The 4 sorrows in the poem nostalgia are different from each other

The poem is deeply meaningful, not only longing for the reunification of the motherland, but also vividly describing nostalgia. Reading this poem, the first thing that presents the reader is four vivid and concrete pictures of life. First subsection:

Studying at an early age, mother and son were separated, and letters were borrowed to comfort the farewell; Section 2: When you become an adult, say goodbye to your new wife, leave your hometown, and go your separate ways; Section 3: Life and death, mother and son are not allowed to see each other; Section 4:

It is rare for compatriots to get together, and the country cannot be reunified. At the same time, the reader can feel the author's strong and strong feelings, the poet's homesickness is not directly said, but through association and imagination, he has shaped four images of life art and made them present in front of the reader's eyes. The author fused his thoughts and attachments to his mother, wife, and motherland, and expressed his strong desire for family reunion and national reunification.

Just as many rivers on the land of China are tributaries of the Yellow River and the Yangtze River, although Yu Guangzhong lives on an island, as a Chinese poet who loves the motherland and its cultural traditions, his nostalgic poems inherit the national emotional tradition in China's classical poetry from the inner feelings, and have a deep sense of history and nationality. It makes people feel an indescribable sense of intimacy. As a contemporary poet who has left the mainland for more than 30 years, Yu Guangzhong's works will inevitably be marked with a profound mark of the times. The poem "Homesickness" focuses on personal experience in the mainland, a stamp when he was young, a boat ticket when he was young, and even a grave in the future, all of which contain the poet's thoughts of thousands of overseas travelers, and all this is sublimated to a new height at the end of the poem:

And now, nostalgia is a shallow strait, and I'm at one end, and the mainland is at the other end. Like a hundred rivers running to the East China Sea, like a thousand peaks towards Mount Tai, the poet's personal joys and sorrows are blended with the huge love of the motherland and the love of the nation, and the poet's personal experience is also more sultry and melancholy because of the burning of feelings at the end, as the poet himself said: "The sense of history is longitudinal, and the sense of region is horizontal."

The reality of a crossroads that intersect vertically and horizontally. In this way, the poet's "Homesickness" is a variation of China's traditional nostalgic poems in the new era and special geographical conditions, with a breadth and depth that cannot be compared with the previous nostalgic poems. Mr. Yu Guangzhong loves traditional Chinese culture and China.

Praise "China, the most beautiful and motherly country". He said: "The upstream of the blue ink is the Miluo River", "I want to be the successor of Qu Yuan and Li Bai", "I have a tributary of the Yellow River in my bloodline".

The first four sorrows were written in order to reflect nostalgia. All in order to concentrate on nostalgia. "Stamps", "Ship Tickets", "Brides" and "Graves" are four kinds of objects to depict the continuity of nostalgia.

I miss my country, my hometown, my relatives, and my lover.

Homesickness wrote four images:

1. Stamps, expressing the thoughts of young students for their mothers;

2. Ferry ticket, expressing the young wanderer's thoughts about his new wife;

3. The grave, expressing the poet's nostalgia for his deceased mother after moving to Taiwan;

4. The strait expresses the strong feelings of Mr. Yu Guangzhong and the people on both sides of the strait looking forward to the peaceful reunification of the two sides of the strait.

Emotionally, with the growth of the poet, the passage of time, the change of the times, is a progressive relationship, the choice of imagery also from a small stamp to a shallow strait, layer by layer, from home to country, reflecting the poet's growth with the growth of the poet, from missing relatives to the heart of the motherland's ardent emotional changes.

The features are as follows:

1.The concreteness of the imagery.

Homesickness is an inner emotion that cannot be seen or touched. However, the poet externalizes the inner emotion of homesickness into a tangible image through the medium of "stamps". Because of the longing for his mother, he could not see each other directly, so he needed to use stamps to convey his feelings.

2.The abstraction of imagery.

The four intuitive images of Homesickness: stamps, ship tickets, graves, and straits, although they are independent, they have a deep inner connection. This is the progressive and abstract nature of their imagery.

Appreciation of works

"Homesickness" is in the afterglow.

One of the poems "White Jade Bitter Gourd", and "Folk Songs" and "Four Rhymes of Homesickness".

Luo Erwazi" and so on, are also classics that express nostalgia in the style of folk songs in the afterglow.

Yu Guangzhong is known as a poet who "shakes hundreds of millions of Chinese with the poetry of nostalgia", and "nostalgia" is the theme that he never forgets in many of his poems. "Homesickness" offers a new interpretation of an abstract theme that is difficult to depict but is covered by a large number of depictions. In terms of imagery, the four common images of "stamps", "ship tickets", "graves" and "straits" are selected to give them rich connotations.

