What do you think of Mo Yan s Transparent Carrot ?

"Transparent Carrot" is Mo Yan's famous work. In 1985, he published a novella in the second issue of Chinese Writers. "Transparent Carrot" gives people a sense of trance.

Everything it describes seems to be realistic and unrealistic, empirical and non-empirical, transparent and opaque. This unique artistic image and artistic effect enable people to obtain a fresh and unfamiliar aesthetic experience.

Transparent Carrot is not mysterious. The author wants to express his certain feelings and attitudes towards life, but he does not use a realistic method that people are very familiar with, but uses a specific form of expression to dissolve realistic and non-realistic factors into one to form a very special ** artistic image.

I think reading Mo Yan's "Transparent Carrots" is an unbearable pain of life again and again; Reading Yu Hua's "Alive" is the weight of life that cannot be borne again and again. Whether it is a black child or a blessed child, for them, it is difficult to live, and it is even more extravagant to live well, but the days still have to go forward, and they are still living in their own way and with all their might.

On the surface, carrots are transparent, in a deep sense, carrots are seen as transparent, carrots are a symbol of suffering, they see through suffering, they see through the things around them, the people around them, they see through the era.

I think the radish can be transparent, and it can still be red. It's already an image, a poetic image. It reminds one of fairy tales. However, according to the usual parlance, this should be regarded as a so-called rural theme that reflects rural life**.

I think ** has created an unforgettable, insulted, and forgotten image of the "black child", but the world in the eyes of the black child is strange and beautiful, full of dreamlike colors like transparent carrots, which also brings readers a glimmer of hope about life and life.

I think that in addition to the unique style of description, the profound theme of this article will not only limit people to the imagination of wonderful scenery, but also let us understand an era and provoke thinking about a society.

I think this is quite educational, different people may see different phenomena, but I think this can really make us understand a lot, and all parts of the article can be understood and analyzed. Anyway, I think it's pretty good.

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The image of the black child in Mo Yan's "Transparent Carrot" and the symbolism of this imageThe image of the black child in Mo Yan's "Transparent Carrot" and the symbolism of this image Essay reference The image of the black child in Mo Yan's "Transparent Carrot" and the symbolism of this image 29-2-9

The image of the black child, the impression that the black child gives us is first of all a perseverance in life. This is the tempering of a miserable life. He lost his mother when he was a child, and his father went to Kanto, and his stepmother often abused him, so that he was "in a daze like a stone statue at every turn."

Under the gloomy and silent exterior, no one can guess how much pain is suppressed in his heart. The heavy reality casts his cold and tough character, which is mainly reflected in two aspects: first, his perseverance in the pain of reality.

the servitude and beating of the little blacksmith; the indifference of the old blacksmith; He endured the hard work and scorching test of pulling the bellows with great perseverance, and he had long been accustomed to this inhuman life. The second is that his indifference reflects stubbornness. The black child never said a word, rarely looked at people with his eyes, and even cared about the chrysanthemum who cared about him, only "grabbed a handful of soil and pressed it on the injured finger".

When pulling the bellows, "the flames made him ** ache like a needle tip", and the kind Kikuko pulled him away from the craftsman's shed, but he bit Juzi hatefully. His coldness, stubbornness, is the result of his long life in an emotionless world. The symbolism of the image of the black child: Mo Yan's pen often appears in the image of suffering but feeling rich.

Such as "Red Sorghum", "Thumb Torture", "Cow", "A Long-distance Running Race Thirty Years Ago" and so on. This black child, who has no name and rarely speaks, is undoubtedly a condensation of the characters in many of Mo Yan's works.

Mo Yan's "Transparent Carrot" tells the story of a black child, a poor boy who has no father and mother, is lonely and forbearing, but also a strange boy with tenacity, perseverance, intelligence and spirituality. In the story, the person who made the jujube bend did not give the child a name, everyone called him Black Child, and Black Child became his name. This is enough to show that this kid is an insignificant existence.

Sometimes, however, life itself has its own aura, and it doesn't matter if external forces influence it.

Like a black child, although he is lonely in this world, ravaged by poverty and hunger, abused by his stepmother, and indifferent to the people around him, he seems to be pitiful to anyone, but he seems to be born with a certain detached temperament, most of the time he is indulged in the psychedelic world of his own, and is unaware of the toil and grinding that he is going through in front of him. In this way, it becomes less important to search for those sufferings as if they did not exist.

To put it simply, the black boy is only a ten-year-old child, and perhaps it is precisely because of his small age that he is less concerned about the suffering brought to him by the material world, and more obsessed with the purity of nature. Miraculously, many beautiful things were magnified by him, and even became unconventional and dreamy. He could see the jute as water, like lakes and seas, and the sparrows became kingfishers; He could hear the "deafening" sound of mist crashing against jute leaves and stalks, and the sound of grasshoppers shearing their wings was like "a train crossing an iron bridge"; With his eyes and ears together, he could see the shiny gas rising and falling in the river, and the sound was hidden in the gas; When Kikuko girl gently flicked a hair to the ground, he heard the sound "very loud" ......

It is precisely because this child loves things close to nature that he has the ability to fantasize

I think that this work written by Mo Yan Yuxin reflects the current life, continuing the previous writing style of Zhen Hanlun, ** unique artistic shape and effect, giving people a sense of novelty and peculiarity, making people very optimistic and very substitutional.

I think the article Transparent Carrot is very much in line with Mo Yan's previous writing style, and it presents a very hazy form in this work.

I think this work is a very interesting plot, there are some novel perspectives, and it also presents a different view of the world for our big mill, and some of the themes are also particularly interesting, and it also makes people feel that they can understand life, so I like this work very much.

This book is a true reflection of the current life, and it also depicts the naughtiness of children and the backwardness of parents' education methods, making children become silent and silent, feeling very inferior, and also reminding parents to learn ways and means when teaching noisy people to raise children, don't beat and scold at every turn.

I think this is a more magical, and it is a model or something that people imagine, but this is very meaningful, and it is liked and sought after by many people.