origin of "sadness" in the previous text. And these fourteen words have created the famous "Ten Sorrows" in the history of poetry. The "autumn" is sad, the more sad the "autumn" person is, and the more sad the autumn is when he is "thousands of miles" away from home; "Being a guest" is sad, and being a "often" guest is more sad.

In the previous sentence, there are five sorrows. In the same way, in the next sentence, "sick", "many" sick, "one hundred years" (referring to the poet's age of more than half a hundred, exaggerated for a hundred years) are sick, "on stage" and "alone" on stage, and five times sad. There are ten sorrows in the fourteen characters.

The topic of "sadness" was written to Lao Du's sentence, which can be regarded as the peak.

Many of Lao Du's poems are first laid out, or rendered with great effort, and finally point out the cause of sorrow, which makes people sigh. This one is different. The first triptych is so burdensome, but the tail couplet is not released, the poet did not rise up like the end of "The Song of the Thatched House Broken by the Autumn Wind", and even did not vent like the end of "Dengyueyang Tower", "Rongma Guan Shanbei, with Xuan Xuan Siliu", but just think about the sideburns of his face and stop the wine glass in his hand.

However, this ending is even more shocking, because the endless topic in Lao Du's poems is worrying about the country and the people, and there is no need to point it out, but what kind of responsibility is it in the infinite sorrow and strong stomach. And more likely, the poet himself could not bear it, and the wail was powerless.

Therefore, the main line that runs through this poem is "sorrow", which is the multiple sorrows of the life of the family and the country, which is consistent with the consistent theme of Lao Du's poems.

The poem "Ascending" by the Tang Dynasty poet Du Fu uses a variety of artistic techniques to describe the scenery in the first couplet.

The use of artistic techniques in poetry can be divided into the following three types: expression, rhetoric, and expression.

In terms of expression, the first couplet mainly uses description. The poet closely follows the seasonal characteristics of autumn and depicts the empty and lonely scenery by the river. The poet focused on the specific environment of Kuizhou and used the word "wind rush" to drive the whole union.

Kuizhou is famous for its apes, and the gorge is even more famous for its strong winds. The autumn days are crisp, but the hunting here is windy. The poet ascended to the high place, and the sound of "high ape roaring" was constantly heard in the gorge, which had the meaning of "the sound of the empty valley, and the mourning was long gone".

The poet moved his gaze from the heights to the river and the island, and on the background of the clear water and white sand, there were flocks of birds flying in the wind and whirling, which was really a beautiful picture. The first couplet focuses on depicting the specific scenery in front of you, just like the painter's brushwork, and the shape, sound, color, and state are expressed one by one.

In terms of rhetorical devices, the first couplet mainly uses duality. The first couplet, the sky, the wind, the sand, the nagisa, the ape howling, the bird flying, the heaven and the earth are set, and the nature is paired. Not only the upper and lower sentences are right, but also the sentences are self-right, such as the above sentence "sky" vs. "wind", "high" vs. "urgent"; The next sentence "sand" vs. "Nagisa", "white" vs. "clear", reads rhythmically.

In terms of expression, he mainly uses the artistic techniques of combining movement and static, vision and hearing. "Wind rush" is moving, "sky high" is quiet; "The Monkey Howling" is the sense of hearing, "The Bird Flying Back" is the vision, and "Nagisa Qingshabai" is the vision in the still scene. The combination of movement and static, audio-visual and audio-visual gives readers different touches.

Du Fu "Ascending".

It expresses the author's sadness of being poor, old and sick, and living in a foreign land.

Ascending [Author] Du Fu [Dynasty] Tang.

The wind is urgent, the sky is high, the ape is howling, and the white bird flies back.

Boundless falling trees and Xiao Xiao, endless Yangtze River rolling.

He is often a guest in the sad autumn, and he has been on stage alone for more than a hundred years.

Hardship, bitterness, hatred, frost and sideburns, pouring down a new turbid wine glass.

Vernacular interpretation: The wind is urgent, the sky is high, the ape cries are very sad, and there are birds circling on the river island with clear water and white sand.

The boundless trees fall and fall their leaves, and the Yangtze River rolls and rushes endlessly.

Sadness to the autumn scenery sighed thousands of miles of wandering all year round as a guest, a lifetime of illness riddled with illness today alone on the high platform.

After all the hardships and hatreds, the white hair is full of temples, and the wine glass of decay and heart is full of deviations, and the sorrow is suspended.

Background: This poem was written in the autumn of the second year of the Tang Dynasty (767), when Du Fu was in Kuizhou. This was written by a fifty-six-year-old poet in extreme embarrassment. At that time, it had been four years since the Anshi Rebellion ended, but local warlords had risen up again and fought with each other for turf.

Du Fu originally entered the Yanwu shogunate and relied on Yanwu. Soon Yan Wu died of illness, and Du Fu lost his support, so he had to leave the thatched cottage in Chengdu, which had been in operation for five or six years, and buy a boat to go south.

I wanted to go straight to Kuimen, but due to illness, I stayed in Yun'an for a few months before arriving in Kuizhou. If it weren't for the care of the local governor, he wouldn't have been able to live here for three years. And in the past three years, his life is still very difficult, and his health is also very poor.

One day, he climbed the high platform outside the White Emperor City in Kuizhou alone, climbed the heights and overlooked, and had mixed feelings.

What you see in your hope is what you feel in your mind; The bleak scenery of the Autumn River triggered the emotion of his life experience, and infiltrated the sorrow of his old illness and loneliness. As a result, there is this song "Ascending", which is known as the "crown of the seven laws".

