Some questions about erhu learning 0 0

It is recommended that you find a teacher to learn. Erhu is more difficult, and self-study is still relatively difficult.

If you have to study on your own, you can go to the bookstore and have books that are explained in more detail. It seems that there is a very thick book called "Children Learn Erhu", you can look for it. In addition, it is recommended to look for it"Zhao Hanyang"The books written by several teachers such as "Zhang Shao" and "Liu Changfu" are relatively authoritative and detailed.

If you find the right book, you should be able to answer questions 1, 2, and 3.

As for the fifth question: I suggest that if you want to learn, you should find a teacher who is about the same, one class a week, four classes a month should not be much money. As for the boring "teacher", I'm afraid it's more difficult, and anyone who can be called a teacher should not be idle.

Finally, the inner string is the one that is close to your body when you hold the erhu correctly.

Hello.. I've been learning erhu since I was a child. It didn't stop until the second year of junior high school after the tenth grade. But I'll still find a score to practice.。。 After that, I studied piano and vocal music.

1。The score of the erhu belongs to the simple score. That is, you said 1 2 3 4 5 6 7 They are the basic scale, which is equivalent to do re mi fa so la si If there is a dot on the number, it means the corresponding octave higher, two dots and two octaves higher, and so on.

In the same way, the point below the number is the lower octave...

2.For a foundation, of course, it's a step-by-step learning from the basics.

3.It's hard to say about the bit. It depends on what major key you play.

4.Erhu self-study may be possible. But there is a deformed posture that pulls and is ugly.。。。 You'd better find a teacher to teach you the basics and then go and learn the tunes on your own.

5.It's best to find a professional teacher to learn... This progress is fast and not easy to deform... Erhu gestures are full of important...

Question addendum: The inner string is the string closest to you when you put the erhu on your thigh (what the erhu looks like when you play), and the outer string is the one farthest away from you... The sound of the inner strings is thicker, and the outer strings are more crisp... And the outer chord is thinner than the inner chord...

Really recommend finding a good teacher... I learned it from Professor Shangyin... You must find a good teacher, erhu, it's best not to learn on your own...

1-do2-re

3-mi4-fa

5-so6-la

7-xi8-do

Start by memorizing the simplest etudes.

The thick ones are the outer strings, and the thin inner strings are the inner strings.

Self-taught is unlikely – if you've never learned a stringed instrument!

Don't think of erhu as too simple, the fewer strings the more difficult it is to learn. You should find a teacher to teach and then teach yourself when you get started!

By the way, you buy Zhao Hanyang's book and take a look, there is a disc, and it is very detailed.

Listen to me right, I'm level 8 erhu.

It depends on which tune you want to learn, there are many tunes, others, 6 .......Learn from the basics, Xuan. The inner string is the inner string (1), the inner string 1 finger is 2, the 2 finger is 3, the third finger is the hair, the fourth finger is the search (5), the outer rotation of the empty string is 5, the first finger is la, the second finger is Xi (7) the third finger is the knife (treble), and the fourth finger is 2 (treble).

Three fingers and one handle.

I've been learning erhu since I was a child, and I had to go to a teacher because it's still a bit complicated

Have you ever learned an instrument before?

1. Pay attention to the pitch. The common problem is to sacrifice pitch to meet speed. The correct approach should be pitch first and speed second. Start by slowing down and gradually transition to a normal pace.

2. Pay attention to the finger sequence. It is necessary to strictly follow the fingering practice on the etude and the piece, do some fingering exercises, and have the correct finger sequence. Once the wrong finger order has become a habit, it is difficult to change.

3. Pay attention to the smoothness of the bow. Practice the slow bow more. The common problem is that if you appreciate the fast bow and come up to practice the fast bow, the result is that the slow bow is weak, and the fast bow drags mud and water.

The slow bow is the foundation, pay attention to the movement of the wrist, the posture of the bow, experience the coordination between the wrist, forearm and shoulder, and the feeling when moving the bow. The slow bow is both basic and difficult. When you are a beginner, you should not blindly imitate the chic and free bow movement postures of the performers, but you must do it on the basis of solid basic skills.

4. Practice fast bows from slow to fast. Pay attention to the graininess, and the capsule should be clean and full. The common problem is to blindly seek speed, drag mud and water, and seek quantity rather than quality.

5. Pull the etude. The initial stage is mainly to learn "skills", not "arts". Playing the etude has a greater effect on the progress of "technique".

The common problem is that I can't bear the loneliness, and I always want to play some music to enjoy myself. When you are a beginner, you can play a small amount of music with simple melodies, fingering and bowing. At this stage, the cultivation of musicality mainly depends on listening, listening to the performance of famous artists.

And not by pulling.

6. It is necessary to practice separately and break down the difficult points. For example, when practicing kneading, don't mix and change handles. It is necessary to practice one by one, and then do comprehensive exercises after passing each one.

