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Plugged down (its sixth).
Rong Yu. The north wind withers the white grass, and Humari horses. After the night, the moon is in the building, and the autumn is coming. The iron coat is heavy and the frost is heavy, and the war horse is old. Since there is Lulongse, smoke and dust fly to this day.
The last three couplets of the poem depict the image of the border generals, among which the jaw couplet mainly expresses the pain of homesickness, the neck couplet mainly expresses the suffering of the border guard, and the tail couplet can be said to describe the inner life of the border general, that is, the complaint and disgust of the war. The poet's emotions in the poem are rich, including sympathy for the soldiers of the border and weariness of war, which in combination is the longing for the arrival of peace.
portrays the image of a border general who suffers from border and homesickness. The neck couplet expresses the sympathy for the suffering brought by the war to the border soldiers, and the tail couplet expresses the weariness of the continuous wars from ancient times to the present, and the whole poem embodies the poet's good wish for peace.
On a moonlit night, I remember my brother Du Fu.
The drums cut off the pedestrians, and the sound of geese in the autumn.
The dew is white from tonight, and the moon is the hometown of Ming.
There are brothers who are scattered, and there is no home to ask about life and death.
The length of the letter is not reached, and the army has not ceased to be suspended.
Brief analysis] In the eyes of homesick people, the moonlight in their hometown is exceptionally bright; The brothers have not heard from them for a long time because of the chaos, and they can't even write a letter, and the nostalgia is progressing.
Dew from tonight white" shows that the season at that time is really white, and at the same time gives the author a sense of desolation and chill, which means "the white dew on the leaves starts tonight, only to find that it is white" (in fact, the explanation of this sentence is not very important, just understand the artistic conception expressed), "and the moon in the sky is still brighter than the hometown" (this sentence is particularly critical, it is obviously the same bright moon, but the author stubbornly believes that the hometown is whiter, which makes the reader experience his homesickness).
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People have joys and sorrows, the moon has clouds and sunny days, and this matter is difficult to complete", the writer's explanation of the joys and sorrows of the world shows that the author has formed a kind of free and easy and open bosom due to the influence of Zhuangzi and Buddhism.
It embodies the author's comprehensive understanding and understanding of the eternal universe and the complex and changeable human society, and is a small summary of the author's worldview through the observation of the moon and people. The author looks up to the changes of ancient and modern, laments the flow of the universe, and is tired of the ups and downs of the sea, and infiltrates a strong philosophical meaning in the artistic conception atmosphere of the bright moon and the lonely and distant sky, revealing the wise concept of life, and achieving a high degree of compatibility between man and the universe, nature and society.
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Raise a glass to invite Mingyue, and the shadow becomes a trio. (Loneliness and loneliness).
Raise your head to look at the bright moon and bow your head to think of your hometown. (Homesickness).
People have joys and sorrows, and the moon is cloudy and sunny. (Open-minded attitude towards life) the spring breeze and the south bank of the Green River, when will the bright moon shine on me? (Homesickness).
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Combined with the analysis of specific poems, the image of the moon in Li Bai's poems is the emotional sustenance that enriches the image of the moon into the poem, and the rich moon imagery is full of the romantic sense of Li Bai's poems. Mingyue is the embodiment of the beautiful ideal in Li Bai's heart, and he uses this bright light to create a noble paradise, but it is also in this poetic realm, narrowing the distance between the moon and "me" again and again. Reading Li Bai's poems, we can feel that the moon is high and far, but we are close to others.
Combined with specific poems, the imagery of the moon in Li Bai's poem is analyzed.
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Combined with the analysis of specific poems, the image of the moon in Li Bai's poems is the emotional sustenance that enriches the image of the moon into the poem, and the rich image of the moon is full of the romantic sense of Li Bai's poems. Mingyue is the embodiment of the beautiful ideal in Li Bai's heart, and he uses this bright light to create a noble paradise, but it is also in this poetic realm, narrowing the distance between the moon and "me" again and again. Reading Li Bai's poems, we can feel that the moon is high and far, but it disturbs Heng and others.
Expand; Li Bai (701-762), the word Taibai, the name of Qinglian monk, also known as the "Immortal", the great romantic poet of the Tang Dynasty, was praised as the "poet immortal" by later generations, and Du Fu together called the companion early as "the great Li Du". Li Bai is hearty and generous, loves to drink and write poems, likes to make friends, is deeply influenced by Huang Lao Liezhuang's thoughts, there is "Li Taibai Collection" handed down, and most of the poems are written when he is drunk. Li Bai's lyrics have been bigraphed by the Song people (such as Wen Ying's "Xiangshan Yelu" volume), and in terms of its pioneering significance and artistic achievements, "Li Baici" enjoys a very high status.