Du Fu's "Ascending" expresses the author's complex feelings of wandering for many years, worrying about the country and sadness, old age, illness and loneliness.

"Ascending" is a poem composed by the Tang Dynasty poet Du Fu in the autumn of the second year of the Great Calendar (767) in Kuizhou.

Full text: The wind is urgent, the sky is high, the ape is howling, and the white bird flies back. Boundless falling trees and Xiao Xiao, endless Yangtze River rolling. He is often a guest in the sad autumn, and he has been on stage alone for more than a hundred years. Hardship, bitterness, hatred, frost and sideburns, pouring down a new turbid wine glass.

Translation: The sky is high and the wind is urgent, and the apes are sad and sad, and the gulls are frolicking and circling in the clear water. Endless leaves are falling, and the Yangtze River is rolling and rushing.

Sad to the autumn color sigh drifting outside, in the twilight of the sick I climbed the platform alone. I deeply regret that my sideburns are getting grayer, and I am sad that I stopped drinking after I fell ill.

The whole poem pours out the poet's complex feelings of wandering, old age, illness and loneliness through the scenery of the autumn river seen from the heights, which is impassioned and touching, and also expresses the poet's sentiments when he is sad about the country.

Du Fu wrote "sadness" in the poem "Ascending", focusing on the author's own life experience, expressing the sorrow of being poor, old and sick, and living in a foreign land.

The first four sentences of "Ascending" are allegorical in the scene, describing the experience of ascending, closely following the seasonal characteristics of autumn, depicting the empty and lonely scenery by the riverside, and embodying the sadness in the autumn scenery written.

The last four sentences of "Ascending" are directly lyrical, writing about the feelings of ascending, focusing on the author's own life experience, expressing the sadness of poverty, old age and illness, and living in a foreign land. In particular, the self-injury of the neck couplet reveals the meaning of comparison, symbolism, and suggestion contained in the first four sentences; The big grip with the tail couplet is re-stated, and ends with a self-image of sorrow and illness.

1. Du Fu's sad autumn poem "Ascending", a sentimental poem of Chongyang ascending, "The whole poem tells the poet's complex feelings of wandering, old age, sickness and loneliness for many years through the scenery of the Autumn River seen from the heights, which is impassioned and moving. ”

2. The first half of the poem writes about what you hear and see when you climb the heights, which is a scene; The second half of the poem is lyrical when writing about the feeling of ascending. The first couplet focuses on depicting the specific scene in front of you; The jaw coupling focuses on rendering the autumn atmosphere; The neck couplet expresses feelings, from wandering in a foreign land to being sick and disabled; The last couplet writes that there are many gray hairs and alcoholic due to illness, which reflects the difficult times.

3. This is a poem of Chongyang ascending, the whole poem through the scenery of the Autumn River seen by ascending, pouring out the poet's complex feelings of wandering for many years, old and sick, lonely and sorrowful, the whole poem borrows the scenery lyrically, and the first couplet and the jaw couplet depict the objects in the foreground to render the autumn atmosphere; The neck couplet and the tail couplet express their feelings, written from wandering in a foreign land to being sick and disabled, reflecting the difficult times.

The main sentence of Du Fu's "Ascending" is that the boundless falling trees are falling, and the Yangtze River is rolling in.

Du Fu: Zimei, Han nationality, self-named Shaoling Ye Lao, a great realist poet of the Tang Dynasty, and Li Bai are collectively known as Li Du. Du Fu's influence in the Chinese classical poetry Feng Xige is very far-reaching, by later generations called Bi Jiji as the poet saint, his poems are called poetry history, Du Fu created "Spring Wang" and other masterpieces, in the second year of the Qianyuan Dynasty Du Fu abandoned the official into Sichuan, although the hand was careful to avoid the war, life is relatively stable, but still concerned about the common people, mind the state affairs, although Du Fu is a realist poet, but he also has a wild and uninhibited side, from his masterpiece "Drinking the Song of the Eight Immortals" is not difficult to see Du Fu's heroic spirit.

Although Du Fu's reputation was not prominent when he was alive, he later became famous and had a profound impact on both Chinese and Japanese literature, and Du Fu's total of about 1,500 poems have been preserved, most of which are collected in the "Du Gongbu Collection".

1. The scenes are blended, and the brushwork is intricate but corresponding to each other. The first four sentences are written in the scene, the last four sentences are lyrical, and although the angles of the pen are different, they all revolve around the center of the poem - "sad autumn". In the writing of scenes, there are sounds (the sound of the wind and the sound of apes), color (sand and white Zhu Qing), movement (birds flying and leaves falling), and stillness (sand and Zhu), local scenes (first couplet), and overall scenes (jaw couplets).

And one or three sentences are inherited, all of which are written about mountain scenes; The two and four sentences are inherited, and they are all written about the river scene.

2. In terms of lyricism, the "ten thousand miles" and "one hundred years" of the neck couplet correspond to the "boundless" and "endless" of the jaw couplet. The tail couplet went from gray hair to stopping the cup due to illness, and it boiled down to the fact that the difficulties of the times were the root cause of the unbearable. And.

The fifth and seventh sentences are inherited, and they are all written about sorrow; The six and eight sentences are inherited, and they are all written with multiple diseases. The "bitterness" caused by "sad autumn" and the "stopping cup" caused by "sickness" are closely related to each other in terms of the content of the poem. Although there is such a rich content and such complex feelings in the middle, the gestures are straight down, creating an artistic whole that is both changing and harmonious and unified.