How do high school freshmen practice treble on their own? the pop song kind .

If the landlord is not a professional popular singer, it is recommended to use the bel canto practice method for the time being, after all, many singers who sing popular singing have learned bel canto before.

The practice of alto and treble does not want to be bass, it needs to be gendered, you can reveal whether it is a boy or a girl...

Let's be a boy for a moment.

Boys do not have a voice change point in the middle and low range, but there will be a voice change point in the middle and high voices. Therefore, if the landlord wants to sing well, he must overcome the problem of switching between alto and treble. The recommended exercise is to do the descending scale from the treble downwards, which is more helpful for the voice change zone.

But don't practice too high, the Lord requires stability. If there is a high pitch, if bel canto says otherwise, if it is popular, directly use the "pharyngeal singing method", or falsetto. You can refer to the "Leaving Song" of the letter for pharyngeal singing, which is more typical, including Zhang Wei in "The Voice", which is also typical.

As for falsetto, you can refer to Jay Chou and Lin Youjia, both of which are also relatively good.

Be sure to wake up in the morning. It's just ahh

Then you have to practice breathing. Glue the note over your mouth. Blow slowly from your mouth and keep the note going.

This is a way to practice breathing. Be sure to stick to it.

It's okay to go to the mountains to practice and the sound is better.

Practice more high-pitched songs in KTV (I've been deliberately practicing for almost 8,9 years, maybe because singing is the biggest hobby), do more aerobic exercise to increase lung capacity (insist on running, playing basketball, football, etc.), usually try to breathe with your abdomen, it's key to learn vibrato, and you must be able to use your breath instead of screaming indiscriminately. If you can, play with the band, it's very helpful. That's how I forced it out.。。

It's not hard to sing a parting song and love when you're dead. One of the must-sing tracks every time I go to K song. Of course, I'm just a hobby.,Tell me about my experience.。。

I get up at seven o'clock every morning and run to the rooftop and yell for an hour.

How to put the song well way.

I think a lot of people have some voice limitations, so they think that they are not suitable for singing, etc. In fact, the vast majority of people can sing very well, even if their voices are very bad, they can be gradually cultivated through self-exercise.

In fact, when singing reaches a certain stage, it can be said that gradually using less of your voice. There is a reason why some people sing with their hands on their throats and don't let them go up. But this is not the right way to sing, because if the voice is lowered and does not go up, it will not sing to the split, but if you press it with your hands, it will have a certain impact on the voice, and it will not have a substantial effect, and it is not that you can really sing.

But not all songs must be sung with your voice suppressed, for example: the same song, the female voice minor version, you have to raise your voice to sing so thinly.

People who can sing know that singing is to sing with qi, and how to use qi is the key to singing well or badly. And where does the qi come from? How to practice qi?

In fact, the qi comes from the dantian, and the qi is rushed, and the voice is just overspoken, not shouted with the voice, so the use rate of the voice is less than that of people who can't sing. After passing through the throat, it rushes into the door of the brain, and the door of the brain resonates with the back of the brain and the nose, so as to achieve real singing. The size of the nasal voice can be adjusted by itself.

However, the resonance of the brain portal is very large, and if it reaches a certain stage, after singing for a long time, the brain will hurt. However, the inhalation does not need to be very urgent, just like smelling the fragrance of flowers, gently cut and inhale evenly.

And Dantian Qi, in fact, there are many training methods, such as practicing martial arts, singing non-stop every day, and shouting like a madman every day. But here I am a method of qi practice that no one has ever heard of, using a pillow (which is filled with sand) and putting it on your belly, lying down to practice your voice, singing, etc. It won't be long before you will gradually feel your dantian qi.

The following is also a more important common sense, that is, you must open your mouth before singing. The so-called opening of the voice is such as shouting, or hanging the voice like learning vocal music, that is, from the bass to the high note. Ascending and descending.

Only after the cavity is opened, the voice can reach a better state, otherwise sometimes there will be a feeling that you can't sing.

The so-called less use of the voice is not to use the voice, but to use the voice skillfully. The voice is cleverly used, and it can even imitate the voice of n people, just like Wu Kequn's, but to be honest, maybe the live version is not so special, because everyone's voice will have many restrictions, and it can't reach the same tone as others. The kind of singers in many places can sing any song, and they are all very similar.

But it's not really good, everyone has to have their own style. And imitating others will hurt your own style at the same time, so stick to your own style.

