A word is natural and new, and the luxury falls to see the truth .

From the fourth part of Jin Yuanhao's "Thirty Poems".

Tao Yuanming's poetic language is plain and natural, abandoning the delicate and flashy decoration, revealing a simple and pure beauty, which makes people read it forever.

Appreciation] These two sentences are an evaluation of Tao poems. The first sentence said that its selection of words and phrases was pure, not fake words, and had a new and bright appearance in a calm and peaceful manner. As Zhu Xi said in "Zhu Zi's Language":

Yuanming's poetry is so high, and it is flowing naturally out of the chest without waiting to be arranged. Dongpo is a piece of text and sentence according to the rhyme and harmony, although its high talent seems to be effortless, but has lost its natural interest. The second sentence expresses his temperament, which is true and simple, without any hypocrisy; The meaning of the sentence is based on the poem "Farewell to Uncle Yang Ming" by Huang Tingjian, "The fur is peeled off, but only the truth is there".

Quanlian summarizes Tao's poems with the words "natural" and "true and pure", which has the characteristics of vivid images and rich words. The second sentence is often used to praise the natural beauty of the work of art.

Original] a word is natural and new, and the luxury falls to see the truth. The south window is the emperor of the day, and he is not harmed by the Jin people.

It means that the article is made by nature and obtained by chance, and it is not blindly vanity and gorgeousness. It should be honest and pure.

Poetic: Each line of poetry is naturally plain in language, which makes people feel that it is always novel in ten thousand years; Without the need for luxurious lyrics, what you see is the expression of the poet's true feelings, which makes people feel pure and aftertaste.

From the Jin Dynasty poet Yuan Haowen's "Thirty Poems: The Fourth".

The south window is the emperor of the day, and he is not harmed by the Jin people.

Appreciation. This poem is Yuan Hao's comment on the Jin Dynasty poet Tao Noisy Yuan Yuanming. Out of disgust with the whitewashed and pretentious poetic style of the poetry circle at that time, Yuan Hao asked the first two sentences of the Jin Dynasty poet Tao Yuanming and said:

A word is natural and new, and the luxury falls to see the truth. "Yuan Haowen advocates Tao Yuanming's poetry is natural and has no artificial traces, fresh and true without carving. Tao Yuanming's poems are natural and simple without false embellishment, peeling off the greasy powder of lead and brilliance, and seeing the true and frank feelings, with the eternal Meizhou touching the world power of true and timeless, eternal and new, which is the realm of Yuan Haowen's favorite poems.

For example, Tao Yuanming's "Drinking", "Picking Chrysanthemums under the East Fence, Leisurely Seeing Nanshan", "Returning to the Pastoral Home", etc., all reflect Tao Yuanming's life interest and artistic characteristics of advocating nature.

The two sentences show that although Tao Yuanming is lying high in the south window and yearns for ancient times, he is not detached, and he still uses natural and plain writing to reflect the reality of the Jin Dynasty. This view profoundly points out that Tao Yuanming's connection with the reality of the Jin Dynasty is not beyond reality.