The poets of the Tang Dynasty expressed the landscapes, pastorals, side plugs, and poetry of Yongshi

1.Landscape. Qingming feast Mei Taoist room.

Lin Wo is sad about the end of spring, and he opens his eyes to see the flowers.

Suddenly, the blue bird envoy invited him to Chisong's house.

At the beginning of the Danzao**, the peach is flowering.

If the child's face can be stationed, why not be drunk!

2.Idyllic. Past the old man's village.

The old man Gu Ji invited me to Tian's house.

The green tree village is close to the edge, and the green mountain Guo is oblique outside.

Open the feast and noodle garden, and talk about the wine.

Stay until the Double Ninth Day, and come to chrysanthemums.

3.Frontier. Grace meets the enemy constantly, and the dragon city is arrogant.

The drums vibrated in the city, and the flags shook in the battle.

The wind roared on the side, and the snow drifted in the Tianshan Mountains.

Ask the king what is disturbing, the traitor is messing with the court.

4.Yongshi. Chibi.

The halberd sinks into the sand and the iron is not sold, and it will be washed and recognized by the previous dynasty.

Dongfeng does not have a relationship with Zhou Lang, and Tongque Chun locks Erqiao.

Landscape: Wangyue (Du Fu).

How is Dai Zongfu? Qi Lu Qingwei is gone.

Creation Zhong Shenxiu, yin and yang cut dusk.

Swing the chest to give birth to stratus clouds, and decide to return to the bird.

It will be the top of the mountain, and the mountains will be seen at a glance.

Pastoral: Tour Shanxi Village (Land Tour).

Mo laughs at the farmer's wine, and the guests are full of chickens and dolphins in the harvest year.

There is no way out of the mountains and rivers, and the willows and flowers are bright and another village.

The flute and drum follow the spring society, and the clothes are simple and ancient.

From now on, if you are allowed to ride the moon idlely, you will not be able to knock on the door with a cane all the time.

Side plug: make it to the plug (Wang Wei).

The bicycle wants to ask the side, and the subject country lives extends.

Zheng Peng out of Hanse, return to the wild goose into Hu Tian.

The desert is lonely, and the sun sets over the long river.

Xiao Guan is waiting to ride, and all households are in Yanran.

Yongshi: Chibi (Du Mu).

The halberd sinks into the sand and the iron is not sold, and it will be washed and recognized by the previous dynasty.

Dongfeng does not have a relationship with Zhou Lang, and Tongque Chun locks Erqiao.

Pastoral poets: Wang Wei, Meng Haoran, Fan Chengda, Zu Yong, Chu Guangxi, Chang Jian, Pei Di, Qi Wuqian.

Poets of Biansai: Gao Shi or Shen, Cen Shen, Wang Haotuanbu Zhilian, Wang Changling, Li Ji, Cui Hao, Wang Han.

This question should be: The representative poets of the Tang Dynasty landscape idyllic school are (a.).Wang Wei DMeng Haoran).

FYI.

a Tao Yuanming.

b Wang Wei c Chen Ziang.

d Meng Haoran. Explanation] Although Tao Yuanming was a landscape idyll, he was a figure in the Eastern Jin Dynasty.

The representative poets of the Tang Dynasty landscape idyllic school include (Wang Wei, Meng Haoran, Pei Di, Chang Jian, Chu Guangxi).

1.The poets of the Tang Dynasty Landscape School, represented by Wang Wei, have an important position in the history of Chinese poetry. The landscape poetry school mentioned here includes some poets who used landscape as an aesthetic object to express the inner world of poets from the Tang Dynasty to the Middle Tang Dynasty, they are Wang Wei, Meng Haoran, Pei Di, Chang Jian, Chu Guangxi in the Tang Dynasty, Liu Changqing, Wei Yingwu, Liu Zongyuan and other poets in the Middle Tang Dynasty.

The emergence of the landscape idyll and its characteristics.

1 During the Tang Dynasty, the society was stable, the national strength was strong, and the society was prosperous politically, economically, and culturally. The material life of literati and doctors is affluent, which provides conditions for roaming and traveling and enjoying the landscape.

2 The Water Idyll School is represented by Meng Haoran and Wang Wei, in addition to Chu Guangxi, Chang Jian, Zu Yong, Pei Di, Qi Wuqian and others. They inherited the creative traditions of pastoral and landscape poems of Tao Yuanming, Xie Lingyun, Xie Hao and others since the Jin and Song dynasties, and formed a poetry genre with common themes and similar artistic styles.

The main content of Meng Haoran's landscape idyll:

Meng Haoran was a representative writer of the Tang Dynasty Landscape Idyllic School, which was as famous as Wang Wei, and was the first poet in the Tang Dynasty to write a large number of landscape idylls. Most of his poems are landscape poems, either about the landscapes he has seen during his travels, or about the natural scenery of his hometown.

2) Meng Haoran's poetry is light and flavorful, as Shen Deqian said: "Xiangyang poetry is obtained from Jing, so the language is light and the taste is not thin." His poems are good at using plain language, integrating personal subjective feelings and emotional implications, creating a clear and out-of-the-ordinary artistic realm, containing a strong emotional charm.

d。Copying landscape idyll, one of the ancient Han poems.

bai。Originated from the Northern and Southern Dynasties.

Du Xie Lingyun and Tao Yuanming of the Jin Dynasty are represented by Wang Zhiwei and Meng Hao Daoran of the Tang Dynasty. These poems are known for their depictions of natural landscapes, rural scenes, and a peaceful and tranquil life of seclusion. The poetry is timeless and beautiful, the style is quiet and elegant, the language is clear and concise, and the white drawing technique is mostly used.

The representative figures of the Tang Dynasty landscape idyllic poetry school are: Wang Wei, Meng Haoran, Wei Yingwu, and Liu Zongyuan.

Wang Wei Meng Haoran is known as "Wang Meng" Wang Wei's masterpiece "Autumn Evening in the Mountain House" "Birdsong Stream" Meng Haoran's masterpiece "Spring Dawn".

Wang Wei, a representative of idyllic poetry.

Make it to the plug.

Wang Wei wants to ask the side, and the subject country lives in the extended. The tent went out of Hanse, and returned to the wild goose into Hutian.

The desert is lonely, and the sun sets over the long river. Xiao Guan waited to ride, and he was all protected by Yan Ran.

The road is sunny. Yongtao Xiaohong is slanting and the sky is dusk, and half of the mountains and rivers have rain marks. The new water invades the grassy road, and the smoke is still next to the green poplars.

The Hu people, sheep and horses are closed in the south, and the Han generals are bannered at the north gate. Pedestrians like to hear that there is no war generation, and they watch the ranger hunting in the autumn plain.

Side's poems are representative figures.

Gao Shi, Cen Shen, Li Yi, Li Bai.

Representative works: From the military march, plugged down the song, plugged down the song, Guan Shanyue.

Idyllic representative figures.

Wang Wei, Meng Haoran, Tao Yuanming, Fan Chengda.

Representative works: "Weichuan Tianjia", "The Old Man's Village", "Returning to the Garden and Pastoral Residence", "Returning to the Past", "Four Seasons Pastoral Miscellaneous".