Comparison of vocal piano accompaniment and instrumental piano accompaniment

The landlord wants to ask about piano accompaniment and folk music accompaniment, right? How to put it, in fact, each has its own style, and there is no comparison. Just like different musical instruments have their own characteristics, you can't say that the piano is better than the erhu, nor can you say that the violin is better than the cucurbit, they all have their own characteristics.

It can play the role of artistic direction, participate in vocal music with the role of piano accompaniment, can improve the level of the singer's argument, can strengthen the singer's comprehension of the first, piano accompaniment is a special and independent vocal performance art form, its main purpose is to assist vocal singing.

Piano accompaniment has the following advantages and functions.

Most modern pianos with the widest range are constructed of 88 keys, including the highest and lowest notes of the piano range, which can be represented by the piano. In contrast, there is usually a range such as stringed instruments, wind instruments.

Musical instruments such as suona have five octaves and two and a half octaves, which cannot be fully realized by these means. Therefore, the piano with the widest range has the characteristics of multiphony, no matter what kind of instrument is collocated, the playing range is within the range.

Harmony is the most commonly used method of vocal music technology, and it is often used, which is mainly based on various sounds according to certain organizational rules to form a multi-part organizational form. However, not all loose stove shed instruments can play perfect harmonies. A piano can play more sounds than other instruments.

The role of prompting is the most fundamental role of piano accompaniment, in this process, because tension or some unexpected situation may affect the termination of the concert, then the piano accompanist is required to take the piano accompaniment keenly to prompt the singer and assist in restoring the normal singing.

1. Only play the four commonly used keys of C, G, D, and F, including their relationship minor keys, of course.

2. Choose popular songs with a shallow degree of arrangement with left-handed accompaniment, if your favorite songs are more complex, you can delete the complex and simplify, and apply to the personal performance level as much as possible.

3. The left hand does not need complex chords, generally selects the third chord, the seventh chord, and adds a very small number of minor third chords.

4. The left-hand accompaniment texture can generally be singled, and the chord decomposition can be controlled within one octave, and in special cases, it should not exceed two octaves at most.

5. No polyphony, no inversion of the primary and secondary of both hands, that is, no left-hand melody and right-hand accompaniment.

It's very simple, write the main melody first, then write the root note to make the bass, and then add the main chord and subordinate chord with the bass as the main chord. The rhythm of the root note is dominant. Anything else is up to you to play at will!

1. The easiest way is to add the same note (an octave) to the left hand to what is the first note of each measure. But that sounds drably and blunt.

2. Learn the 1st, 4th, and 5th chords of the tune you are playing, 135, 146, and 725 respectively, familiarize yourself with their positions, and then match each bar with appropriate chords.

The landlord is good, and the general pop ** accompaniment is improvised accompaniment.

I'll tell you a few common improvised accompaniment scales, and all songs can be accompanied by these formula: 1 4 5 1

Formula 2: 1 6 4 2 5 1

Formula three: 1 6 2 5 1

Formula 4: 6 2 3 (3 l 5 7) 6

Formula five: 6 4 2 3 (3 l 5 7) 6 formula six: 2 5 1 4 7 3 (3 l 5 7) 6 formula seven: 6 2 5 1 3 (first 3 6 7 3 then 3 l 5 7 3).

Formula 8: 1 5 6 3 4

Formula nine: 1 3 6 3 4 3 2 5 1 Formula ten: 1 3 4 5 1

Equation 11: 1 7 (7 2 5) 6 5 (5 1 3 ) 4 3 (3 5 1 ) 2 5 1

If there is anything you don't know, you can ask me again.

The so-called standard answer may not exist.

There is always someone who knows part of the answer to your question.

But the answer grows forever, and between the answer and the answer, it grows new answersKnowledge is a living being, and no matter which answerer you know, I really hope that you can adopt someone who helps you.

Happy New Year, the landlord, the fifth day of the Lunar New Year will answer for you.

Piano performance and piano accompaniment are closely linked, but they differ in the requirements and skills of the pianist. Piano performance refers to the use of the piano to play a piece of music alone or improvisation, which requires a high level of technical proficiency and good expressiveness. Performers need to further the emotional connotation of the repertoire by mastering the basics of finger skills and theoretical knowledge, so as to translate it into just the right language to convey to the audience.

And piano accompaniment is the role that the piano plays in the ensemble. The accompanist needs to make corresponding accompaniment adjustments according to the dynamic changes of the singer's rhythm, speed and mood, and strive to integrate perfectly with his voice. At the same time, in the process of piano accompaniment, it is also necessary to pay attention to the mastery of its own volume and dynamics, so as to avoid suppressing the vocal effect of the original song and other instruments.

Therefore, although there is a great commonality between piano performance ability and piano accompaniment, the key aspects highlighted by the two are different, and hail requires pianists to have different grasps and experiences in theory, technique, and harmony. Whether you want to play or accompaniment, you need to apply the existing vajra skills and understanding, and then make corresponding adjustments according to the situation.