What is the scene that Du Fu saw when he ascended ?

The wind is urgent, the sky is high, the ape is howling, and the white bird flies back.

Boundless falling trees and Xiao Xiao, endless Yangtze River rolling.

He is often a guest in the sad autumn, and he has been on stage alone for more than a hundred years.

Hardship, bitterness, hatred, frost and sideburns, pouring down a new turbid wine glass.

The first four verses of the Psalm describe the sight of ascending to the heights. The first couplet borrows six kinds of scenery such as wind, sky, ape, Zhu, sand and bird, and is modified with words such as urgent, high, mourning, clear, white, and flying, pointing out the festival order and environment, rendering the rich autumn mood, and the scenery has distinct characteristics of the Kuizhou region. These two sentences are not only the couplets of the work pair, but also the self-contradiction in the sentence, such as "Tiangao" vs. "Wind Rush", "Shabai" vs. "Zhuqing".

The syntax is rigorous, the language is tempered, and it has always been regarded as a good sentence. The first sentence of the jaw couplet is written on the mountain, and the first sentence is inherited; The last sentence is written with water, and the second sentence is continued. Write the mountain for the distance, and write the water for the overlook.

Falling wood and saying "Xiao Xiao", and decorated with "boundless", such as hearing the autumn wind and bleak, such as seeing the fallen leaves; The Yangtze River said "rolling", and used the word "endless" to lead, such as hearing the sound of rolling waves, such as seeing the turbulent water potential. The two poems, whether they describe the form or describe the momentum, are extremely vivid and expressive. From the bleak scenery and far-reaching artistic conception, we can perceive the poet's emotional feelings and sad mood that are difficult to repay.

The last four lines of the psalm express the feelings of ascending. The last sentence of the neck couplet writes the sorrow of the detention trip. "Frequent guest" indicates the poet's wandering situation for many years; "Ten thousand miles", indicating that Kuizhou is very far away from his hometown, and it is a deep expression of sorrow from the distance; "Sad autumn", but also from the season to set off the weight of sadness, the word "autumn" is in the first two couplets to write the autumn meaning, homeopathic to bring out, and should be combined with the "ascending" of the season.

The next sentence writes about the state of loneliness and illness. "One hundred years" is still a lifetime; "More than a hundred years of illness", in the twilight of his life, he is riddled with diseases, and the pain can be imagined; The word "alone" writes the loneliness of having no relatives; The word "stage" is a clear topic, and love is born because of the scene. These two sentences are concise and extremely rich in meaning, describing that they are far away from their hometown, wandering for a long time, and in their twilight years, they are sick, they have no relatives, and they climb alone in autumn, and they can't help but feel full of sorrow.

The tail couplet further writes that the country is in danger, the career is bumpy, and old age and sorrow lead to white hair; And because of illness, the newcomer quit drinking, so although there are all kinds of sorrows, there is no way to relieve them. The ancients used to drink alcohol when they climbed the Double Ninth Festival, and the poet lost even this bit of joy. This joint sub-commitment.

5. 6 sentences: "difficult" is caused by "frequent guests"; "Downfall" is even the result of "sickness". The first half of the poem is written in the scene, and the second half is lyrical, and each has its own intricacies in writing.

The first couplet focuses on depicting the specific scenery in front of you, just like the painter's brushwork, and the shape, sound, color, and state are expressed one by one. The second couplet focuses on rendering the whole autumn atmosphere, like the painter's freehand, which should only convey the spirit and let the reader supplement it with imagination. The triptych expresses feelings, from the vertical (time) and horizontal (space) aspects, from the wandering in a foreign land to the sick and disabled.

Silian went from gray hair to sickness and drinking, and it was attributed to the fact that the hardships of the times were the root cause of the unbearable. In this way, Du Fu's sentiments when he was worried about the country and sadness jumped on the paper.

The couplet of "Ascending" depicts the picture of the clear sky like the sea in late autumn, the sound of ape roaring in the empty valley, the wind and frost are noble, and the water is falling out, and the majestic and sad emotional tone is rendered through an infinite picture of fallen leaves and endless Yangtze River.

