From the article Zhuangzi and Huizi Swim on the Haoliang , a common saying is extracted.

Zhuangzi and Huizi swim on the beam. Zhuangzi said: "Minnows travel calmly, which is the joy of fish."

Keiko said: "Zifei fish, the joy of knowing fish? Zhuangzi said:

The son is not me, and I know that I don't know the joy of fish? Huizi said: "I am not a son, and I don't know a son; Zigu is not a fish, and Zizhi does not know the joy of fish!

Zhuangzi said: "Please follow the roots." Zi said, 'Ru'an knows the fish and enjoys' clouds, and since you know what I know, you ask me.

I know it. ”

Translations. Zhuangzi and Keiko play together on the bridge in Haoshui. Zhuangzi said:

How leisurely the sea bass swims in the river is the joy of the fish. Keiko said, "You're not a fish, do you know that fish are happy?"

Zhuangzi said, "You are not me, how do you know that I don't know that fish are happy?" Keiko said

I'm not you, and I don't know you; You are not a fish in the first place, you don't know the joy of fish, that's completely certain. Zhuangzi said: "Let's go back to the original topic, if you start asking me, 'Do you know the happiness of fish', it means that you know very well that I know, so you came to ask me from **know."

Now I'll tell you, I knew it on the bridge in the water. ”

Exegesis. Haoliang: On the bridge of Haoshui. Hao, the name of the water, is in what is now Fengyang, Anhui.

Relaxed: Leisurely.

Minnow (tiáo) fish: A small silvery-white fish in freshwater fish that likes to swim below the water layer and is about 16 centimeters long, also known as white minnow.

Yes: This. Solid: of course (solid does not know the child); Originally, (sub-solid non-fish also).

Full: Exactly, definitely yes.

Let's get started: Start with the original topic. Follow: Follow. Its, the topic. Ben: Initially.

Zi said, 'Ru'an knows the fish' cloud: You say "Ru'an knows the fish" and so on. Ru An Zhiyule: How do you (**) know that fish are happy? Cloudman: So so. Ann, how; **。

Quiet; Interrogative pronouns. How**.

Zifei fish, the joy of Anchi fish?

Yes, poke the avatar and take it yourself.

Zhuangzi and Huizi swim in Haoliang.

Explanation] This article is excerpted from "Autumn Water".

Autumn Water is another long chapter in the Zhuangzi, which uses the first two characters as the title, and the center is to discuss how people should understand external objects. The whole article consists of two parts. The first part is about the conversation between the sea god of the North Sea and the river god, and the questions and answers are completed in one go, forming the main body of this article.

The latter part is written in six fables, each of which is self-contained and unrelated, and there is no structural relationship with the dialogue between the sea god and the river god in the previous part, and it is not very helpful to express the theme of the whole text, which seems to be dissociated.

Zhuangzi and Huizi Swim in Haoliang" is relaxed and poetic. A strong argument, a clever argument; One is truth-seeking, one is beautiful; One is obsessive, one is detached; It makes people smile and ponder for a long time after reading it.

Zhuangzi and Huizi swim on the beam. Zhuangzi said: "Perch swims calmly, is it the joy of fish?"

Keiko said: "Zifei fish, the joy of knowing fish? Zhuangzi said:

The son is not me, and I know that I don't know the joy of fish? Huizi said: "I am not a son, and I don't know a son; Zigu is not a fish, and Zizhi does not know the joy of fish!

Zhuangzi said: "Please follow the roots." Zi said, 'Ru'an knows the fish and enjoys' clouds, and since you know what I know, you ask me.

I know it. ”

Translation] Zhuangzi and Huizi play together on the bridge in Haoshui. Zhuangzi said, "How leisurely the sea bass swims in the river, this is the happiness of the fish."

Keiko said, "You are not a fish, how do you know the happiness of fish?" Zhuangzi said:

You're not me, how do you know I don't know the joy of fish? Keiko said, "I'm not you, and of course I don't know what you think; You're certainly not a fish, and you don't know that the joy of fish is for sure.

Zhuangzi said, "Please start with our original topic. You said something like 'you know the happiness of fish', which means that you already know that I know the happiness of fish and still ask me, I know that fish are happy on the bridge in Haoshui.

Implication] Keiko is argumentative and analytical. There is a cognitive attitude towards things that are fundamentally oriented, focusing on knowledge; Zhuangzi argues wisely and re-appreciates. The understanding of the outside world has an attitude of appreciation, and the subjective affection is exerted on external objects to produce empathy and empathy.

