Xu Beihong s Wind and Rain Chicken Song Xu Beihong s story

Meilun Meihuan's "Silk Painting" - Xu Beihong's wind and rain chicken song appreciation.

Silk painting is a unique handmade artwork in our country, a unique hand-woven and embroidery program, and the machine can not replace it. The artistic effect it displays is also unique in the world.

The procedure for weaving a painting with the silk process is complicated. First of all, it is necessary to weave the net bottom line with a hand-made hollowing machine, leave a place to repair the weaving and drawing inscription when weaving the weft, and then use silk threads of various colors to repair and weave on the empty painting. When all the processes are completed, the weaving picture looks like a picture carved with a knife, so it is also called "carved silk painting".

The picture shows a Cantonese embroidered "silk painting" made by Mr. Xu Beihong in Guilin, Guangxi Province in 1937 "Wind and Rain Rooster Crowing", in which a rooster standing on the mountain rock with his head up, surrounded by wind and rain, wanting to get close to the dawn of the sky. Mr. Xu Beihong's inscription in the upper left corner of the painting: "The wind and rain are like obscurity, the rooster crows endlessly, and when you see the gentleman, Yunhu doesn't like it?"

Beihong's work, Guilin". This is a quote from the Book of SongsZheng Feng.

Rain. In the third paragraph, the meaning of the poem is: The bleak wind, cold rain and gloomy sky, the rooster crows and looks forward to the dawn, and when I see my relatives, why don't I rejoice in my heart?

Mr. Xu Beihong's paintings, whether they are horses, chickens or other animals, have a sense of sustenance and meaning. In this majestic and profound artistic conception of "Wind and Rain Chicken Song", Mr. quotes the "Book of Songs" as the inscription, the meaning of which is to borrow the image of the wind and rain chicken in the painting to vent the anger in the chest, hoping that the rooster will sing the world white, and the relatives will get together after the darkness. The rooster created by Mr. Beihong is vivid and spiritual, and the three-dimensional effect of the silk painting makes people think endlessly.

To materialize people, I really want to look up to the sky and howl.

Wind and Rain Chicken Song" Modern Xu Beihong ink and color on paper, 132 cm long, cm wide.

The inscription on the upper left of the painting: "The wind and rain are like obscurity, the rooster crows, and the gentleman is not happy." Ding Chou Shichun, the work of Beihong Huairen.

Guilin. The inscription poem is taken from the wind and rain chapter of the "Book of Songs" and has another meaning. In 1937 (the year of Ding Chou), Japanese imperialism intensified its aggression against China, and the painter expressed his patriotic feelings through the poetry of "wind and rain and rooster crowing".

In the painting, a big white rooster with a red crown on a steep boulder has a long crowing of its head at the sky; The ink bamboo that symbolizes the national integrity next to the stone is thick; The background is a long sky with "stormy clouds".

Hypothetical, just hypothetical.

The chicken may symbolize the rejuvenation of the Chinese nation and the Chinese people who have risen up against it.

The wind and rain may symbolize the aggression of the great powers against China, and it should mainly refer to the Qiqi Lugou Bridge Incident.

1. Rotten talk about changing Bo New Year's paintings.

Xu Beihong admired Ren Bonian all his life, and said that he was Ren Bonian's "descendant", because the day Ren Bonian died was the day Xu Beihong was born. Unexpectedly, Ren Bonian died at the age of fifty-six, and Xu Beihong only lived to be fifty-eight years old.

Xu Beihong paid attention to collecting Ren Bonian's works, but because Xu Beihong was unwilling to sell his paintings and his life was poor, he could only exchange his own paintings with others when he saw Ren Bonian's paintings. Initially, Xu painted.

Only three or four paintings were replaced, and then gradually decreased, and by the 40s, a Xu painting could be replaced by a painting.

Xu Beihong compiled a chronology for Ren Bonian. In it, he commented that the most wonderful part of Ren Bonian's painting is the depiction of the subject's mouth and feet, which is straight and powerful.