The four images that were originally unrelated were repeatedly sung under the maintenance of the specific emotion of nostalgia. Yu Guangzhong himself once said that this poem is "quite realistic": when I was a child, I went to boarding school and had to correspond with my mother; After marriage, he went to the United States to study and returned to Taiwan by ship; Later, his mother died, and he never lost his mother's love.

The first three lines of the poem are all about women, and in the last sentence, I think of such a "big mother" as the mainland of the motherland, so the artistic conception and thinking suddenly become clear, and there is a sentence "Homesickness is a shallow strait". And seep the finches.

"Homesickness" means feelings and longing for hometown, and it is an emotional state of attachment to hometown. Attachment to one's homeland is a common and eternal emotion of human beings. Wanderers, wanderers, vagrants, immigrants who are far away from their hometowns will miss their homeland and hometown.

Related notes: Modern poet Yu Guangzhong created a modern poem "Homesickness" in 1972, in which the poem runs through the chronological sentences of "when I was a child", "when I grew up", "Later" and "Now", and uses stamps, ferry tickets, graves, and straits to concretize abstract nostalgia, summarize the poet's long life process and lingering nostalgia for the motherland, and reveal the poet's deep sense of history. The language of the whole poem is simple and true, and the emotions are deep.

Because I can't go back to my hometown, I will be worried. There is such a good song, people are outside, and their hearts are at home. When I go outside, I know that my hometown is good, and I miss my family and hometown very much when I encounter things.

This poem uses concrete objects such as stamps, ferry tickets, graves, and straits to concretize abstract nostalgia and turn it into concrete and tangible things, expressing the author's strong desire to reunite with his relatives and the reunification of the motherland.

The author of the poem "Homesickness" is Yu Guangzhong, and this poem is selected from "White Jade Bitter Melon".

"Homesickness" is a modern poem written by the poet Yu Guangzhong after wandering in a foreign land and returning to China from overseas. Poetry expresses a feeling of reluctance to love the hometown and the motherland.

The poem also reflects the poet's wish for the early reunification of the Chinese nation.

Homesickness

When I was a child, nostalgia was a small stamp, I was at one end and my mother was at that end.

When I grew up, nostalgia was a narrow ticket, I was at this end, and the bride was at that end.

Later, nostalgia was a low grave, I was outside, and my mother was inside.

And now, nostalgia is a shallow strait, and I'm at one end, and the mainland is at the other end.

Yu Guangzhong (October 21, 1928 – December 14, 2017) is a famous contemporary writer, poet, scholar and translator.

"Homesickness" is one of Yu Guangzhong's poetry collections "White Jade Bitter Melon", and "Folk Songs", "Four Rhymes of Homesickness", "Luo Erwazi", etc., are also classics in Yu Guangzhong that express nostalgia in the style of folk songs.

The author of nostalgia is Yu Guangzhong, selected from the white jade bitter gourd.

"Homesickness" is from "White Jade Bitter Melon".

Homesickness in the afterglow.

When I was a child, nostalgia was a small stamp.

I'm on this side, and my mother is on the other side.

Growing up, nostalgia is a narrow ticket to Chaga.

I'm on this end and the bride is on that end.

Later, nostalgia is a low grave.

I'm outside, my mother is inside.

And now nostalgia is a shallow strait.

I'm on this side, and the continent is on the other side.

Just like the poem nostalgia, it contains affection.

Stamps are a kind of image, and the ship tickets, stamps, and graves in the poem are all images, all of which convey homesickness.

A postage stamp when he was young, a boat ticket when he was celebrating the New Year, and even a grave in the future, all embody the poet's thoughts of thousands of overseas travelers.

It is a feeling of longing for hometown.

Selected Essays on Homesickness: Homesickness.

Outside the window, there was a gentle drizzle, and my homesick heart was like a soaked seed, gradually swelling.

Who's that? In the moonlight, the song of homesickness was played on the flute, and the melancholy tune inadvertently filled the wasteland of my heart; Who is reciting that homesick poem every night, and the voice of lamentation is full of infinite quiet nostalgia.

I once thought that I was used to getting up early and returning early in this familiar city, and the mountains and rivers of my hometown have gradually become estranged. But when I suddenly looked back, I realized that I was like a flying kite, no matter where I was, the rope of my soul would always be tied to the pomegranate tree in front of my hometown.

This drizzle has wet all my memories, and nostalgia is like a garden full of leeks: it grows and grows, and it grows. Everything in my hometown is shaking in my mind, wandering in my thoughts, the mountains and rivers, and those simple people, forming a picture in my memory, very beautiful and beautiful—-—

When I can no longer see the geese flying south in the sky, when the leaves of the pomegranate tree are yellow and green, my constant nostalgia is so leisurely playing the —-—flute of my hometown