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Sketching is about the relationship between black and white, can also be said to be the relationship between light and dark, the contrast between light and dark is strong and the picture becomes very comfortable, practice sketching can start from the line, the most important thing is the straight line, the next is the line, and then try to practice geometry to geometric combination, then it is a single still life, still life combination, you don't know when you paint, you can ask the teacher, you can buy some copying books to copy yourself, try to follow the steps when you first start painting, and look at it yourself when you are familiar with the steps. When painting, it is generally the dark part of the painting to a certain extent, and then compare whether it has been painted, if it has been painted, stop and see if the gray part can be painted! Don't be discouraged when you don't draw well!
There are a lot of sketch books on the market, but the specific is not very clear, in the book city, the ** waiter can help you, learning sketching should start with a straight line, the main point is to put the thumb against one-half of the pencil, the wrist does not use the force of the arm to wave and so on.
Good books are: Sketching Tips, Bert Dodson's Tutorials, and so on.
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I don't know what level and stage your sketch comes from, I want to quickly improve the level of sketching, the foundation is one, and there is to see more paintings, more good paintings, more good paintings, and copy a few similar to the original paintings, in the purchase of a good sketch book to study well, you can do anything, what else do you don't understand, welcome to ask.
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Sketching is the foundation of painting, and it is also the most difficult and time-consuming.
At first, it was to practice holding a pen and drawing lines (when I was learning, the teacher asked us to draw straight lines on the drawing board, no ruler, forty or fifty centimeters, you can practice practicing :) first
Next is the plaster geometric shape, which is mainly to practice composition, light and dark relationships, and grasp the shape.
Then there is still life sketching, practicing the relationship between composition and fiction and reality, as well as grasping the overall relationship.
Finally, it's deep, plaster avatars, real avatars ......
Step by step, take your time, this is not rushed.
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See more! Draw more! Improve your aesthetic ability and work your hands. Before you know it, you can reach a very high level.
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Learn to sketch, no other way, draw more, think more, think more! Copy!
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Multi-point copying. Multi-dot painting. Multi-point summary. You must be very powerful in no time.
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<> first draw a draft, that is, the general shape and position of the eyes, pay attention to the main body of the eyes is a diamond, the upper and lower ends should be drawn in arcs, so that the eyes appear more three-dimensional, the direction of the eyebrows should also be paid attention to, the first part is up and backward, to the highest imitation of which point of the eyebrows to the Xiahou anti-slip, the end of the pen should be lighter. Eyelashes are also a very important detail, so pay attention to the direction and length of each eyelash.
Use a pencil to draw a three-dimensional feeling of Bikei and deepen the shadows, and you can use your hands or toilet paper to create the effect above. Pay attention to the relationship between shadows, pay attention to the relationship between shades, so that you can better draw the three-dimensional effect.
Add some detail and add highlights.
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Here's how to draw an eye sketch:
1. Priming: first lay the background color or draw the preliminary outline as a whole.
2. Analyze the eyes: observe the shape, size, position and angle of the eyes, and determine the composition and proportion of the picture.
3. Refine the outline: start to slowly draw out the details of the eyes, such as the outline of the eyeball, iris, eyelids, etc.
4. Strengthen shadows: Add shadows around the eyelids and eyeballs to make the picture more layered and highlight the three-dimensional sense.
5. Eyebrows and eyelashes: According to the painting style, enhance the detail rendering of the eyebrows and eyelashes to highlight the effect.
6. Retouching: Finally retouching the details to make the picture more perfect.
Sketches are available in black and white sketches and color sketches
Black-and-white sketches usually use materials such as pencil or charcoal to express the depth and three-dimensionality of the picture through delicate lines and gradients of light and shade. It is often used to express portraits, architecture, landscapes, still lifes, etc.
Color sketching usually uses tools such as colored pencils or colored pencils, which can express more delicate details, as well as the expression of changes in the color and texture of objects. It is often used to express colorful landscapes, people, animals, etc.
