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Horn Concerto No. 1.
1. The performance form is the concerto of the brass instrument group, assisted by the string group instruments.
1. The concerto is its performance form, and the concerto is the meaning of two factors that are both competitive and cooperative. The concerto first appeared as a vocal genre.
2. Horn Concerto No. 1 in D major, K412, composed in 1791. The piece is divided into 2 movements. The first movement is a smooth, fluid Andante.
The second movement is an allegro with jumps. Mozart's First Harmony expresses the initial philosophy of contradiction through the tonal changes and rhythmic shifts of these two movements. A number of techniques are used, including lip vibration articulation, rapid articulation, and blocking sounds.
Mozart's Horn Concerto is a piece that is more often performed by horn players today, and was composed for the horn player Leddikip, whom he had known since childhood.
3. There are four complete concertos and two unfinished concertos (K370b and K371). In terms of the natural horn used at the time, it was a very difficult technique.
Hungarian Rhapsody No. 2.
1. Op. 2 is composed by the Hungarian composer Liszt, which is the second and most famous of his 19 Hungarian rhapsodies. It is considered one of the most technically demanding pieces for solo piano.
2. The first part is the prelude and the "Lassan" dance music, in C sharp minor, from the adagio to the Andante. The melody is mainly around the mid-bass area, and a large number of ornamental notes are added: such as long leaning notes, fast scale flowers, arpeggios, broken chords, etc., which can be divided into main and secondary melodies
The main theme is more coherent, but the accompaniment points out that it needs to be more "heavy";
3. The minor melody is accompanied by a third chord couplet, followed by a short passage dominated by dotted rhythms and broken chords, and then the main and minor melodies are repeated, and the piece becomes quiet, and finally ends quietly in parallel major (C sharp major). However, the overall atmosphere has a down-to-earth and solemn feeling.
4. The second part is "Flisca" dance music, F sharp minor, "Flisca" itself has the meaning of "lively", so this part of the rhythm is relatively bright, at first the first passage ** material is used to establish the atmosphere, slowly pushed to the parallel major (F sharp major), the real Fliska dance music officially begins.
5. Mainly use octave and third strums, decomposition chords, short leaning notes at the start, monophonic repetition, double octaves in the opposite direction, etc.; The middle section is more mixed with a lot of variations, so the tonality becomes less pronounced, and after a short cadenza the piece ends at the fastest tempo.
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The band accompanies the horn solo.
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Summary. Hello, I am your exclusive advisor Xiao Ao <>
Here are the 10 Concertos for French Horn: 1Robert Schmandel:
French Horn Concerto 2Johann Nepomuk Hummel: French Horn Concerto 3
Mozart (Wolfgang Amadeus Mozart): Horn Concerto No. 1 and Horn Concerto No. 2 4Domenico Maria Francesco Rossetti:
French Horn Concerto 5Georg Christoph Wagenseil: French Horn Concerto 6
Faraday (Antonio Vivaldi): French Horn Concerto 7Joseph Leopold Edler von Rosenkranz:
Horn Concerto 8Wilhelm Friedrich Ernst St Ter: French Horn Concerto 9
Reinhold Moritzevich Glière: French Horn Concerto 10Nick Colò
What are the top 10 concertos for French horns.
Hello, I am your exclusive advisor Xiao Ao <>
Here are the 10 Concertos for French Horn: 1Robert Schmandel:
French Horn Concerto 2Johann Nepomuk Hummel: French Horn Concerto 3
Mozart (Wolfgang Amadeus Mozart): Horn Concerto No. 1 and Horn Concerto No. 2 4Domenico Maria Francesco Rossetti:
French Horn Concerto 5Georg Christoph Wagenseil: French Horn Conénag Sonata, 6
Faraday (Antonio Vivaldi): French Horn Concerto 7Joseph Leopold Edler von Rosenkranz:
Horn Concerto 8Wilhelm Friedrich Ernst St Ter: French Horn Concerto 9
Reinhold Moritzevich Glière: French Horn Concerto 10Nick Colò
10.Niccolò Paganini: Horn Concerto No. 1.
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The French horn is one of the important instruments in the orchestra, and there are many excellent concerto works. Here are the top 10 French horn concertos:1
Rossetti Horn Concerto 2Moza Collette "French Horn Concerto No. 1" 3Jones, Horn Concerto, 4
Stravinsky's French Horn Concerto 5Rosenbweg Dry Empty Horn Concerto 6Grieg, Horn Concerto, 7
Rossetti, Horn Concerto No. 2, 8Rossetti, Horn Concerto No. 3, 9Wagner's Horn Concerto 10
Ralph Vaughan Williams' Horn Concerto These concertos are classics that horn players love to play, and they are also wonderful performances not to be missed by horn lovers.
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Horn Concerto No. 3 in E major, one of four horn concertos and one horn quintet composed by the Austrian composer Mozart for the Horn player of the Salzburg Court Orchestra during his tenure with the orchestra of the Salzburg Court, completed circa 1783. Of the four horn concertos, this one is the best. The time when this work was composed was also the turning point when Mozart got rid of the whitewashed social ** of the past and turned to compose a more esoteric concerto.
Mozart's Horn Concertos have become the favorite works of the majority of ** lovers, and many horn players have taken them as repertoire.
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This keybook tall trumpet ruler concerto was Haydn's last concerto. Haydn's second trip to England was in the summer of 1795, and the Trumpet Concerto was written the following year (1796). This piece is an exemplary work of the Trumpet Concerto and has endured.
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Summary. A synthesis of Mozart's French Horn Concerto No. 1.
Replace the units with uniform centimeters for easy calculation. >>>More
piano concerto no. 2 in f minor, :ii. larghetto,1829
This piece is currently the most heard version of the famous Polish pianist Rubinstein, in the classical piano performance circles spread Rubinstein to Chopin, Ji Xuejin to Debussy, the first cherry tree Schnabel to Beethoven said, Rubinstein's interpretation of Chopin is deeply loved by people, has its own reason, some of the later pieces I will make some comparisons with Rubinstein's interpretation of Chopin and other famous pianists' interpretations of Chopin, but I think that art has reached a certain level, It's a matter of opinion, and there is absolutely no good or bad. The famous British writer, poet and essayist Oscar Wilde once said: "One of the truths of art is that its opposites are also truths". >>>More
This depends on whether you are pursuing the recording effect or the performance of this piece, if you are pursuing the recording effect, the newer the version, the better, if you want to listen to the master's performance, there are many versions that can be referenced, Agrizi's technique is good enough, but not detailed enough, many singing melodies are too rushing, and it is not very consistent with the broad temperament of Russia, Horowitz has a lot of mistones, Bogrech's treatment is very strange, many people don't like it very much, he plays very slowly, Kissin's is also very slow, It's very personal, but I don't recommend it personally, Licht's recording is not very good, the processing is not too good, and it is not the best in terms of technology or **. Personally, I recommend the following three versions to compare and listen, Lang Lang's is OK, although it is a little slow, but the emotion is very good, the singing is good, Sultanov's technique is good, and it is very hearty, and the best comprehensive version belongs to Gilles's performance, and the technique is very good.
Happy", "Wind or Rain", "Happy Prescription" and "Crazy".
In 1997, the trial began, and in 1999, it was put into use.