What is the framing process of calligraphy and painting? The basic steps of framing calligraphy and

Framing old calligraphy and paintings needs to go through multiple processes such as washing and destaining, removing old and patching, repairing and grinding the residue, earning the full color, piercing and mounting, inlaying the silk silk, turning the side and supporting the back, and calendering the rod. However, it can be mainly divided into: restoration of the painting heart, product binding and mounting, etc.

Repair the heart of the painting, some of the old calligraphy and painting damaged, some dirty, the repair methods are as follows:

Decontamination. If the color of the picture is stable, you can soak the heart of the painting in clean water, and change the water at intervals, so that it can be clear and clean. If the stain is heavy, you can soak it in hot water or pour boiling water slowly.

If the color of the picture is damp and the lead is returned, it can be eliminated with hydrogen peroxide. The heart of the painting is moldy, there are black and red, black mold is easy to coat, red mold can be coated with potassium permanganate solution on the mold, and then apply hydrogen peroxide and light oxalic acid water later, if the mold is not serious, it can be removed at one time.

Peel off the old. Before unmasking, brush the front of the painting center with a pen dipped in water or warm water, and cover a piece of new paper, and put it on the reverse case to be revealed. There are many fractures in ancient calligraphy and paintings, such as before revealing the heart, no padding paper is attached, and after the uncovering, it is not easy to start a case.

Supplementation. The heart of the painting that has been revealed, if complete, can be adjusted to thin paste, and a layer of old colored paper that is slightly lighter than the life paper life silk. If there is a defect, you can use your hands to knead the edge of the residual part of the painting heart out of a thin edge, choose a good patch paper, correct the texture to make up, and rub out a thin edge at the edge of the patch. Make the seam of the right thickness.

The specific steps of framing calligraphy and painting are as follows:

1. Mounting. Turn the painting and calligraphy work (which can be called a painting heart) over and face up, spread it on a flat and hard tabletop, moisten it slightly to make it naturally soft, and then brush it evenly with the treated water.

2. Smooth the center of the painting, remove the residual air bubbles between the center and the tabletop, and wipe the water on the table with a clean rag along the edge of the center.

3. After the heart of the painting is slightly dry, roll it up with another piece of rice paper that is larger than the center of the painting, and gradually cover the back of the center along one end of the center, and brush it flat with a board brush while covering it, so that it is flat and covered on the back of the center.

Fourth, use a board brush to hold up the heart of the painting, the specific requirements are that one is not loose to leave bubbles, and the other is to use uniform and moderate force when dunning, so as not to break the heart of the painting.

5. Gently lift the center of the painting from the table, hang it on the bamboo pole or wooden strip prepared in advance, and let it dry naturally. Note that this is just a pre-drying point to prepare for the upper wall.

6. When it is about 6 to 70% dry, remove it and spread it on the tabletop, still with the back facing up. Brush the water along the four sides of the back of the painting center (not too wide, especially not to the corresponding position of the painting and calligraphy paper), and paste a finger-wide strip of paper on the center of a certain side, so that a small gap can be left on the wall.

7. Pinch the two ends of the corresponding side of the small paper strip, lift the painting center from the desktop, and paste it on the flat wall without debris and dust, and use a board brush to make the painting center around it solid, so as not to fall off. At this point, the mounting work is basically completed, just waiting for natural drying. Just take it off.

If you want to fit the frame, you should cut it first. Framing calligraphy and painting is a step that is considered complete.

How to frame calligraphy and drawings is as follows:

1. Turn the work back to the back. Spread flat on the table.

2. Soak the brush in water and brush the back of the work, don't use too much force, don't dry too much, just brush the work flat.

3. Spread the newspaper on the work and absorb the water.

4. Dilute the paste with water, not too thick and not too thin.

5. Another wool brush evenly coats the diluted paste on the back of the work, and must be evenly coated. Then clean the extra paste on the table around the work.

6. Take a piece of rice paper that is about 2 cm wider than the work, put the rice paper from the side with the left hand, and brush back and forth with the brush (the brush to be dry) in the right hand and slowly put the rice paper to continue to brush until the rice paper is completely attached to the work. {For example: when we put rice paper, we use our left hand to hold the rice paper and put it slowly, then the right hand brushes back and forth up and down, and keeps moving to the left, and after brushing, you can cover the newspaper and continue to brush until there are no bubbles.}

7. At this time, brush the paste on the extra 2 cm, and then prepare two pieces of rice paper about 5 cm wide and 10 cm long, and cover them in 1 3 places on the side of the work, which is called "chimney" to keep the back of the work breathable. Finally, use a knife or something like to pick up the corner of the rice paper and slowly lift it up. Pay attention to the work to be pasted on rice paper.