For beginners, you can start with basic line exercises, such as practicing straight lines, arcs, curves, etc., and then learn simple geometric combinations, socks, perspective, shading techniques, etc., to gradually improve your drawing ability.
When drawing sketches, it is necessary to abide by skills such as the principle of light and shadow, color matching, detail expression, etc., and also need to master the thickness and weight of the lines, as well as the rules of turns and corners, so as to achieve accurate structure and rich three-dimensional effect. Sketching is a basic painting method to depict objects, and you can improve your drawing ability by constantly practicing and mastering skills.
Learning to sketch requires not only skill and patience, but also a certain amount of hand-eye coordination. Generally speaking, children can start to practice some simple coloring and line drawing at the age of 3-4, but to formally learn to sketch, they need to wait until after the age of 6-7, as the child's vision, cognitive ability and hand coordination develop.
When drawing sketches, it is necessary to abide by skills such as the principle of light and shadow, color matching, detail expression, etc., and also need to master the thickness and weight of the lines, as well as the rules of turns and corners, so as to achieve accurate structure and rich three-dimensional effect. Sketching is a basic painting method to depict objects, and you can improve your drawing ability through continuous practice and mastery of skills.
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If you want to learn systematically, you can consider signing up for a live online class, and recommend CGWANG's online class. The teacher speaks carefully, you can watch it back after the class, and there are also the same type of recorded classes that you can learn for free (give away lifelong VIP).
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The eye is the focus of the head sketch, not only because the eye is the "window to the soul", but more importantly, because of the different materials that make up the eye and the complex structural changes of the eye.
The eyes are located in the center of the face, and they are the most moving organ of the five senses. The structure of the two eyes is facing each other, which makes it even more difficult to perform. Therefore, it is particularly important to understand the physiological structure of the eye.
The eye consists of the eyeball, upper eyelid, lower eyelid, orbit, and lacrimal mons. The eyeball is embedded in the socket of the skull in a deep depression, and through the cleft of the upper and lower eyelids, we can see the exposed part of the eyeball, that is, part of the whites of the eye, the iris, and the pupil. To express the eyeball, pay special attention to its subtle changes.
It has a shadow cast by the upper eyelid and a shadow formed by the structure of the sphere itself in the lower part. The iris is a complex dark transparent body with small, bright highlights on the black pupil. The eyelid and cleft are arc-shaped, and the upper and lower parts wrap around the eyeball.
The upper eyelid is thicker and longer than the lower eyelid and is also positioned anteriorly, covering most of the eyeball. Eyelashes grow radially on the upper and lower eyelids. The upper eyelashes are thicker, denser, and longer, and can affect the light of the eyeballs.
In the presentation, it is necessary to depict as many of these structural features as possible, paying special attention to the volume of the eyeball and the thickness of the eyelid.
The shape of the eyelids and the position of the pupil have a lot to do with the mental state of the person. Even a small change can make a big difference in demeanor. Therefore, the painter should carefully observe the changes in this part of the object and capture the demeanor required for modeling in time.
The expression of the eye should not be limited to the eye itself, but should also include the physical manifestations around the eye. The eyebrows and supraorbital edge are more closely related to the eye structure. The supraorbital margin is a large structural transition at the junction of the orbit and the forehead.
Due to the interspersed arch of the eyebrows, the edges of the bend create a changeable plane, and there are also eyebrows with varying shades in between, which makes the changes here appear blurry and subtle. The performance of this part directly affects the credibility of the eye portrayal, so it is important to understand the changes in the bone structure of this part.
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Hello. Let me tell you about my experience.
