Wang Xizhi s cursive writing is more attained

Wang Xizhi's de calligraphy is more often seen in calligraphy, so the more accomplished should be calligraphy.

Hello, to be precise, in the Jin Dynasty, cursive and cursive script, is not separated, because at that time did not form a standard line of writing system, the Jin Dynasty people wrote line cursive, often line line grass, to the Sui Dynasty, the Tang Dynasty only formed a standard line of words and cursive characters, so when someone questioned whether the Lan Ting preface is Wang Xizhi's authentic handwriting, it was mentioned that there was no cursive word in the Lan Ting preface, thinking that it was written by Zhiyong.

Wang XizhiThe characteristics of the book can be summarized as touching the change, the extreme beauty, the staggered, the right and the right, the simple refinement, and the movement of the quiet; The pen is ever-changing, and the rules are natural.

The Orchid Pavilion Preface is a work that represents the highest level of Wang Xi's travel book, and has been called "the first line of books in the world" for thousands of years.

Eastern jin. In the ninth year of Mu Di Yonghe (353), in the late spring of March, Wang Xizhi and Xie An, a wise man and a talented son in the southeast at that time.

Sun Hui and his sons Ningzhi, Huizhi, Suzhi, and Xianzhi, a total of more than 40 people, met in Huiji County.

The beautiful scenery of the San'in Orchid Pavilion gathers to practice the ritual of purification to dispel disasters and pursue a peaceful and happy life.

This is a high-level meeting of talented people in the southeast. Get the joy of mountains and rivers, enjoy the joy of entertainment, and sing poems one by one. Thus, a "Lanting Poetry Collection" was formed.

Qunxian Gong recommended Wang Xizhi to write a preface to the poetry collection, Wang Xizhi was slightly drunk, and his thoughts were like springs, and he recorded the cheerful scene at that time: "The group of sages is complete, and the young and long salty collection." There are lofty mountains and mountains here, dense forests and bamboos, and there are clear streams and turbulent currents, reflecting the left and right, leading to the flow of winding water.

Sitting in the second row, although there is no silk bamboo orchestra, a song is enough to tell the romance.

It's a sunny day, the sky is clear, and the wind is smooth. Looking up at the vastness of the universe and looking down at the prosperity of the category, it is enough to enjoy the entertainment of hearing and hearing. Coke also ......”

At the same time, he also expressed infinite feelings for the transience of life: "Cultivate the shortness and follow, and the end is ......."Gu knew that life and death were illusory, and Qi Peng's death was a vain ......It is in such a deep mood that Wang Xizhi feels the power of Zhou Liu, and has a kind of sadness for the preciousness and transience of life. At this time, he may not have realized that the end of the pen flowed out of his thoughts, and at the same time, it also flowed out a masterpiece of calligraphy art that was regarded as a model by later generations.

The calligraphy art of the Orchid Pavilion Preface has been analyzed and dissected a lot since ancient times, however, when you appreciate or try to experience it, you will feel that its artistic connotation is rich, and it is by no means exhaustive in words, which is exactly what Buddhism calls "saying that it is like a thing and not in it", or the so-called "wonderful things are difficult to say with you" in the words and sentences of the Song people.

Wang XizhiThe characteristics of the book are strong and powerful, not agitated or violent

Wang Xi's book is also known as "Wang Ti Xingshu", it is the perfect combination of strength and charm, the high unity of momentum and static, whether it is in the knot, the pen, or in the chapter, the style characteristics are very distinct.

Wang Ti Xingshu runs through the qi mainly by form connection, line connection and potential connection. The so-called "shape joint" is that the words are connected with wires. Most of the books in Wang Ti Xing are connected by two words, never more than four words, and they are connected and broken, broken and connected, and used interactively.

The form of the king's style and calligraphy is coherent and imposing

The most used thing in Wang Tixingshu is the potential connection, and there are three forms of the potential connection:

The first is the lead method. For example, the word "He Province", the end of the word "He" is brought to the bottom, and the first stroke of the word "Province" is exposed to the top, and the two words echo each other by the edge.