8. After picking up the framed work, the front of the work is facing itself, walk to the side of the smooth wall (board), the closer the better, blow the breath, and paste it on the wall, use a dry brush to brush a stroke vertically on the work, brush horizontally - pen, draw a rice character type, and finally brush the 2 cm around the work outside. In this way - the secondary painting is basically flat.

9. After a few days, when the painting is dry, use a knife to cut off the painting on the wall, and the cutting is completed, and the mounting is finished.

The steps of framing calligraphy and painting include making paste, mounting, and drying on the wall. The steps of painting and calligraphy framing include the following: first of all, we must purchase tools such as pen and brown brush, and then make paste, and the paste used for framing should pay attention to the appropriate viscosity, and the calligraphy and painting heart should be neatly cut with a cutter, and the wall should be dried and the serial paper should be pasted on the back.

Summary. Before framing the painting, it is necessary to sort out the completed work, because the painted calligraphy and painting will definitely have different degrees of wrinkles, especially in Chinese paintings or calligraphy created on rice paper, which will be easy to wrinkle after dyed with ink. Find a relatively flat and clean place at home, spread a layer of flat cloth on it, and put the calligraphy and painting works on top of it.

If the degree of wrinkle is relatively light, you can iron directly with an electric iron at low temperature. If there are many wrinkles, spray a fine mist evenly on the painting to make the painting more moist, let the wrinkles slowly spread out, and then iron it at low temperature with an iron.

How to frame calligraphy and paintings?

The four steps of quickly framing calligraphy and painting are to organize the painting, frame the calligraphy and painting, add inlays, and cut the painting. In fact, there is a lot of knowledge in the middle of the framing of calligraphy and painting, and there are not only these few simple steps, which involve a lot of professional techniques, if you do it yourself, these simple steps can also complete the framing of a calligraphy and painting.

Before framing the painting, it is necessary to sort out the completed work, because the painted calligraphy and painting will definitely have different degrees of wrinkles, especially in Chinese paintings or calligraphy created on rice paper, which will be easy to wrinkle after dyed with ink. Find a relatively flat and clean place at home, spread a layer of flat cloth on it, and put the calligraphy and painting works on top of it. If the degree of wrinkle is relatively light, you can iron directly with an electric iron at low temperature.

If there are many wrinkles, spray a fine mist evenly on the painting to make the painting more moist, let the wrinkles slowly spread out, and then iron it at low temperature with an iron.

Roll up the painting and set it aside, prepare a piece of mounting film that is a little larger than the painting, slowly glue the painting to it, and then glue the decoration you like. Trim the calligraphy and painting according to the size of the prepared frame, and then put it into the frame.

Hello, you can refer to the above content to frame the calligraphy and painting according to the actual situation.

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Calligraphy and painting mounting is a unique technology in China to protect and beautify calligraphy and painting and inscriptions. It has a long history, the procedure is complex, the tools and materials needed are relatively more, it is a more professional technical work, and it is not suitable for amateurs to operate at home, and it needs to be trained or studied by professionals before it can be framed, and it is not recommended to operate personally. Taking traditional hand-mounted as an example, here are some basic knowledge related to framing for reference:

1. The main equipment for painting and calligraphy mounting: studio, wall, desk, drying rack, copy table, herringbone ladder, etc.

2. The main tools for painting and calligraphy mounting: pen arrangement, brown brush, ruler, cutter, stone, scissors, awl needle, etc.

3. The main materials for painting and calligraphy mounting: There are many materials used in painting and calligraphy mounting, including paste, rice paper, silk and silk, as well as painting rods, shaft heads, copper buttons, rope belts, wax plates, etc.

4. The main process of painting and calligraphy mounting: according to the different shapes of calligraphy and painting mounting, different calligraphy and painting, the process of mounting is not exactly the same. It can be roughly divided into six processes: material preparation, painting heart, thorn setting, preparation, support, and rod.

Peng Changgui, a master of the art of framing calligraphy and painting of the Four Treasures of Chinese Study.

Raw rice paper, silk, silk, brocade, brocade, linen, etc. Sky rod, ground pole, crescent pole, shaft head, hand roll piece, skewer, ribbon, ribbon, copper button, etc., flour, gelatin, alum, etc.

paste, adhesive required for mounting. It is made with starch or good flour that has been removed from the gluten bran, and an appropriate amount of alum needs to be put in when beating to prevent insect damage in the future. Pigments, i.e., Chinese painting pigments, are used to dye paper, silk, silk and to add color to damaged painting hearts.

Ropes, belts, pins, used to tie up tight frames. In addition, some chemicals must be prepared, such as potassium permanganate, oxalic acid, hydrogen peroxide, acetone, ether, etc., to remove mildew, stains, etc.

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