Some traditional folk arts have been lost, how can we better protect and pass on traditional arts?

For traditional arts, we can set up traditional art festivals, and in these festivals, we can do targeted publicity for certain traditional arts to ensure Chinese culture.

The legacy. <>

Establishment of traditional Chinese culture.

Art festivals are actually a good way to help all Chinese understand traditional Chinese culture, because China knows most festivals very well. For example, the Qingming Festival, in fact, everyone knows what happened and what should be done, it is a festival of worship in China. If we set up a special festival for traditional culture and art, then whenever we come to this festival, we can promote traditional Chinese culture, which is a good breakthrough.

At present, there are many majors in China, especially in college, everyone will learn different cultural knowledge according to different majors, so we can incorporate Chinese folk traditional art into these majors, so that those who study these majors can understand, and let him inherit and inherit Chinese culture. In fact, many people in China do not understand traditional Chinese culture because they cannot be exposed to it, not because they are unwilling to inherit and inherit Chinese culture, so we want to give everyone such an opportunity to make a choice.

Traditional Chinese culture should be cultivated from a young age, and we can talk about the knowledge of traditional culture in textbooks, so that children can be exposed to it from an early age, and then slowly deepen into traditional Chinese culture.

Traditional Chinese culture should be cultivated from an early age, so that children can slowly learn traditional Chinese art.

Cultural edification. For example, we can set up special festivals of traditional Chinese culture in primary school textbooks, and we can also mention certain festivals in our essays, so that children can feel and know by themselves, which is also a way to invisibly integrate into our lives, understand traditional culture, and go deep into traditional culture.

It is possible to mention the new ** technology to record it and spread it to people, seeking people who are willing to inherit the traditional art. At the same time, we should also be bold and innovative, learn from other excellent cultures, transform traditional art, and let it keep pace with the times.

We need to promote more traditional folk arts and culture, and gather people who are interested in learning to teach them. Hold some activities regularly so that traditional culture does not disappear.

Carry out more activities on folk art.

I think there should be some learning lessons in the classroom for our children to understand and pass on.

Summary. Kiss Kiss I'm glad to ask you this question, how should we protect and pass on folk art? Do you have any good ideas? The answers are as follows: (1) Give full play to the role of the market and prevent excessive commercial development.

How should we preserve and pass on folk art? Do you have any good ideas?

Kiss, I'm glad to balance your question, how should we protect and inherit the folk art of chaos? Do you have any good ways to accompany you? The answers are as follows: (1) Give full play to the role of the market and prevent excessive commercial development.

With the help of market forces, the folk art will have a larger living space, give full play to the role of the market staring mechanism, and promote the transformation of traditional folk art into current cultural products, thereby driving the development of folk art.

2) Innovate in a timely manner and focus on protection.

Folk art must be close to the times and innovate, integrate the elements of the times, and better conform to people's aesthetic tastes, so as to maintain vitality for a long time.

3) Participation of various social groups.

The protection and inheritance of folk art requires the joint efforts of social training groups. Various groups carry the banner of protecting and inheriting folk art, carry out activities such as folk art exchanges, arouse the awareness of protection and inheritance of the general public, and promote the protection and inheritance of folk art.

4) Strengthen publicity and popularization.

The main reasons for the decline of folk art are as follows:

1.With the process of urbanization, the traditional agricultural society gradually disappeared, and the modern industrial civilization gradually replaced the traditional agricultural society, and the folk art also lost its original survival soil.

2.With the development of modern society, people's lifestyle and values have undergone tremendous changes, and many young people are unwilling to inherit and learn folk art, resulting in a fault in the inheritance of folk art.

3.The market for folk art is shrinking, and with the diversification of modern entertainment methods, traditional folk art is facing the pressure of market competition, and many folk arts are gradually declining because they cannot adapt to market demand.

In order to preserve folk art, we can take the following measures:

2.To encourage and support the inheritance and development of folk art, relevant policies and measures can be introduced as early as possible to encourage young people to learn and inherit folk art, and help folk artists improve their skills and level.

4.Strengthen the publicity and education of folk art, and include folk art in school education and cultural publicity, so that students and the public can better understand and learn folk art.

5.Respect and protect the rights and dignity of folk artists, ** and society should respect and protect the rights and dignity of folk artists, so that they can get the respect and treatment they deserve.

Folk art. If we want to better protect them, we must dig out their advantages and carry out effective publicity, so that everyone can realize its value in order to be better protected.

First protect a group of old artists, collect some old works, and save the fire. A lot of folklore relies on word of mouth, so old artists and old works are particularly important. I remember when I was a child, I heard an elder talk about our local "Lotus Fall" (the predecessor of Pingju), and said that there is a form, that is, when an actor flicks his sleeve, an item made of sulfur and other things inside will be scattered like fireworks, which is very beautiful.

And today, this kind of performance has long ceased to exist, and even few people know about it. If there are no old works and old artists, don't mention innovation and inheritance.

Let traditional folklore really live in the people, not in museums, theater troupes, competitions and presentations. There is a lot of folklore, which still exists in form, but only in form. There are a few ** in the museum, and there are several formations in the local theater troupe, and whenever there is a competition, one or two plays are choreographed and performed in accordance with the situation, which is considered alive.

But there is no difference between living like this and dying. Since it is folklore, it should be allowed to live in the folk. Let the folk people act, let the folk people make up, let the folk people watch, play the things of the real people, and let the folk people judge, this is the right way.

