What are the good repertoire of classical dance, what are the repertoire of classical dance?

Ai Lian said address

Fan Dance Dancheong address

Autumn memories of bamboo leaves green.

Flowers fall in the south of the Yangtze River.

Why didn't the upstairs say the classic repertoire "King Qin's Soldiers", "The Soul of the Qin Warriors" and "Book Rhyme"?

There's a lot of a dozen potatoes.

The classical dance repertoire is as follows:

1."Walking Song". Singing, a traditional dance of the Han people. This ancient dance form originated from the folk and arose in the Han Dynasty more than 2,000 years ago, and became even more popular in the Tang Dynasty.

2, "Xie Gongyi". Xie Gongqi danced in a group of men in the Southern Dynasty. This program is a sister chapter to the female stepping song, which can also be called the male stepping song.

At present, male dance is becoming more and more martial arts, and the style orientation is relatively simple, and this program focuses on showing the gentleness and elegance of men in the state of etiquette. A change in the stereotyped image and style of male dance.

3, "Taoyao". The classical dance "Taoyao" of the Han and Tang Dynasties, which is full of the dreamy atmosphere of the girl to be married, is from the "Book of Songs". Zhou Nan. Taoyao", the whole dance is full of youthful atmosphere, and the dancer Miaoman's posture creates a girlish image like a little peach tree for the audience.

4. "The Lady of the Fan" has created the image of the ladies of the Qing Dynasty, and contains some characteristics of ancient Chinese women's dance, which are mainly manifested in the walking gait, the mellow and subtle movements and the peace and stability of the cultural mentality.

Chinese women's customs are very different from ancient times, middle to modern times, especially from the Ming and Qing dynasties to the May Fourth New Culture Movement for hundreds of years, women's foot-binding era has a profound impact on Chinese women's dance.

5. "Grab the Drum" is inspired by the portrait stone of the Han Tomb in Yinan, Shandong, which depicts the entertainment activities of the tomb owner during his lifetime, accompanied by pan flute, drum and percussion, the artist dances the tread dance, which is evidenced by the portrait brick of the Han Dynasty Pan Dance unearthed in Taiping Township, Peng County in 1956.

The recommended repertoire of classical dance includes: "Moon Reflecting Qiantang", "Yonghe", "Let's Look at Xingyun", "Suo Qingqiu", "Nishang Dream", "Empty Valley Orchid", "Mei Niang", "Feathered Spirit Snake", "Crazy Song Xing", "King Kong", "Forced to Liangshan", "Book Rhyme", "Wind Yin" and so on. In addition, there are too many people to choose in "Ai Lian Said" and "North Looking at Rivers and Mountains", so it is recommended not to choose.

A good dance repertoire, the key lies in the candidates themselves, each repertoire has the advantages and disadvantages of each repertoire, the key is to choose the one that suits you and can show your strengths, which is the best. For example, some repertoire is suitable for tall people to jump, and some repertoire is suitable for short people to jump, so the choice of repertoire should be based on your own situation.

The choice of repertoire is very important, and the dance itself is not just about imitating movements, but also about transcending our inner emotions and releasing emotions, which requires us to calm down and feel the alternation of rigidity and softness in dance. Let go of impetuousness and dance with heart, learn to combine movement and static, and bring your own feelings to dance, which is more difficult than any technique.

Dance art is an art form that uses refined and processed human movements as the main means of expression, using various basic elements such as dance language, rhythm, expression and composition to create an intuitive and dynamic dance image and express thoughts and feelings. Dance is a common art style. When we perform dance, we sometimes intuitively feel that the performers express themselves very well, but it is difficult for us to say why it is good, fortunately.

In order to better appreciate dance, we need to have a certain knowledge of dance appreciation. Dance appreciation is a kind of spiritual activity produced when people watch dance performances, it is the process of feeling, experiencing and understanding dance works, and it is the audience to concretely understand the social life, the thoughts and feelings of the characters and the aesthetic evaluation of this life phenomenon by the dance artists through the dance image created in the dance works.

