Is Shinho Akiyuki deconstructivist?

In continental philosophy and literary criticism, deconstructivism is a school of criticism founded by the French post-structuralist philosopher Derrida. Derrida proposes what he calls a deconstructive approach to reading Western philosophy. Broadly speaking, deconstructive reading is a textual analysis method that exposes the differences between the structure of a text and its Western metaphysical essence.

Deconstructive reading presents that texts should not be read as merely conveying an obvious message by a single author, but should be read as manifestations of various conflicts within a culture or worldview. A deconstructed text will reveal many simultaneous perspectives that often conflict with each other. Comparing the deconstructed reading of a text with its traditional reading also shows that many of these ideas are suppressed and ignored.

The main approach to deconstructive analysis is to look at the binary oppositions in a text (e.g., male vs. female, homosexual and heterosexual), and to present that these two opposing aspects are in fact fluid and impossible to separate, rather than two strictly separated categories. The usual conclusion is that these classifications do not actually exist in any fixed or absolute form.

Deconstructivism is highly controversial in both academic and popular publications. In academia, it has been accused of being nihilistic, too parasitic, and too crazy. In popular publications, it is seen as a symbol that academia has become completely detached from reality.

Despite these controversies, deconstructivism remains a major force in contemporary philosophical and literary criticism.

Hopeless, desperate for a world that only encyclopedias are the authority ......

Apparently not Ah ......

Deconstructivism is basically a subversion of traditional philosophy and structuralism, which is not seen in the new Fang Zhaoyuki, but it is just some unique application of color.

It's not that the work of the new house is really good.

There is no bad movie made by the new house, no matter what type of light work is made, it will definitely be scolded, the new house just focuses on the description of one point, such as the radio wave girl, focusing on the description of youth, but no one understands.

The super bad one, the really bad one, pseudo-love. Having said that, the radio girls and the Arakawa hilarious group are very good.

Vampire fans must watch Headless Horseman Persona.

Structuralism is Saussure's.

Think of meaning as being in a fixed structure.

Poststructuralism is deconstructionism.

It's Derrida's set.

It is believed that there is no such thing as a fixed structure.

The interpretation of one symbol depends on other symbols.

This results in the eternal absence of meaning.

This is what Derrida calls Yanyi.

The exploration of deconstructivism as a design style emerged in the 80s of the 20th century, deconstructivism is a critical inheritance of the orthodox principles and standards of modernism, using the vocabulary of modernism, but reversing and reconstructing the relationship between various existing terms, logically negating the traditional basic design principles (aesthetics, mechanics, function), thus generating new meanings. With the concept of decomposition, it emphasizes fragmentation, superposition, and reorganization, and values the individual and the parts themselves, and opposes the overall unity to create a sense of fragmentation and uncertainty.

The exploration of deconstructivism as a design style emerged in the 80s of the 20th century, but its philosophical origins can be traced back to 1967. At that time, a philosopher Derrida proposed the theory of "deconstructionism" based on his critique of structuralism in linguistics. His core theory is an aversion to the structure itself, arguing that the symbol itself can reflect reality, and that the study of the individual is more important than the study of the overall structure.

In Heidegger's view, the history of philosophy in the West is the history of metaphysics, and its prototype is to define "being" as "presence", with the help of Heidegger's concept, Derrida calls this "metaphysics of presence". "The metaphysics of presence" means that behind all things there is a fundamental principle, a central word, a dominant force, a latent god or God.

This ultimate, truthful, primary, thing constitutes a series of logos, in which all people and things fall under the door of Logos and follow the logic of Logos, which is eternal and unchanging, which is similar to the "law of God", and to deviate from Logos is to go to error.

The design characteristics of deconstructivism can be summarized as:

The deliberate pursuit of unrelated complexity, the superposition and reorganization of unrelated fragments and fragments, has abstract ruin-like forms and dissonance.

The design language is obscure, one-sidedly emphasizing and highlighting the ideographic function of the design work, so it is difficult to communicate between the design work and the viewer.

Opposing all existing design rules, he is keen on dismemberment theory, and breaks the sense of horizontal and vertical stability, solidity and order that attached importance to the mechanical principles of architectural structures in the past. His architectural and interior design works give people a sense of disaster, danger and tragedy, and make people feel that they are contrary to the fundamental function of architecture.

There is no center, no place, no constraints, and it has the arbitrariness of the designer to vary from person to person.

Auditory spatial pie.

To put it simply, deconstructivism is about breaking existing principles and rules and reformulating new ones.