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Yan Zhenqing's calligraphy works are more numerous, famous ink, regular script has "Zhushan Hall Couplet Poems", "Farewell Post"; The cursive script includes "Manuscript of the Sacrifice of Nephew Ji Ming", "Liu Zhong's Envoy Post", "Huzhou Post" and so on. Among them, except for the "Manuscript of the Sacrifice of Nephew Ji Ming", which is recognized as authentic, there are still different opinions on the authenticity of the rest of the works, but they are all inkblots that have been circulated. "The Manuscript of the Sacrifice of Nephew Ji Ming" is a relic of the nature of a draft, written naturally, and the manuscript is full of alterations, but it shows the charm of Yan Zhenqing's calligraphy.
Yan Zhenqing wrote a lot of steles in his life, and the ones that have been handed down to this day are: "Duobao Pagoda Stele", the structure is dignified and dense, beautiful and colorful; "Oriental Shuo Painting Praise Monument", the style is clear and majestic; "The Inscription of the Shrine of the Golden Heavenly King" is more dignified and vigorous; "Zang Huaike Monument", majestic and vigorous; "Guojiamiao Tablet" is graceful and smooth; "The Legend of Magu Immortal Altar" is rich and solemn, the structure is exquisite, and it is full of charm; "Ode to Zhongxing in the Tang Dynasty", is a cliff carved stone, for Yan Zhenqing's largest regular script, calligraphy is square and stable, does not show muscles and bones, "Song Xun Tablet", also known as "Song Guangping Tablet", calligraphy is open and majestic; "Baguan Zhai Bao De Ji", the weather is strict; "Yuan Knot Monument", strong and profound; "Ganlu Character Book", holding on to comfort; "Li Xuanjing Tablet", the calligraphy is strong, but the strokes are thin and thin, and the other inscriptions are not quite the same. "Yan Qinli Tablet", unearthed in 1922, the calligraphy and painting are intact as new, and it is the inscription of Yan Zhenqing that can best convey the original appearance and spirit.
His calligraphy is majestic and neat, and it is a representative work in his later years. "Yan's Family Temple Tablet", calligraphy is rich, and it is also his proud work in his later years.
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Yuan Jie Tablet Li Xuanjing Tablet (777), "Yan Qinli Tablet" (779), "Ma Phosphorus Tablet" (779), "Yanjiamiao Tablet" (780), "Yan's Farewell to the Body" (780),
Ordered Post" (784), "Shift Cai Ti.
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Yan Zhenqing's representative works are:
1. Duobao Pagoda Tablet:
The full name of "Duobao Pagoda Stele" is "Tang Xijing Qianfu Temple Duobao Stupa Induction Stele", which is the 11th year of Tang Tianbao written by the literati Cen Xun at that time, calligrapher Xu Hao inscription, calligrapher Yan Zhenqing Shudan, stele carver Shi Hua carved stone, is a regular script calligraphy work. It is now preserved in the second room of the Forest of Steles in Xi'an.
2, Magu Xiantan Ji:
Tang Yan Zhenqing Magu Xiantan Ji is a representative work of Yan Zhenqing's regular script inscription. The inscription is vigorous and simple, the bone strength is straight, the line thickness changes gently, the strokes are less twists and turns, and the "silkworm head swallowtail" is produced when the pen is used, and there are many seals and strokes.
3. Self-written confession:
"Self-written Confession", regular script on paper, where 33 lines, 253 characters, 13 lines of small characters, passed on as the ink of Yan Zhenqing's book. It is now in the collection of the Nakamura Fuori Calligraphy Museum in Japan. The post is dignified and simple, vigorous and powerful, with a kind of ancient atmosphere and temple atmosphere, for its later years of style mature period of representative works.
4. Yan's family temple stele:
The full name of "Yan's Family Temple Tablet" is "The Tablet of the Ancient Tang Dynasty General Discussion Doctor Xingxue Wang Youzhu State Gift Secretary Young Eunuch Guozi Sacrifice Wine Prince Shaobao Yan Jun Inscription", which is engraved by Yan Zhenqing for his father Yan Weizhen in the first year of Tang Jianzhong, and the inscription describes the Yan family and its eunuch experience, descendants, and the situation of studying and learning.
5, Luo Wanshun's epitaph:
"Luo Wanshun's Epitaph" is the epitaph of Luo Wanshun, the wife of Yuan Daqian in the Tang Dynasty. The epitaph was written by Li Xuan, the king of Tang Ruyang County, and written by Yan Zhenqing, who was the governor of Chang'an County at the time. In 2020, "Luo Wanshun's Epitaph" was unearthed in Shaanxi Province.
This epitaph is also considered to be the first epitaph written by Yan Zhenqing unearthed by archaeological excavations.
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Yan Zhenqing has a lot of works, representative works, draft books include "Manuscript for the Sacrifice of Nephews", "Fight for the Seat", "Liu Zhong's Envoy Post"; The regular script has "Duobao Pagoda Tablet", "Yan Qinli Tablet", "Magu Immortal Altar Record", "Yan's Family Temple Tablet" and so on. Among them, the "Manuscript of the Sacrifice of Nephews" is ink, which is known as "the second book in the world" (the first is Wang Xizhi's "Orchid Pavilion Preface"). The inscription of the Yan family temple was written in the first year of Jianzhong (780) and was his last large-scale inscription.
Because it is the ancestral tree tablet, the word is particularly solemn and heavy, the pen is old, there is "Taishan rock rock meteorology", which represents the highest achievement of its regular script.
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Yan Zhenqing's hand-me-down works, "Duobao Pagoda Induction Tablet", "Magu Xiantan Story", Dongfang Shuo Portrait Tablet, Yan's Family Temple Tablet.
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Yan Zhenqing's representative work in middle age "Duobao Pagoda Tablet", a demonstration of practice.
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Yan Zhenqing's classic Dharma copy demonstration.
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