If Keiko has the personality of a logician, then Zhuangzi has the style of an artist.

Zhuangzi and Huizi swam above the beam, observed that the fish swam under the beam, and the freedom and vanity of the fish began to be next to the Zhuangzi, which led to the thinking about human life and social system, and the main purpose was to imply Zhuangzi's pursuit of free life and ideal society. True freedom, he believes, refers to being able to choose one's own way of life without being restricted or oppressed by the outside world. Vanity, on the other hand, refers to the pursuits and desires brought about by something that is not real or non-existent, making it impossible for people to live freely and happily. Zhuangzi also addressed the problem of political systems and bureaucracy, arguing that these systems and bureaucracy only limit people's freedom and happiness, and therefore should pursue a society without rules and boundaries.

In short, the story of Zhuangzi and Huizi swimming on the Haoliang represents the thought and philosophy of Zhuangzi, who advocates the pursuit of true freedom, the freedom from the shackles of vanity, the pursuit of a free society without boundaries, and the realization of human freedom and happiness.

Zhuangzi and Jizhi Huizi swim on the Haoliang" is an inverted sentence (after the adverbial), and the chaotic celebration can be changed to "Zhuangzi and Huizi accompany the infiltration upstream of the Haoliang", which means that Zhuangzi and Huizi play on the Haoliang; Inverted sentences can be divided into four forms: subject-verb inversion, object preposition, definite postposition and adverbial postposition.

Zhuangzi and Huizi swim on the Haoliang" original text appreciation:

Zhuangzi and Huizi swim on the beam. Zhuangzi said: "Minnows travel calmly, which is the joy of fish."

Keiko said: "Zifei fish, the joy of knowing fish? Zhuangzi said:

The son is not me, and I know that I don't know the joy of fish? Huizi said: "I am not a son, and I don't know a son; Zigu is not a fish, and Zizhi does not know the joy of fish!

Zhuangzi said: "Please follow the roots." Zi said, 'Ru'an knows the fish and enjoys' clouds, and since you know what I know, you ask me.

I know it. ”

Wen Shu. Yesterday I wrote about the first insight of reading "Zhuangzi and Qizi Swim on the Haoliang". Now let's talk about the second point.

Second, the art of brilliant debate. Except for the first sentence of the article, which is explained in a declarative sentence, the whole article adopts the form of dialogue. Zhuangzi and Huizi used the debating technique of "using the spear of the son and attacking the shield of the son" to deepen the debate. Please see the following**:

Zhuangzi: It is the joy of fish (inspired by feelings).

恵子: Anchi Fish Joy (First Attack).

Zhuangzi: The son is not me, and I don't know the joy of fish. (Lip to cheek).

Keiko: I don't know the son, and the child doesn't know the fish (analogical reasoning).

Zhuangzi: Follow the roots, know Hao Shang (turn the topic).

In the end, Zhuangzi secretly changed the concept, "An", there are two interpretations of the word, one is: how, and the other is: **. Zhuangzi stepped from "how to know" to "in ** knowing", that is, in Hao.

The two of them can be described as clever and witty, full of fun. In the debate, one of the two is beautiful and the other is truth-seeking; A detachment, a feeling. Wonderful polemical art is shown. That is, a rational thinking, a sensual beauty.

Third, in the debate between Zhuangzi and Yizi, there is no winning or losing.

Judging from the story itself, Zhuangzi has the upper hand. At the end, after Keizi cleverly invokes Zhuangzi's rebuttal to establish a logical reasoning, Zhuangzi returns to the starting point of the argument, changes the concept, and avoids the important to resolve Keizi's difficulties.

Logically, Keiko is the winner again. Zhuangzi deliberately misinterpreted the meaning of the Emperor to allow the Purity faction to hold his original judgment in the dispute, and this practice is obviously contrary to the rules of logical judgment, so from this point of view, the Emperor is the winner.

From the perspective of the thoughts and personalities of the two people, Keiko is argumentative, and has more of an attitude towards the understanding of things, lacking appreciation in the aesthetic sense; Zhuangzi, on the other hand, looks at things with an appreciative attitude, so his views on the erectors are completely different. They each have their own reasoning, and it doesn't matter who is the winner.

Fourth, we can use Zhuangzi's love for beauty to guide our writing.

A true classic must be beautiful and sensual. Zhuangzi's "Getaway" is not such a work, sensibility and truly paint a colorful world, colorful life, the text carries the Tao, handwritten my heart, higher than life, is the work we love, for middle school students, may as well try to discover the beauty and truth in life, depicting the life and nature we love.