What is the order of Gong Xian s landscape paintings in Shushan, thank you?

Gong Xian's landscape paintings have distinctive artistic characteristics. In terms of expressive technique, one of the striking features of his works is the use of ink. He said:

The penmanship should be old, the ink should be moist, the hills and ravines should be stable, and the charm of the three is in it. He highlights the role of "ink", swallows the ancient pull with the brush, and uses the ink to be thick and moist. Gong Xian's requirements for the entire picture effect of landscape painting are "the atmosphere should be deep and the color should be beautiful".

Gong Xian's landscape paintings attach great importance to composition. He said, "The one who is on the hill is the general name of the position."

He also said: "The location is safe, but it will be strange and safe, not strange and not valuable than safe, safe but not strange, and mediocre; Strange and uneasy, raw hands also. Therefore, the composition of his landscape paintings often strives to seek the strange in the steady, and the smooth in the dangerous.

His paintings have a wide field of vision and a myriad of atmospheres. His "three distances" composition principle is vividly brought into play, and it is humanized. He often raises the angle of his gaze, composes his paintings "flat", and adopts a bird's-eye perspective, so that his vision is broad, and the feeling of ethereal is doubled in the plain.

In the size, the mountains and rivers are endless. The same is true for the "lofty" composition, first looking down, and then looking upward, really having the courage to go down to the deep valley and go up to the dangerous peak. He pays a lot of attention to the position of the top and bottom.

His landscape paintings are generally very "full", but "full" but not stuffed, and often use cloud belts and flowing water as blank air to breathe. From the whole picture, it is very charming. This is the rhyme of Gong Xian's brush, ink, and hills and ravines, thus creating landscape paintings with local characteristics.

He was the well-deserved leader of the "Jinling School". Painting Theory and Painting Tips Gong Xian was unique among the strong hands of painters such as Lin at that time, and was able to become the head of the "Eight Families of Jinling", on the one hand, he summarized the excellent tradition of landscape painting of the ancients in practice, and on the other hand, he put forward a systematic theory of landscape painting, which was innovative and developed. Gong Xian summarized the creation of landscape painting into four aspects:

One is the pen, the second is the ink, the third is the hills, and the fourth is the rhyme. The penmanship should be old, the ink should be moist, the five gullies should be stable, and the three have the charm in it. (Continuation of Xuzhai Famous Paintings, Volume 3) shows that he has innovated in the theory of landscape painting, and reflects his inheritance and development of the artistic spirit of the Song people.

Gong Xian's painting requires the fusion and unity of brush and ink to achieve a "muddy" effect. The so-called "no distinction between pen and ink", "pen and ink are each other's surface and interior". This was a major development of Gong Xian's traditional Song techniques.

Gong Xian is the author of the book "Painting Tips", "Words are near and far, precise and not grinding, and it is best for beginners." "This is a textbook for beginners to learn some basic techniques of landscape painting. He elaborated on the painting of trees, stones, houses, bridges, peaks, springs, sails, etc., and pointed out the painting procedures, the places to pay attention to, and the mistakes that are prone to be made.

Gong Xian, the trees and mountains in the mountains and rivers are rich in expression, if we talk about the order, it is the first mountain and then the tree, but it cannot be generalized, such as the whole picture scroll of "Qixia Mountain", the whole picture scroll is not seen The tree is used to set off the mountain, that is, the mountain first and then the tree.