Where is the peach Taoist now? The former Liu Lang is here again! What is the full poem

Then visit the Xuandu Temple.

When Yu Zhenyuan was a member of Tuntian in the twenty-first year, there was no flower in this view. It was out of Mulianzhou, looking for Sima in Langzhou, living for ten years, and calling to Beijing. Everyone said that there are Taoist priests who plant immortal peaches full of views, such as red glow, and then there is a preface, with a temporary thing.

Whirling and shepherding. Now there are four years of ten, and he will return to the main guest lang and revisit the Xuandu Temple. There is no more tree, only the rabbit sunflower oats are shaken in the spring breeze.

Because of the re-inscription of twenty-eight words, in order to travel later. In March of the second year of the Great Harmony.

Half of the hundred-acre courtyard is moss, and the peach blossoms are clean and cauliflower blooming.

Where do the peach Taoist priests go? Liu Lang is here again.

Press] and then sarcastically on political affairs and personnel, referring to the fact that the prime minister of the previous year has gone, and now he is fortunate to return to the court. At the beginning of Taihe, he was recalled by the host and guest Langzhong, and Pei Du recommended him as the Langzhong of the Ministry of Rites, and he was a straight bachelor. When I went to the Ministry of Industry, it had been 30 years.

Where did the Taoist priest return to Liu Lang before he came, which means: The Taoist priests who worked hard to plant peaches in the past are now gone? I Liu Yuxi, who was demoted from Chang'an for reading the inscription poem last time, is back!

From Liu Yuxi's "Revisiting the Xuandu View" in the Tang Dynasty, the poem is a sequel to "Yuan He Ten Years from Langzhou to Beijing Opera to Present Flowers to the Gentlemen". The poem is preceded by a small preface by the author. Qi Wenyun:

When Yu Zhenyuan was a member of Tuntian in the twenty-first year, there was no flower in this view. It was out of Lianzhou (now Lianxian County, Guangdong Province) to find Sima in Langzhou. After living for ten years, he was summoned to Beijing.

Note: In 815 A.D. (Yuan and the tenth year), after the Xuandu ornamental flower poem was written, Liu Yuxi was demoted out of Beijing again, and was recalled again fourteen years later to write this article. Hundred acres in the court:

Refers to the Xuandu view of the hundred acres of view of the garden. Moss: Moss.

Purity: Purity, emptiness. End:

Finish. Peach Taoist: Alluding to the magnates who attacked Wang Shuwen and belittled Liu Yuxi

The poet compares the peach blossom to the nouveau riche, and the peach Taoist priest refers to the person in power who fought against the reform movement at the time, and the poet casts a contemptuous ridicule of his political opponents, thus showing his indomitable and optimistic attitude, showing that he will continue to fight.

Where did the peach Taoist return to the former Liu Lang and now come again for other understandings:

This verse depicts the plot of a legend or fable. "Peach Taoist"Refers to a Taoist priest who planted a peach tree and left somewhere to go to an unknown place. However,"Liu Lang is here again. ", this man named Liu Lang returned to his original place after the Taoist priest left.

There may be some hidden meaning behind this story. Poetry can provoke people to think about the contrast between the past and the present, the changes and encounters of different characters in time and space. It can also involve fate, fate, or a twist of fate.

This verse symbolizes change and uncertainty in life. "Where do the peach Taoist priests go? "It indicates that the Taoist priest who once planted peach trees went to an unknown place. "Liu Lang is here again. "Indicates that the person who left before has returned to their current environment.

This explanation may be related to partings, reunions, and personnel changes in life. It reminds us of the uncertainty and impermanence in our lives, the possibility of people and things from the past reappearing, and the need to adapt and accept this change.