The subordinate parallel harmony of the sharp c and the large is what is the minor key

That's a questionable ......There is no such thing as a subordinate parallel harmony in a small key......There are only subordinate harmonic minor, parallel harmonic minor.

If you are taking the Chinese College Entrance Examination for Music Theory, then:

The subordinate harmonic minor of C sharp harmonic major is F sharp harmonic minor.

The parallel harmonic minor of C sharp harmonic major is a sharp harmonic minor.

However, it should be noted that most people in Chinese think that parallel harmonic minor and relational harmonic minor mean the same thing, while the English words parallel harmonic minor and related harmonic minor mean differently, parallel harmonic minor refers to the same major harmonic minor, and related harmonic minor refers to the relative harmonic minor (i.e., the parallel harmonic minor is often called in Chinese). However, there are also some scholars who also understand parallel harmony minor as the same main tone and harmonic minor key, which is actually the correct understanding.

In short, if you are taking the music theory college entrance examination in China, then you should remember that the parallel minor key is the relationship minor key, but if you go abroad to study abroad or read the English literature on this in the future, you will understand that this is actually a habitual mistake in China for a long time.

China's college entrance examination score is important, or I hope you can remember that a parallel minor is a relationship minor, and a relationship minor is a parallel minor.

If you have any questions, you can ask me and I will answer them!

Calculate it step by step according to your requirements.

First of all, the subordinate is in F sharp major, and secondly, his parallel minor is D sharp minor.

As for the harmony and tonality, it is disturbing in this question, and it is meaningless.

It is one of the most commonly used in the minor scale. Starting from the main note, the interval is arranged according to the relationship of "full, half, full, full, half, increasing two degrees, and half", indicating the harmony minor, and in the natural minor, as long as the seventh tone is raised by half a note, it is "harmony minor". Such as:

a、b、c、d、e、f、g#、a。

Notes on harmonic minor.

1. The main chord-subordinate chord (T-S) is connected in harmony, except for the bass and the common voice, the other two voices go up at the same time; The main chord-subordinate chord (t-d) is connected in harmony, and the other two voices descend at the same time, except for the bass and the common part.

2. When the bass is progressed to 4 degrees, it can be connected by harmony or melody; When the bass is progressed to 5 degrees, it must be connected with harmony. When the melody is connected, the bass should not be progressed more than 4 degrees;

3. The chord length on the downbeat of a measure should not be shorter than the chord length on the downbeat; A downbeat can repeat a downbeat chord in the same measure.

Summary. G is the harmonic major of the lower tone and the key of the C sharp and minor harmonies are: G minor chromatic scale (the basic scale is written outside the brackets, and the diacritical scale is written in parentheses), the ascending scale is the same as its relationship to the major - B flat major, the ascending scale structure is the same (in the case of no distinction between the basic and chromatic scales), and the descending scale is the same as the descending scale structure of the G major of the same name (in the case of no distinction between the basic and chromatic scales).

Good. G is the lower harmonic major and C sharp harmonic minor key relationship is: G minor chromatic scale (the basic scale is written outside the parentheses, the diacritical scale is written in parentheses), the upper year closed scale is the same as its relationship to the ascending scale structure of B flat major (in the case of missing the shout without distinguishing between the basic and chromatic scales), and the descending scale is the same as the descending scale structure of the G major of the same name (without splitting the fundamental and chromatic scales).

So: Ascending Scale: 5, (Flat 6), 6, Flat 7, (7), 1, (Touching Rising 1), 2, Falling 3, (3), 4, (Rising 4), 5 Descending Scale:

5, (L4), 4, (3), P3, 2, (L1), 1, (7), P7, 6, Noise (P6), 5

Extended Material: 12 Fundamental Minor Majors: C Major A Minor; G major and E minor; D major and B minor; A major to F minor; E big up c small loss false adjustment; B (C flat) in major and G (A in a flat minor); F (G flat) D (E flat) minor tone; D flat (C sharp) B flat major (A sharp A) minor; A flat major hall empty guess F minor; E flat major and C minor; B flat major and G minor; F major and D minor;

Relational Minor Tone Hidden Envy Zen refers to the two groups of tones that share the most in the composition of the scale. For example, the stool says: The scale in C major is in A minor, D major is , and B minor is

They are just different from the main notes of the scale. The notes are all the same, and the difference between the major major and minor keys is a minor third (3 semitones), that is, the major major tone is pushed down a minor third to find its relationship.

It's the C as the main sound.

In the minor key of harmony, the scale composition relationship from low to high depends on the frequency of the spike rock: full-half-full-full-half-increase two and a half.

c The harmonic minor scale is shown in the figure below

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