To appreciate dance, people must first have a certain level of dance knowledge, dance appreciation and cognitive ability. Marx said: "If you want to enjoy art, you must be an artistic person."

If we want to enter the art of dance and appreciate dance, we must understand the characteristics of dance art, the relationship between dance and other arts, the various constituent factors of dance image, and so on.

"Appreciation and Criticism of Chinese and Foreign Fine Dances" is a theoretical course offered by dance majors in colleges and universities. This course can not only broaden students' horizons and improve their aesthetic ability, but also enable them to further grasp the composition and dissemination of dance ontology from a micro perspective on the basis of macro learning, and finally achieve the goal of close integration of theoretical learning and classroom practice.

Focusing on the appreciation and commentary of Chinese and foreign fine dances, supplemented by the introduction to dance art and the development history of Chinese and foreign dances, and following the principles of practicality and operability, we strive to provide systematic and standardized appreciation guidance for dance teachers, students and dance lovers.

It introduces the emergence and development of Chinese classical dance, Chinese ethnic folk dance, Western ballet and European and American modern dance, dance style and cultural connotation, and analyzes the historical background, performance content and wonderful dance segments of specific works, so that readers can better gain a better understanding of dance culture and dance art through the dabbling and attention of different countries and regions and different dance forms.

Key points of writing: 1. This women's solo dance is produced under the background of the choreographer's new understanding and new thinking about the development of folk dance in the new era. The dance expresses a woman's sigh and remembrance of her lost youth triggered by a green fallen leaf, as well as the inner turmoil and pursuit of life that arises from it.

The dim stage was silent everywhere, a green leaf fell quietly on the stage**, and a woman stood beside it.

2. In the wind and rain, she longed, longed for the green leaves not to wither, longed for the footsteps of youth and years, and longed for her life to shine again, so she lifted the green leaves again and again. The whole work is hearty, in one go, freehand, lyrical, creating an evocative and reverie artistic conception space in the distant and euphemistic **.

Dance repertoire suitable for girls.

1, "Luo Fu Xing".

It's easy to move and easy to get started. The connotation is profound, **wonderful! These are the four major advantages of this work, and there are not many difficult technical skills among them, which can be changed and adjusted on their own basis.

**The rhythm point is also very obvious, whether it is beginner or proficient, there will be no embarrassment of not hearing street shots and not being able to get stuck! This repertoire is supposed to be white rice in classical dance! Men, women and children can't do without him!

2, "Dream of Spring Boudoir".

The structure of the dance works is very good, the overall impact of the works is very strong, and the costumes are very distinctive. And there is a certain cultural heritage, which is convenient for dancers to deepen their understanding.

Moreover, the technical skills of this repertoire are the finishing touch, without any out-of-place and incongruity, and it is one of the best dances in the art examination and stage performance!

What's even more rare is that this repertoire is easy to learn, as long as it is a student with a little bit of skill, it can be mastered and understood, and the requirements for the body are not particularly harsh, you can cover up the defects in the action, the only drawback is that it costs more eye makeup! Because it takes a pair of big twinkling eyes!

3, "Ai Lian Said".

A classic that can't be avoided in classical dance works, a favorite of body flow, and one of the must-have repertoire of softness flow! I can't say much about the classics and perfections of this repertoire. It can only be said that as long as you are in good shape and soft enough, you can get a good score for this show!

Spring branch red beans [I like this the most].

Luo Fuxing is homesick.

Flowers fall south of the Yangtze River [** is pipa language].

Ai Lian said that the second part of the second part of the ** is a bit of Peking Opera flavor, more than ten minutes long, you may not need it, but it is still recommended to go down o(o】

Feng Mingdong [I've always felt very familiar with this **, but I can't remember the name ==].

Classical dance. "Bamboo Branch Words", "I Say a Word to the Moon", "Fang Chun Xing", "Morning Flowers and Sunset", "Green Willow Breeze", "Ai Lian Said".

Nostalgia is boundless", "Willow Green Pink", "Luo Fuxing".

It's an old repertoire like "Fan Dance Danqing".