"Ascending" is a poem composed by the Tang Dynasty poet Du Fu in the autumn of the second year of the Great Calendar (767) in Kuizhou. The first four sentences describe the scenery, describing the sights and stories of ascending, closely following the seasonal characteristics of autumn, and depicting the empty and lonely scenery by the riverside. The first joint is a local close-up view, and the jaw joint is an overall distant view.

The last four sentences are lyrical, writing about the feelings of ascending, focusing on the author's own life experience, expressing the sadness of poverty, old age and illness, and living in a foreign land.

The neck couplet self-injures his life experience, revealing the metaphor, symbolism, and hint contained in the first four sentences; The tail couplet makes another statement, ending with a self-image of decay and illness. The language of this poem is concise, the whole poem is dual, and there is still a sentence in one or two sentences, which fully shows that Du Fu's grasp and use of poetic language and rhythm in his later years has reached the realm of roundness.

About the Author. Du Fu (712-770), the word is beautiful, and he calls himself Shaoling Ye Lao. Jujin Shi is not the first, once served as a member of the inspection school engineering department, so the world is called the Du Gong Department.

He was the greatest realist poet of the Tang Dynasty, and was revered as the "poet saint" after the Song Dynasty, and was called "Li Du" along with Li Bai. His poems boldly expose the social contradictions of the time, and express deep sympathy for the poor people, and the content is profound.

The first two couplets of "Ascending" are written about the autumn scenery by the river. "The husband is in love, and the love is born in the scene. "The name of the scenario is two, and it is inseparable.

Wang Fuzhi's "Jiang Zhai Poems") The poet sketched with a large brush, wrote the sky is high and the wind is urgent, the birds are whirling, the high ape is roaring, the falling trees are Xiao Xiao, and the Yangtze River is rolling, but the pen is on the scene, the love scene, on the basis of the description of the scenery that is in line with the season and harmonious with the emotion, the poet's desolate and sad sense of life is flowing at the end of the pen, and he writes the neck couplet and tail couplet that directly expresses the chest.

The first two couplets form a sad autumn scenery with the autumn wind, the mournful ape sound, the quietly falling autumn leaves, and the low-flying hovering gulls. In the midst of desolation, through the rolling eastward water of the Yellow River, it is emphasized that the sad autumn will pass, and the right path in the world is the vicissitudes of life.

The neck couplet expresses his feelings, wandering in a foreign land, writing about many illnesses and disability; The last couplet writes that there are many gray hairs and alcoholic due to illness, which reflects the difficult times.

Four sentences are written about what you have seen and heard. The first couplet is opposed. Focusing on the specific environment of Kuizhou, the poet used the word "wind urgency" to drive the whole union, and wrote a good sentence that has been passed down through the ages at the beginning.

Kuizhou is famous for its apes, and the gorge is even more famous for its strong winds. The autumn days are crisp, but the hunting here is windy. The poet climbed to the high place, and the sound of "high ape roaring" was constantly heard in the gorge, which had the meaning of "the sound of the empty valley, and the mourning turned for a long time" ("Water Jing Note: Three Gorges").

The poet moved his gaze from the heights to the river and the island, and on the background of the clear water and white sand, there were flocks of birds flying in the wind and whirling, which was really a beautiful picture. Among them, the sky, the wind, the sand, the nagisa, and the ape howled. Birds fly, made in heaven, and naturally in pairs.

Not only the upper and lower sentences are right, but also the sentence is self-right, such as the above sentence "sky" to "wind"; "High" vs. "Urgent"; The next sentence "sand" vs. "Nagisa", "white" vs. "clear", reads rhythmically. After the poet's artistic refinement, the fourteen words, the words are precise, none of them are false, and the words are used, "thank you for the axe and chisel", and have reached the realm of wonder and indescribability. More notably:

In the first sentence of the couplet, the unspoken words are often used in the voice, but this poem rhymes with a flat voice. Shen Deqian is known for his praise of "the rhyme is still reused in the first two sentences, and the geqi changes" ("Tang Poetry Tailoring").