The first thing to do is to draw the eyes, but it does not mean that the line is drawn, and it is necessary to find out whether the proportion and size of the facial features are correct. If you don't know the structure of the eyes, you can't draw well, so it is recommended that you draw more plaster eyes and copy more well-drawn eyes. After the type is accurate, you must pay attention to the upper tone, the corners of the eyes and the upper eyelids at the end of the eyes can not be painted too dark, that is, you can't draw to death, pay attention to breathability.
The eyeballs are also very particular, to be painted with a sense of translucency, there are eyes in it is a good painting, it is recommended that you read more sketches of the masters. The eyelids are thick, so if you are going to take the exam, it is recommended that you try to blacken the high point of the upper eyelid. The corresponding lower eyelid should not be drawn, but should be slightly brought through.
In order to appear that the eyes are not too dead and more vivid. At the same time, you should pay attention to the eye socket, which is also the bridge of the nose, and you must draw a sense of volume in the eye to be embedded in the bone. Because you have drawn a skull and you know that the eye is a hole, and the eyeball is embedded in the hole, so you must also master the relationship between the eyebrow arch and the eye, as well as the relationship between the temporal bone and the eye, and the relationship between the eyebrow and the eye.
To maintain the integrity of the picture at all times, I hope you don't rush it, take it one step at a time, and take it slowly. As long as you practice more and communicate with your classmates and teachers frequently, I believe you will be able to succeed. Come on!
If you have any other questions, I can help you answer them slowly.
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Start by drawing the shape of the eyes, draw the upper eyeliner, smudge it with a paper pen, draw the pupils, leave highlights, and finally draw the eyelashes, so that the eyes are drawn.
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Eyes, ah, I studied art but I don't study it now, but I still know something, you can't listen to the teacher's dead eyes, I absolutely have to spend more sketches, especially all kinds of demeanor, you have to know how to grasp the expressions and expressions of the characters. Instead of a dead button, it will be more and more annoying, and the more difficult it will be, it will be uncomfortable to look at.
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The book "Burriman Human Body Structure" has an introduction to the drawing of the eyes, you better take a look, it is the shape, the relationship between light and dark, these two points are well grasped, especially the shape is very important.
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There is a problem with your understanding, first of all, the eye is also an object, and it is the relationship of its decency, not just the eyes, it is two spherical objects, the upper and lower eyelids, and the color of the eyeballs in the middle is also heavy, and it must be simple first, then complex, and finally simple, this is the painting process, and I don't let you draw lines, I guess it's because you're too stingy in painting, so you can't let go.
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You can start with a dotted line and then reinforce what you think is real when you're done. I've always drawn lines, and if I'm strong, there's no problem with hooking. The eye deformity is a problem with the type, have you seen the muscle diagram? Look at how the orbicularis oculi muscle grows.
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The most important thing to learn painting is to copy, which is not only to be proficient in one's own painting, but also to do the accumulation of graphics. If you want to draw something well, you must first understand it thoroughly, and when you know enough about it, it will naturally be easy to draw.
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How is your foundation? Have you ever painted a plaster eye? Haven't you ever drawn a plaster eye, a ball, a triangle, a cuboid, right?
Actually, you don't know much about the structure of the eye. The eye is spherical in the bone of the eye socket, you have to take into account, it is very three-dimensional on the bone, not flat, you have to consider it comprehensively, and the eye is breathable, do not draw to death!
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Figure out the structure of the eyes, find a book to copy well, pay attention to the thickness of the eyelids, the eyeballs are round, and pay attention to the volume of the whole eye!
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Add me to see if there is a 364374545 to learn together
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The most important thing is to observe, and then practice more, don't think a few times to draw well, look at the copy, pay attention to the weight of the pen and the type.
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Paint the eyes with feelings, the eyes are the most expressive so the most difficult to draw, the eyes in the facial features give people the most intuitive and profound, portray the demeanor, the main focus is on some shapes, such as thickness or something, modeling is a very deep art, don't feel that you paint like the painting is accurate, in fact, many places are different, you must continue to exercise your modeling ability.
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Painted every day, mainly human structures.
