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Literary critics should possess the following subject conditions: aesthetic sensibility, rational analysis ability, and literary historical vision.
When critics make aesthetic appreciation and value judgments, they must abandon and forget class sympathy and political prejudices, and make an objective and fair evaluation of literary and artistic works with an attitude of seeking truth from facts and telling the truth.
Literary criticism not only does not touch on the shortcomings of literary and artistic works, but also fails to reveal the beauty of literary and artistic works. In this way, there is a greater need for the appearance of real critics and the emergence of loud literary criticism. In the words of Qian Gurong in "On the Problem of Literary and Art Criticism":
True literary criticism should be a study of the relationship between art and life, art and the mind, and life and the mind in a work of art. "Although critics, like philosophers, thinkers, and writers, cannot provide society with some kind of wealth that can be directly applied, the reflections they provide for the progress of human consciousness have always been accumulated and continued as intangible wealth.
The subjectivity of the critic.
The role is not only to guard the spiritual home of mankind, but also to actively construct a healthy and orderly order of literary and artistic criticism. The paradigm research and constructive research of literary and art criticism are more important than the subversion of various theories, and only by establishing a disciplinary paradigm can the true meaning of interdisciplinary research be obtained.
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Literary criticism can be said to be a kind of ideological art, and its greatest value is that it can provide cultural ideas for literature and art and society. Literary and artistic criticism in every era has influenced literature and art with unique ideological contributions. What is most lacking in contemporary art criticism is thought.
In terms of the macro understanding of literature and art and the strategic issues of literature and art, literary and artistic criticism lacks theoretical achievements that effectively explain the practical problems of literature and art. Literary criticism was originally a kind of literary beauty. In ancient China, there were many famous literary theories, poetry theories, painting theories, book theories and commentaries, which were not only literary and artistic theoretical criticism, but also exquisite poetry and prose essays, and many famous articles were famous for their great style and thought.
For a critical article to be well-written, the critic needs to have a broader vision than the creator. Literary and artistic criticism must be more constructive in order to reflect its own value. This kind of constructiveness is fundamentally embodied in the correct understanding of the essence of literature and art, that is, it is necessary to correctly distinguish the similarities and differences between literature and art and other cultural forms, to distinguish between literary and artistic issues and other issues, to evaluate literature and art from the perspective of the laws of literature and art, to discuss art in a scientific and democratic way, and to treat literature and art from the perspective of prospering literature and art and developing literary and artistic productive forces.
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Art criticism can be carried out from the following perspectives, first from the content and meaning of the whole art to have an in-depth understanding, comment, and then from the artistic expression of the means of professional analysis and appreciation, so as to better make art evaluation and criticism.
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The methods and standards of art criticism should implement the principle of "let a hundred flowers bloom and a hundred schools of thought contend" and follow the principle of seeking truth from facts.
The object of art criticism includes all artistic phenomena, such as works of art, art movements, artistic trends, art schools, art styles, artists' creations, and art criticism itself. At the center of it is a work of art. Art criticism can refer both to an activity and to the result of such an activity.
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1. First of all, we must have a fair and just heart and integrity.
2. Be knowledgeable and be able to understand a lot of things.
3 Furthermore, all aspects of the relationship should be understood, (social relations, officialdom,
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(1) On the one hand, art criticism is scientific. On the basis of art appreciation, art critics need to use certain philosophical, aesthetic and art theories to analyze and study works of art and artistic phenomena, and make judgments and evaluations, so as to provide people with theoretical and systematic knowledge. Art appreciation focuses on sensibility, while art criticism focuses on rationality; Art appreciation is more characterized by personal subjectivity, while art criticism needs to conform to objective laws.
2) On the other hand, art criticism should be artistic. Art criticism must be based on the specific feelings in art appreciation, so an excellent critic should have a keen perception, rich imagination and strong emotional experience, so as to truly understand and grasp the success or failure of the work. In particular, art criticism articles should also have artistic appeal, so as to truly move readers, persuade readers, and truly play the role of criticism.
In a sense, art criticism is a science and a literary genre.
3) The duality of art criticism also determines that art criticism has both a strong personal color and an objective common standard. The criterion of art criticism should be the perfect unity of ideology and artistry. Ideology refers to the ideological significance and ideological level reached by a work of art, which is the inner soul of a work of art.
Artistry refers to the level reached by a work of art in terms of artistic conception, artistic language, artistic expression, etc., especially to achieve a perfect artistic realm as a whole, with an original artistic style.
As the deepening and development of art appreciation, art criticism plays an important role in art production.