It is not only necessary to practice the erhu seriously, but also to master the scientific and effective method of practicing and bringing the front piano, so as to improve the efficiency of practicing the piano. So what are some ways to learn erhu? Below I have compiled the methods of learning erhu for your reference.

Learn the erhu method.

1. Fast scales, arpeggios, and passages played with a legato.

1) Practice with a split bow, emphasizing that the points of the left and right hands should be together.

2) Change the speed, you can first practice at a constant speed, and then use different speeds to do a gradual or gradual slowdown.

3) After completing the above two practice steps, return to the Qing into a continuous bow, practice using your left hand to control the speed, and also practice at a constant speed, arbitrarily accelerated or slowed down.

4) Take a progressive and rapid practice method: from the first note to the second note quickly, back; From the first.

The first and second tones are fast to the third tone, and back; Again from the first.

The first, second, and third tones quickly reach the fourth tone, and then back again, gradually increasing until all the notes are completed.

Learn the erhu method.

Second, the difficult part of the fast bow.

1) Split up practice: only practice the right hand, or only the left hand.

2) Slow practice: Slow down the practice at more than double the speed, focusing on intonation and sound quality.

3) Quick Practice: Practice at a faster speed than normal, focusing on the quick reaction and coordination of the left and right hands. The pronunciation should be concentrated, and the left and right hands should be tightly coordinated.

Note: Fast bow and slow bow are two different concepts, and you can't just practice slowly. With super-fast exercises, it is easy to get back to the original speed, but this is done in fragments, so be careful not to strain your fingers.

4) Practice with the opposite bow.

5) Dotted practice: Slow down the rhythm of the sixteenth note slightly, and play it into a rhythmic pattern of dotted notes, and highlight and strengthen the dotted capsule.

Learn the erhu method.

3. Allegro passages with complex rhythmic changes.

1) Find the rhythm of beats, rhythmic patterns, and rhythmic stress.

2) Find the basic ratio of long and short bows. Prone to problems: the long bow segment is too long, and the short tone bow segment is too short; Or the long and short tones are basically the same bow segments.

The basic methods of learning erhu are as follows:

First of all, we must learn to pull the empty string, the requirement is that the bow should be in a horizontal state, the bow should be full, try to avoid noise, when pulling it is in a state of outreach, and when it is pushed, it is in a state of inward flexion. The second is the practice of fingering, and then the practice of changing the key, changing the handle, and introducing the method, etc., to listen to more tunes and strengthen the understanding of the erhu.

It is necessary to train the sensitivity of the ear through many exercises to achieve the accuracy of distinguishing the intonation. Erhu learning is a phased process, and there are bottlenecks, so you need to learn erhu gradually. There is no frets and fretboards in the erhu, and the weight of the strings, up and down, will affect the pitch of the erhu, so if you want to cultivate your own musicality in the practice of erhu, the sound produced by the lack of musicality is not beautiful and cannot move people's hearts.

Sitting: The midline of the body is tilted to the left, so that the center of gravity falls to the left side of the body. Stand with your back straight and sit upright about a third of the stool.

Bow holding (the wrong way to hold a bow): Hold the bow too close to the head of the bow or too close to the middle bow. The bow goes too deep into the bottom of the tiger's mouth, so that the bow is strangled in the tiger's mouth and cannot move flexibly.

When holding the bow, the fingers are "drooping" downward, so that the bow shaft is pressed against the barrel and rubbing, and the bow hairs are offset upwards from the barrel.

When playing the outer strings, the middle and ring fingers are taken out between the bow shaft and the bow hair, and then the bucket is inserted when the inner strings are played. The position of the thumb is incorrect when holding the bow. When holding the bow, the middle finger is too much between the bow shaft and the bow hair, so that it is not able to use strength inside and out.

Gripping the arch too tightly caused thick calluses to develop at the base of the index finger, the inside of the first joint of the thumb, and the outside of the first joint of the middle finger. When playing the erhu, the bow should not be tilted upward, which will cause a bad sound.

Hold the piano. The barrel is placed incorrectly in the middle of the left leg, not at the base of the left leg against the lower abdomen. The stem is too sloping to the left or right; Leaning too forward or adducting.

In the first position, the left hand is too far away from the jack. The left arm lacks the support it should have, and is clamped by the tiger's mouth and hung from the stem.

Bend your thumb down to hook the stem. When holding the piano, the palm of the left hand is close to the stem, and the fingers "lie" and press the strings upside down. The finger joints are bent excessively, touching the strings with the tips of the fingers (even with fingernails). Finger joints are reversed, especially the first joints of the middle, ring, and little fingers.

The fingers (especially the ring finger and little finger) do not press the string from the front of the string (from the string to the stem), but from the outside of the string (from the string to the body), so that only the outer string is pressed, but the inner string is in a state of virtual pressing, which often leads to a wolf sound.

When playing, always let the fingers of the hand "hang" above the noteme, and cannot be relaxed. When one finger is pressed on the string, the finger underneath it curls up in the palm of the hand. Holding the piano with the upper arm raised excessively, leaving the left arm in a tense and unnatural state.