How do you evaluate the calligrapher and painter Zhu Shuling and his works? 5

Zhu Shuling, a calligrapher and painter, is a native of Tengzhou, Shandong. At the age of thirteen, he studied calligraphy and painting, and in his early years, he studied Chinese painting with the famous teacher Yue Shi, graduated from the International University of Chinese Painting and Calligraphy, and studied calligraphy and painting for more than 40 years.

The work uses traditional line organization and rubbing techniques to carry out painstaking artistic recreation, and finally creates a new landscape painting grammar and creative system that can completely break away from traditional landscape painting techniques and be more oriented to nature. In practice, it has opened up a new world for Chinese painting.

At the same time, he pays attention to the accumulation of cultural connotation, reads a wide range of books, and has studied philosophy, history, poetry, Confucianism, Buddhism and Taoism. His works are inspired by Xu Wei's freehand painting method, and he has studied the brushwork and composition of Bada Shanren, Wu Changshuo, Qi Baishi and other masters, attaching importance to theoretical research and inheritance, as well as practice and innovation.

His work is quite good. It's a well-known figure in contemporary times. It's actually very high.

If you want to evaluate the works of the calligrapher and painter Zhu Sumian, it can be said that although his writing is not as good as Wang Xi's knowledge. Yan Zhenqing's generation still has his style, strong and powerful. Energetic and heroic, this is the characteristic of his work, his personality.

Well, he's not a calligrapher, he's a painter, and he's comparable to us painters.

One of the genres of Chinese painting. It is a branch of the five generations of flower and bird painting school, representing the painter Huang Zhen. Huang Ju Xishu Painting Academy dominated, after entering the Song Dynasty, the style of painting continued for nearly a hundred years, at that time the flower and bird paintings were all based on the "Huang family system".

Guo Ruoxu of the Northern Song Dynasty said in "On the Difference of Huang and Xu Ti" in "Pictures and Stories": "The Huang family is rich and noble, and Xu Xiye is easy. He also pointed out that the paintings of the Yellow School mostly depict rare birds and birds in the forbidden period, strange flowers and strange stones, neatly brushed, and magnificently colored.

In this school of painting, the outline is hooked with a thin ink line, and then the color is filled, which is the so-called "hook filling method". Later generations rated it as "hook and fill in the color, the purpose is colorful". After entering the Song Dynasty, all the flowers and birds painted at that time were subject to the "Huang family system".

Since he is a painter, of course his work is very good.

Zhu Shuling - a native of Tengzhou, Shandong. At the age of thirteen, he learned the word Huiheng painting, worshiped the famous teacher Yue Shi Chinese painting in his early years, graduated from the International University of Chinese Painting and Calligraphy, and studied calligraphy and painting for more than 40 years. The art of calligraphy and painting has accumulated and precipitated for many years, and gradually formed the traditional literati painting skills and the modern literati painting appearance, and the works are open, atmospheric and touching, and philosophical.

Taking Chinese painting as an example, Chinese painting is destined to be almost unmodifiable because of the smudge characteristics of brush and ink, and the next stroke is finalized, but the complex stacking and composition of ink colors can cover up many wrong brushstrokes. And Qi Lao's paintings show not simple skills in simplicity. There is an old Chinese saying:

The avenue is simple, and the big is simple. Sometimes the more complex it is, the more sophisticated it is. Taking Mr. Zhu's painting as an example, the painting of small animals, especially the thick and light ink, can be described as extremely transparent, and the treatment of ink colors everywhere can be described as wonderful.

The head and body are expressed in shades, with uneven shades and cloth, especially in the upper part, many but not chaotic, the composition is extremely ingenious, the layers are clear, the postures are different, and can be unified and coordinated. In short, as well as his other brushstrokes, are extremely sophisticated, the ink is moist, and the power of the pen is powerful, so that everything is lifelike and vivid under his brush.

Works: Rigorous brushwork, strong brushwork, lively and vivid, smooth and round; It is also necessary not to be rigid and rigid, full of changes, strong bones, strong through the back of the paper, kung fu, perceptive, very collectible, and the appreciation of the works is huge.

His works are powerful, dense, chic and elegant, full of dynamism and momentum.