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Practicing fountain pen writing is generally easier than adults for primary school students and some young people whose fonts have not yet been finalized. This is because they are receptive to new fonts, and once they have the right guidance, choose the right font, the right method, and have a consistent attitude, they can get good results in a short period of time. And for adults whose fonts have been finalized, it is not so easy to practice pen characters.
Because they did not pay attention to the quality of the words before, some ugly or even wrong writing has become a bad habit and it is difficult to correct it. They want to practice calligraphy now, but they often only tinker with the existing font and choose a font similar to their own, so that they often do not learn the good and do not lose the bad, so that the more they practice, the more ugly it becomes. So how do you get these people to practice handwriting well?
My experience is that first of all, they have to completely forget about the previous font and start from scratch, starting from the most basic dots. Then practice the structure.
For fountain pen characters, the most important thing is the structural problem, and the quality of the knot directly affects the beauty of the word. Therefore, it is most important to write a good pen type. But now there is a very difficult problem to solve, that is, it is difficult to forget the previous font, and often bring the old habits into the new font in the process of posting.
The best way to change this situation is to first choose a block block script that is different from your previous font. The purpose of practicing block letters is to correct the shape, and if you practice it for a week or two or more, you can be in shape. When the shape is correct, you should also choose a calligraphy that is completely different from my original font and is what I think is beautiful.
If the previous font is restrained, choose an unrestrained copybook; If the font is loose, choose a rigorous copybook; If the font is rigid, choose a chic copybook; If the font is soft and smooth, choose a firm copybook, if the font is bloated, choose a delicate copybook. After practicing in this way for two to three months, you can learn new fonts. I often encounter such problems in learning, and it is normal to make rapid progress in the first few days, but after a period of time, I feel that the more I write, the worse I write.
At this time, you must calm down, continue to practice, and after a period of hard work, you can get out of the predicament and get on the track. The purpose of copying is to forget the previous words, memorize the words on the copybook, and apply them. After that, it is necessary to arrange the relationship between words and lines, which is the so-called chapter cloth white.
For people who generally just want to write beautifully, but don't want to achieve anything in this area, it is enough to be able to do the above. This is the experience I have gained from my studies, and I have also introduced these experiences to others, and the results have been good. If you want to achieve something in the art of pen calligraphy, it will not be achieved overnight.
Not only must we learn from the brush calligraphy, such as the brush, knot, chapter, rhyme, etc., but also must give full play to the inherent characteristics of the pen. Only in this way can the art of pen calligraphy flourish and give her a strong and permanent vitality. Otherwise, pen calligraphy can only be a vassal of brush calligraphy, and cannot be developed and innovated, and there will be no strong and permanent vitality.
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I'll illustrate it with hands-on practice. When I was a freshman in high school, my handwriting was ugly, and under the ridicule and encouragement of my friends, I bought a copybook. In other words, there is determination before practicing calligraphy.
First of all, (it is best to use a fountain pen) to use "heart" when writing a notebook, not to be fast, even if it takes an hour to write a page, just to write every word to have a harvest. Second, memorize some good-looking words. For example, the upper right "eight" of the word "loose" on the calligraphy is much higher than the apostrophe, so I will remember it and write it in the future.
Again, if you have the time, write two pages a day, and then carefully copy an essay of a few hundred words on a blank piece of paper while it is hot (be sure to do it stroke by stroke), and within a week, your words will be impressive. Finally, if you want to write well, you need to be more careful than when you usually write every word, and it may be slow and tiring at first, but you must be determined to persevere. If you don't have much time, take notes carefully in class and write them neatly and beautifully.
I also grew a lot in my junior year of high school. Also, I often can't help but practice calligraphy on scratch paper during self-study, knowing that I don't stop until I think the character is good. If someone has a good handwriting, look at his handwriting more and pay attention to the stroke trend of his handwriting, which is also very helpful to yourself.
That's how I practiced my handwriting. Some teachers think that it is not easy to practice their own handwriting, but I don't think so. When tracing the copybook, "everyone is the same cloud", and when I write, I naturally "let me gallop", and no one can copy the words in the copybook on paper.
You can buy a copybook without a pen, I used Sima Yan's, and I only used half of it! I think the most important thing in practicing words is to be attentive, and I hope you can practice words well!
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1.It cannot be written as a square word.
We always say that Chinese characters are square words, many printed characters are indeed square words, if we write Chinese characters as pure square words is actually not good-looking, Chinese like to pursue the mean, so writing should also pursue the mean, both square and round, so the font is generally a combination of square and round.
2.Three points look at the structure, seven points look at the main writer.
Be sure to pay attention to the writing of the key strokes of a word, as long as the key strokes are written well, the whole word will not be ugly. The key stroke is what we always call the main stroke, for example, there are long and horizontal strokes in a word, and generally this long and horizontal stroke is the main pen, and then for example, the oblique hook of the word "I" or the word "Cheng" is the main pen.
3.A little bit of a feature is even more brilliant.
When practicing calligraphy, you must have your own observation and similarities and differences, and the words cannot be the same, but also differentiated, and form your own certain style.
4.When writing pen characters, structure is more important than using a pen.
Brush characters pay attention to both strokes and structure, while hard pen strokes are slightly lighter, and the focus is on the overall structure of the font.
5.The pen should be natural, not deliberate.
When the font is connected, it should be relaxed and natural, and it should not be deliberately written in line letters, which should also follow the structure of the font. Moreover, the line and the regular script can not be played, and it is simply understood that it is the difference in speed.
6.Quality is more important than quantity.
When practicing pen characters, it should not be based on giving, but should be based on copying, which is more quality.
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