When a singer sings, although the role of the larynx is automatic, the mental power can influence it. When singing, the movement of the larynx is completely spontaneous, and when the singer sings, the vocal cord tension and the number of oscillations will be completely consistent with the thought. Of course, the diaphragm, abdominal muscles, ribs, mouthpiece, etc. are used to make a sound.

A newborn baby, who does not know these things at all, can use those powers very well, and when he cries, he cries very sadly; When he laughs, he makes a pleasant tone. This proves that we are born with a natural ability to use our voices freely and with expression.

The high pitch is not something that can be sung just when you want to, it takes a long time to practice!!

1. Opening the throat and stabilizing the larynx is the core of basic singing training, which is one of the keys to the smooth development of singers' vocal skills.

2. To properly use the resonance of singing, to make the sound spread far, full of theater, and mellow, beautiful and beautiful, this is to go through special training, for beginners, it is a relatively difficult subject to master. Because resonance training is often inseparable from other basic vocal requirements, singers are required to resonate the sound at the resonance point of the high head cavity above the nasopharyngeal cavity through the conversion of vowels, stabilizing the larynx, opening the mouth, adjusting the breath, etc., so as to increase the volume, expand the vocal range, beautify the timbre, unify the vocal area, and make the sound of the high, medium and low vocal areas coordinated, seamless, and free and flexible.

3. From the beginning of vocal practice, it is necessary to combine it with **, that is, to practice vocal and have a good sense of musicality. On the one hand, intervals and scales are technical exercises in muscles, pitch, breath, resonance, etc., and at the same time, they are all part of the music, and they should be given the best vitality and life. Therefore, at the beginning of vocal practice, each singer is required to sing the intervals, scales, and vocal phrases to a pleasant and beautiful voice.

From the above, we can understand that in the process of singing and vocalizing, breathing, resonance, pronunciation, and expression are indispensable, they are interconnected, mutually reinforcing, and complementing each other, which is the meaning of "integral singing" that we require.

4. When singing and vocalizing, we should also pay attention to the training of pitch and rhythm, and gradually master the comprehensive singing and vocal skills such as lian, pause, strong and weak through vocal exercises, enrich the means of song expression, and enhance the ability to sing songs.

5. In every practice, we must maintain a correct singing posture, which is the premise of entering a good singing state.

6. Before practicing and singing, you must get rid of all distracting thoughts, stabilize your emotions, have a very good psychological state, have a good desire to sing, and enter the singing state with confidence and relaxation, otherwise you will not be able to sing well.

Many people have a weak voice or a tight voice when they sing high notes, probably because your mouth is not really open when you sing. Now you can just sing an "ah" and try it, touch the part in front of the ear that touches the cheek raiser, if there is a small depression (where the teeth are there), if you can press it down and feel the depression, it means that you really open your mouth. Try to keep this position recessed when singing each note, and you will find that it is easier to use qi and the sound is beautiful.

Another tip is to lift the laughing muscles, which are called apple muscles (the muscles on both sides of the nose that come up when you smile), and a little bit of a smile (just for the laughing muscles to lift) also helps with pronunciation.

You have to sing the high notes, and don't raise your head and shout at the spring. Because the vocal cords are tight when you look up, it is difficult to sing the high notes, but at this time you lower your head slightly, spread your feet shoulder-width apart, and focus on both sides of the waist at the height of the navel (the muscles that your hands will touch when you cross your waist), and when you puff up, the "forked psoas muscles" can be expanded to both sides, and it feels hard, that's right.

At this time, you will find that the high notes that you couldn't sing suddenly start singing.

The first is the fulcrum formulation.

When singing, it seems that the vocal cords do not grow in the throat, but in the chest, and sing every word without leaving this fulcrum, and sing with the mouth relaxed, so that when you think about it, the voice is balanced all of a sudden.

This approach solves several problems:

If the throat is easy to raise when singing a high note, you don't want to use the larynx when you think of the chest, and when the fulcrum is lowered, the larynx will naturally relax and lower, and after the larynx is lowered, the throat will naturally open. There are also vocal cords that grow on the chest, and of course the breath cannot exceed the vocal cords, so it must be under the chest, and the breath will sink down and stabilize. It's basically finding the right way to make a sound.

The second reverse formulation is the metaphor of "changing words under the throat".

The way to change words under the larynx is to say that the larynx is easy to be high when singing high notes, so change it an inch or two inches below the larynx, or "change it close to the shoulder, change it at the base of the neck". When singing like this, the throat is most likely to open, and the voice is more likely to be vertical, easy to enter the head voice, and easy to find the focal position of the treble.