2. Dead branches and rotten wood.

In September 1929, Xu Beihong was recommended by Cai Yuanpei to serve as the dean of the School of Arts of Peking University. Xu Beihong hired Qi Baishi as a professor instead. At that time, the Beiping painting circle was lifeless, imitating the ancients, and the conservative forces were quite stubborn.

Qi Baishi, who was born as a carpenter, boldly innovated and changed his painting methods, but unfortunately, he did not get much response, and the Beiping painting circle sneered at him.

When Xu Beihong came to Qi's house in a four-wheeled carriage, Qi Baishi was moved by his sincerity: "How dare I, a carpenter with an axe in an old house in Xingtang, dare to become a professor in a university of higher learning?" ”

Not only can you regret teaching me Xu Beihong's students, but you can also teach me Xu Beihong himself! Xu Beihong said, "Mr. Qi, I, Xu, am about to borrow your axe to chop down the dead branches and rotten trees on the Beiping painting world!" ”

3. Xu Beihong buys paintings.

Once Xu Beihong found a very famous painting in a painting shop and wanted to buy it. He asked the shopkeeper how much the painting was sold for, and the shopkeeper said 300 yuan. Xu Beihong thought it was more expensive, and reluctantly left the painting shop.

The more I thought about it, the more I thought about it, and I really wanted to buy it, so I went to the painting shop and asked if it could be cheaper, but the owner disagreed.

When Xu Beihong returned home disappointed, he thought that this painting was really a treasure. I went to the painting shop for the third time, and finally bought the painting for 300 yuan. I was very happy.

On this day, Zhang Daqian went to Xu Beihong's house as a guest, Xu Beihong was so excited that he said to Zhang Daqian that he bought a rare painting, and took out this painting for Zhang Daqian to appreciate. Xu Beihong was very unhappy when he heard this, and Zhang Daqian soaked the lower right corner of the painting with water and gently tore it, revealing the imitation words of Daqian. Xu Beihong couldn't help but be stunned, Zhang Daqian insisted on painting haha, and he bought the painting back with 300 yuan.

Summary. 4.Mainly talking about Xu Beihong, talking about a bet with foreign students, Yang invited him to be a guest and guide, and in 1924 oil painting caused a sensation in the Paris art world.

How to write 3 questions and 4 questions for the teacher.

3.I saw the strength and backbone of the Chinese.

4.Mainly talking about Xu Beihong, talking about a bet with foreign students, Yang invited him to be a guest and guide, and in 1924 oil painting caused a sensation in the Paris art world.

Connected together: when Mr. Xu Beihong first came to France to study, a foreign student began to look down on China, Mr. bet with him with his grades, after his own continuous hard work, he was rewarded and recognized, and his paintings were also <>a sensation

Xu Beihong (July 19, 1895, September 26, 1953), Han nationality, a native of Yixing, Jiangsu, was born in Qiting Bridge, Yixing, Jiangsu, China. He is the founder of modern Chinese art, an outstanding painter and art educator. Since childhood, he has studied poetry, calligraphy and painting with his father Xu Dazhang.

In 1912, at the age of 17, she worked as a painting teacher at Yixing Girls' Junior Normal School. In 1916, he entered the French Department of Fudan University in Shanghai, and studied sketching by himself. He studied in Japan and France, traveled to Western European countries, and observed and studied Western art.

After returning to China in 1927, he successively served as the director of the Fine Arts Department of the Shanghai Nanguo Art Institute, the professor of the Art Department of ** University, and the dean of the Art School of Peking University. Since 1933, he has held Chinese art exhibitions and solo exhibitions in France, Belgium, Italy, Britain, Germany, and the Soviet Union.

Chinese name: 徐Beihong.

Nationality: Chinese.

Place of birth: Qitingqiao Town, Yixing County, Jiangsu Province.

Date of birth: 19 July 1895.

Date of death: September 26, 1953.

Profession: Painter, poet.

Biqian Douye University: Fudan University in Shanghai.

Main achievements: "Socks Mountain Beihong Painting Collection", etc.

Representative works: "The Fool Moves.