Why did the Western Zhou Dynasty formulate a strict etiquette system?

The "ritual system", that is, the idea and system that "music" is subordinate to "etiquette", is a fairly complete system of rules and regulations. The ritual music system is the concentrated embodiment of the culture of the Zhou Dynasty, which is not only the sum of the code system, but also the code of people's various behaviors.

After King Wu of Zhou destroyed the Shang Dynasty, in order to consolidate his rule and establish a stable political system, the rulers of the Western Zhou Dynasty supported the Zhou Dynasty with four major systems: the feudal system (sub-feudal system), the Jingtian system, the patriarchal system, and the ritual music system. The music is divided into "in the room", "elegant" and "song", and the dance is different from "Dawu", "spoon" and "elephant".

The four arts of etiquette, music, punishment, and politics were important means of the rule of the slave-owning class. Among them, etiquette and music are a kind of hierarchical system established within the ruling class, while criminal punishment and government are for the people, and etiquette can distinguish between the noble and low, and music can make "people" respect each other and the combination of etiquette and music can not only maintain the hierarchical order within the slave owners and aristocrats, but also rule the people more effectively.

Therefore, "li" is the content of "music", and "music" is the manifestation of "li".

Western ZhouThe ritual music system is a ritual music system, which is a cultural system established by the Zhou Dynasty to maintain the feudal system.

King Wu of Zhou. After the destruction of the Shang dynasty, the rulers of the Western Zhou Dynasty established a stable political system to support the Zhou dynasty in order to consolidate their rule.

There are four major systems in the world: the feudal system (feudal system) and the well field system.

Patriarchal system, ritual system.

The Western Zhou Dynasty rites, in the Western Zhou Dynasty, were used to determine relatives and alienation, resolve suspicions, distinguish similarities and differences, and distinguish right from wrong, which was the social code system and moral norms. As a system of canons, it is the embodiment of the socio-political system and the maintenance of the superstructure.

and the etiquette and rituals in the interpersonal interactions that correspond to them.

Western Zhou music, in the Western Zhou Dynasty, is music with five tones and eight tones, and five tones are the scale, that is, Gong, Shang, Jiao, Zheng, and Yu. The eight tones are the classification of instrumental music, namely xun, sheng, drum, pipe, string, chime, bell, and kna.

Evaluation

1. If you can't be courteous, you can't punish a doctor.

Second, the Western Zhou Dynasty ritual music system has reached a point where there is no separation between ritual and music, and the so-called "where the ritual is and the music must be followed".

3. The Western Zhou ritual music system uses ritual music to divide the hierarchy in order to maintain its patriarchal system.

and monarchical power, clan power, husband power, and divine power, which have the role of maintaining the hereditary system and hierarchy of the aristocracy and strengthening the rule.

1. Western Zhou Rites:

In the Western Zhou Dynasty, it was used to determine relatives and alienation, determine suspicion, distinguish similarities and differences, and distinguish right from wrong, which was the social code system and moral norms. As a system of rules, it is the embodiment of the social and political system, and it is the etiquette and ritual in the maintenance of the superstructure and the interaction between people that correspond to it.

2. Xi Zhoule:

In the Western Zhou Dynasty, the five tones and eight tones were used for music, and the five tones were the scales, namely Gong, Shang, Jiao, Zheng, and Yu. The eight tones are the classification of instrumental music, namely xun, sheng, drum, pipe, string, pan, bell, and qi.

3. The meaning of the ritual music system of the Western Zhou Dynasty:

The ritual system of the Western Zhou Dynasty was a hierarchical system. The "rites" paid attention to in the Spring and Autumn Period of the Western Zhou Dynasty were developed and transformed by the aristocracy according to the customs and habits of the patrilineal clan system stage at the end of the primitive society, and used as a means to rule the people and consolidate the internal relations of the aristocracy.

4. The role of the Western Zhou ritual music system:

It can be used to maintain its patriarchal system and monarchy, clan, husband, and divine power, and has the role of maintaining the hereditary system, hierarchy and strengthening the rule of the nobility. At that time, many economic and political rules and regulations were often intertwined in the celebration of various ceremonies, relying on the observance of various ceremonies to establish and maintain.

The formation of the Western Zhou ritual system was mainly due to the fact that the rulers at that time strengthened their rule, as can be seen in the following analysis.

The basis for the formation of the ritual music system comes from the "ritual law" of the Yin Shang period. Before the Zhou Dynasty, the culture of the Yin Shang period was also known as the "Rite and Music Culture". In the early Western Zhou Dynasty, when the Duke of Zhou founded the "Ritual Music System", he not only borrowed from the "Ritual Law" of the Yin Shang period, but also transformed it according to the social status quo in the early Western Zhou Dynasty.

For example, for the issue of the identity of the Son of Heaven, the Son of Heaven in the Yin Shang period appeared more as a descendant of human ancestors, and in the Zhou Dynasty, because King Wu of Zhou was the world that seized the king of Shang, the Duke of Zhou improved the identity of the Son of Heaven, claiming that the Son of Heaven was because the king of Shang did not do well, so God sent King Wu of Zhou to save the world. This move morally proves the legitimacy of Zhou Tianzi.

But in general, the "ritual system" largely draws on a variety of "ritual laws" in the Yin Shang period, and in the Yin Shang period, the "ritual law" has been largely integrated into the lives of the people, and on this basis, the creation of a new system can be more quickly spread to all parts of the country, which can greatly reduce the resistance to the implementation of the new system.

During the Zhou Dynasty, due to the low level of social and economic development and inconvenient transportation, but the territory was very vast, in order to avoid the rebellion of the princes, Zhou Tianzi had to find a suitable system to restrain the princes. The "ritual system" created by the fusion of Zhou Gong solved this problem through a strict hierarchy and corresponding punishments.

For the surname Baihuqipai, the Zhou Dynasty must find a way to communicate with the people at the bottom and influence the people to maintain social stability. And the "music" that had already appeared in the Yin Shang period had the ability to act as a way to envy this year.

Hence the use in the Zhou Dynasty'Etiquette system'At the same time, it also set up the post of "Da Si Le" to be responsible for the education of the people at the bottom of the "music", and established a relatively complete education system, so as to strengthen the communication with the people at the bottom of the people, and educate the people to ensure the stable development of society.

It was precisely because of the emergence of the "ritual system" that achieved its original intention that the Zhou dynasty was able to become the longest lasting dynasty in Chinese history. The "ritual system" has also played a pivotal role in Chinese history.