Recommend a book, "Burriman Human Structure".
It's best to pay attention to three points when you first start drawing:
First, the shape, which is called the structure.
Second, the relationship between light and dark, knowing the light-receiving and backlit surfaces of the object itself, third, light and shadow, divided into external light and ambient light, their relationship with the object, pay attention to the projection, no matter what you draw, these three points must be paid attention to.
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First. According to the situation you described, it is recommended that you draw more plaster, copy more works, and read some structure books.
Second. Depending on your drawing habits (drawing lines), you can try to use a few straight lines to connect instead of sketching shapes.
Don't be in a hurry to engrave, first divide the light and dark parts. I am drawing the highs and lows. Then transition a few gray surfaces, and then gently dismiss the reflective surfaces.
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First of all, you study the eye in the plaster facet, which is to summarize several important turns and faces of the eye, study and understand the repeated drawing, understand some of it, and finally put it on the human body in the head to draw. When looking for the shape, you should connect the lines of the two corners of the eyes to see, see what the position is, some people's eyes go up and some fall, the eyes are drawn as spheres, it is embedded in the eye sockets, and then understand that there will be a period of trouble, the understanding is up, the kung fu in the hands may not be reached, this is not in a hurry, this is a little difficult, you find a good sketch book, and even use a magnifying glass to see how many faces are drawn in other people's eyes, eyelids and eyelids have thickness, your teacher is talking about surface phenomena, Whether to hook the first line is not the essence of the problem, the white drawing in the Chinese painting is all lines, but the drawing is very realistic, the main thing is that you first understand the structure of the eye, the eyelids, and the corners of the eyes to understand how each fold is in and out. This is the key.
This is not a problem of light eyes, it is a lack of understanding of the structure, so when you draw clearly with your eyes, you will make progress when you draw other places, I wish you to clear your confusion as soon as possible.
Copy more, look at the paintings of famous artists, appreciate and think.
Now to grasp the big relationship, start from the composition, separate the front, middle, and back, and then draw small things, add your own subjective meaning, and make appropriate adjustments. Then the color is on, now draw a large color block, and at the same time pay attention to the distant things to paint gray, near things to be brighter, the color difference is pulled apart, the middle color should be connected with the front and ,,。 It's pretty much the same,Pay attention to yourself to extract the beautiful scenery,,Cut out the bad scenery It's important to pay attention to the environmental color when painting outside,,Make the color richer,,The color is more beautiful
I've also encountered this problem. My method is 1, use an eraser to brighten the bright surface, 2, use 4b and 6b to deepen the boundary between light and dark, and then the reflective side should be properly brightened to form a contrast. 3. The gray surface should be multi-layered, the gray surface is not only just a plane, it is also hierarchical, with chiaroscuro. >>>More
Hit the auxiliary line to ensure that it is horizontal and vertical; Determine the direction of the head perspective and find the connection between the head and the neck; Find the perspective of the face and determine the position of the facial features in relation to each other; Pay attention to the thickness and volume of the hair, and identify the place where the hair meets the head; During the whole process, I look at the painting every 20 minutes, and I can't let go of the uncomfortable places, and I don't need to think about the light and shade and tone at the beginning, and the structure is rigorous, and the perspective is correct. There is also a problem between the position of the facial features.
The background lines of the sketch are generally used more in the still life sketch, and the rendering enriches the picture, and the character sketch is used less, and there will be a feeling of adding to the painting The background lines in the still life sketch are drawn with soft lead (6b or 8b) from the edge of the drawn still life to the outward row into dense equidistant parallel arc lines, and the distance between the lines can be gradually increased when approaching the edge of the drawing paper, and the top of the drawing paper is lined up in turn, Prepare a piece of cotton cloth to wrap the real finger to rub the line, the force is even, and the effect is very good! You can go ahead and do it again! Bookstores will have sketchbooks, you can buy one for advice!