His representative works include "Wanglu Mountain Waterfall", "Difficult to Travel", "Difficult to Walk", "Difficult to Shu" and so on. <>
<> heroic and unrestrained, fresh and elegant, rich in imagination, wonderful artistic conception, wonderful language, romanticism, and clear ideas. Li Bai lived in the Tang Dynasty, he was heroic, loved the mountains and rivers of the motherland, traveled all over the north and south, and wrote a large number of magnificent poems praising famous mountains and rivers. His poems are both heroic and unrestrained, fresh and elegant, and rich in imagination, wonderful artistic conception, and brisk language, and people call him "poet fairy".
Li Bai's poems not only have a typical romantic spirit, but also have typical romantic artistic characteristics from image shaping, material ingestion, genre selection and the use of various art techniques.
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1 All Poetry: This poem describes the poet's feeling of looking up at the moon in the house on an autumn night. The poem uses metaphors, foils and other techniques to express the feeling of homesickness, the language is fresh and simple and the charm is endless, and it has always been widely recited.
"Silent Night Thoughts" is a poem written by the Tang Dynasty poet Li Bai.
The bright moonlight in front of the bed is suspected to be frost on the ground.
Raise your head to look at the bright moon and bow your head to think of your hometown.
Translation: The bright moonlight shone on the window paper, as if there was a layer of frost on the ground. I couldn't help but raise my head and look at the bright moon in the sky outside the sky window, and I couldn't help but bow my head and ponder, thinking of my distant hometown.
Creative background: Li Bai's "Silent Night Thoughts" was created in Yangzhou Hostel on September 15, the 14th year of the reign of Xuanzong of the Tang Dynasty (726), when Li Bai was 26 years old. At the same time, there is also a song "Autumn Night Travel" made in the same place. On a starry night, the poet looked up at the sky for a bright moon, and homesickness arose, and wrote this famous poem "Silent Night Thoughts", which has been recited through the ages and is well-known at home and abroad.
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Su Shi, "Water Tune Song Head", I hope that people will last a long time, and they will be chanjuan for thousands of miles. There are lovers who know each other.
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Mountain line Du Mu.
Far up the cold mountain stone path slope.
There are people in the depths of the white clouds.
Parking sits in love with the maple grove at night.
Frost leaves are red in February.
Yongmei Wang Anshi.
There are a few plums in the corner, and Ling Han opens it alone.
I know that it is not snow, but there is a dark fragrance.
The bright moonlight in front of Li Bai's bed is suspected to be frost on the ground.
Raise your head to look at the bright moon and bow your head to think of your hometown.
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August 15th.
There is white bread in the air.
Everyone is watching.
Lovers also embrace.
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Bright moon in front of the bed
Suspected frost on the ground.
Giant wangmingyue
Bow your head and think of your hometown.
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Explanation: There is a bright moon in the sky over Juzhou tonight, I am here to see the bright moon, and my wife must be alone in the boudoir to look at the moon: I hope Xianggong will come back soon!
What the author saw was the month of Chang'an. If you ink from your own side, you should write "Tonight's Chang'an Moon, I only look at it alone in the boudoir". But what he is more anxious about is not his loss of freedom and uncertain life and death, but how anxious his wife is about his situation.
So he was quietly moved, galloped thousands of miles, and wrote directly "Tonight's moon in Juzhou, I only look at it alone in the boudoir". This has passed through a layer.
When the moon is in the sky, you can see it every month. The "solitary look" that specifically refers to "tonight" naturally has the "same look" of the past and the "same view" of the future in mind. The future "look together" is left to be clarified at the conclusion. In the past, the "same look" is implied in the one-two-two.
Entitled "Moonlit Night", every word is illuminated from the moonlight, and "Solo Look" and "Double Illumination" are the eyes of a poem. "Looking alone" is reality, but from the other side, he only writes that his wife "looks alone" at the moon of Yanzhou and "remembers Chang'an", and his own "alone" at the moon of Chang'an and remembers Yanzhou, which has been included. "Double Photos" encompasses memories and hopes:
The sentimental "solitary look" of "tonight", reminiscing about the past and looking together, and pinning the hope of leaning on the "false pretense" (thin curtain) and the sorrow of the moon on the future that does not know "when". The words are tactful and the rules are tight. As Huang Sheng said:
The five laws are here, and there is no poetry and sacredness! ”
With the help of imagination, he writes about his wife's thoughts about himself, and also writes about his thoughts about his wife.
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