Let our young people understand the wisdom of their ancestors, let our young people experience the joy of folklore, and let folklore have new heirs. Many of our folklore forms do not recognize their own advantages, and have to position themselves as old antiques, old-fashioned; Either they just chase the situation and become nondescript. In fact, if scientific and reasonable propaganda and demonstration are carried out, children and even young people will not like it?

No, it won't. In addition, there are some performances with great cultural heritage, if you dig into them well, at least the students will be interested. "Folklore is the cause of the people, and it is also a great cause."

But we also have to think about how to save those forms of folklore that are on the verge of extinction. Otherwise, we would have no folklore to speak of.

It is difficult to save the folk art that is on the verge of being lost by one person.

It is only possible to pass on folk art if people understand it and value it.

I have to admit that many excellent folk arts cannot be inherited and eventually disappear from the world. It's really sad and there's nothing you can do about it.

Strengthen the construction of the team of folk art inheritors on the verge of being lost, and have important value of cultural stunts, stunts, stunts, to adopt key support policies, encourage apprentices to teach art, so that folk stunts have successors, and at the same time organize personnel to record, sort, try to use video, ** and other ways to pass on the art of information. Provide the strength of folk traditional culture.

Folk art that is on the verge of being lost can be salvaged in the following ways:

1. Strengthen measures for the protection of folk art, guide folk art and its inheritance, and regard folk art as a precious resource of society and culture;

3. Integrate industry resources, increase investment in folk art, establish folk art funds, and provide financial support for folk art as much as possible;

4. Conduct training for the personnel who inherit the folk key tremor art, provide talents for the development of folk art, and protect and inherit folk art;

5. Strengthen research related to folk art and carry out the protection of folk art, so that folk art can better play its cultural value.

What are the characteristics of intangible cultural heritage? How can I protect it? What is the reason for protection?

The inheritance of intangible cultural heritage is conducive to enhancing national cultural self-confidence and forming a strong sense of community of the Chinese nation. Li Jin has accumulated the long-standing wisdom of the Li people. It has rich historical, cultural, artistic and genetic value in Hainan lyricism, which makes it urgent for us to inherit, protect and develop cloisonné technology.

Therefore, we should continue to build ethnic settlements under the pretext of inheritance and protection, which is the support point for protection and inheritance. China is a vast country with many ethnic groups. Intangible cultural heritage has strong regional characteristics.

In response to this situation, in addition to doing a good job in the legislative work of local intangible cultural heritage, everyone should participate in and collect the physical objects of intangible cultural heritage, such as public painting, carving, cross-cutting, printing and dyeing, and color binding. This approach is not only intuitive, authentic and irreplaceable, but also takes the excavation and protection of intangible cultural heritage as an example, introduces its characteristics, seeks to analyze and find ideas for the protection of intangible cultural heritage, and introduces the intangible cultural heritage protection system from the state to the local level.

Every year, the Ministry of Finance increases its investment in the protection of intangible cultural heritage. The National Expert Committee for the Protection of Intangible Cultural Heritage said that cultural heritage represents the spiritual height of human cultural heritage. Protecting and inheriting it well can give full play to its existing value and the role of protection and inheritance.

Liu Jianhua's "intangible cultural heritage" is an intangible cultural heritage. Intangible cultural heritage refers to the various forms of traditional culture that exist in intangible form, which are closely related to people's lives and heritage from generation to generation.

That is to say, to promote the inheritance of conventional culture, and actively build a new model of intangible cultural heritage represented by the traditional textile, dyeing and weaving, and embroidery skills of the Li nationality. Strengthen systematic protection and adhere to the concept of global protection. Hainan participates in the development of the intangible cultural heritage industry.

The safeguarding of intangible cultural heritage also requires innovation. There is a lack of heirs to intangible cultural heritage items, and there is a serious disconnect. Another reason for the crisis of intangible cultural heritage resources is the lack of bearers and the serious disconnection.

For example, Taibai Xiaoge in Heshui and Longnan's sheepskin drums.

Such a culture has a particularly strong cultural heritage, which can promote the development and progress of intangible cultural heritage resources, and then can also promote cultural progress and inheritance, and can strengthen national self-confidence and national community awareness; It is necessary to inherit the traditional culture, take its essence and remove its dross, and then add the traditional culture to the development process of society, so as not to lead to the loss of tangible cultural heritage.

It can enhance the self-confidence of the nation, can also form a common consciousness of the nation, can also condense the wisdom of the nation, will form a special protection system, and will also have a lot of cultural heritage. There should be rules and regulations for protection, attention should be paid to the core content of the heritage, and corresponding protection should be carried out through the study of all aspects. Intangible cultural heritage is inherited and can promote the development of Chinese culture.

This kind of intangible cultural heritage culture has national characteristics, national personality and national aesthetics, which is also a national culture. We should carry forward this kind of intangible cultural heritage more, and we should also let more people know that the inheritance of intangible cultural heritage can play a role in protection, mainly because there are very few types of this intangible cultural heritage, so it needs to be protected.

Detached from the special way of life and production of the nation, with national personality and national aesthetic habits, we should respect this kind of intangible cultural heritage, and pass it on, the reason for the protection is that few people will have this kind of cultural heritage now, and it may decline.

Most of them are rituals, customs, festivals or some artistic performances, which need to be passed down so that they can be better protected, because if they are not protected, these things will disappear.