The second is the fold-and-match method. Such as the word "worry", the end of the word "worry" at the end of the pen folded up, the first pen of the word "hanging" with the corresponding front, a fold and a ride, eyebrows and affection.

The third is the accumulation method. Such as the word "Anxiu", the word "An" at the end of the pen back to the front of the pen, its potential is hidden in the down, the first pen of the word "repair" against the front of the pen, its potential is dark to the top, although the word is gaining momentum inside, but it is "the heart has a little bit of a heart".

The main feature of Wang Xizhi's calligraphy is that it is natural and peaceful. His calligraphy gestures are subtle and exquisite, and they are highly ornamental. Later generations commented on his calligraphy:

If the sky is floating in the clouds, it is like a dragon. "A closer look at Wang Xizhi's calligraphy, it is not difficult to find that the lines in his calligraphy are mainly pressed. In a few cases, twisted brushwork is used.

Wang Xizhi's calligraphy is crisp and neat at the turning point. This can also prove Wang Xizhi's superb pen skills. In addition, Wang Xizhi likes to apply the penmanship of Lishu to the calligraphy of Xingshu.

It can be seen from the "Preface to the Lanting Collection" that Wang Xizhi's writing is mostly in the center of the pen, and one of the major characteristics of the official book is that the pen is in the center. Therefore, Wang Xizhi's transition to the book is almost the same as the method of Lishu. Hence his line of calligraphy.

The lines are also very rich and thick. In addition, the reason why Wang Xizhi's calligraphy is loved by people is because Wang Xizhi's calligraphy is very good. The so-called chapter law refers to the echo between words and lines.

The calligraphy looks very harmonious and natural from the whole, and the whole calligraphy has a sense of being completed in one go. Wang Xizhi's calligraphy is extremely beautiful, not only the words are closely related to each other, but also the cloth white in the whole calligraphy is also ingenious. His calligraphy is a benchmark among the chapters of calligraphy.

The characteristics of Wang Xizhi's book are:Wang Xizhi is also good at subordination, grass, Kai, and line, carefully studying the posture, chasing the heart and hand, collecting the strengths of others, preparing all the bodies, smelting in one furnace, getting rid of the Han and Wei pen style, becoming a family of its own, and having a far-reaching influence. Its calligraphy is peaceful and natural, the gesture is euphemistic and subtle, beautiful and beautiful, and the world often uses Cao Zhi's "Luo Shen Fu":

Fluttering like a frightening Hong, graceful like a dragon, Rong Yao autumn chrysanthemum, Huamao spring pine.

Story:

Legend has it that the emperor at that time wanted to go to the northern suburbs to worship, and asked Wang Xizhi to write the greetings on a wooden board, and then sent workers to carve them. The letterer cut the wooden board layer after layer, and found that Wang Xizhi's calligraphy ink had been printed all the way to the wooden board.

He cut into three points of depth to see the bottom, carpentry marveled at Wang Xizhi's pen strength, calligraphy skills perfect, the strength of the pen can enter the wood three points. "Three points into the wood" is derived from this story.

Hello, the characteristics of regular script: Wang Xizhi's outstanding achievement in regular script is "changing the ancient form", and has made a positive contribution to the stereotype of modern regular script. His 'ancient form' in regular script should be relative to Zhong Xuan's regular script style.

Zhong Xuan's regular script authenticity, Wang Xizhi should have seen a lot at that time, and there is indeed a record of the "Declaration Table". In Wang Xizhi's regular script, Zhong Xuan's flipping and flying gestures are gone, and they are replaced by the regular and well-proportioned gestures of returning to the front. Wang Xizhi extended the vertical strokes downwards to make them straight, and the other dot strokes were symmetrical, so there was a tendency to spread vertically.

Wang Xizhi's pen, a change of Zhong Shu's subordinate pen start and end, in the beginning of the pen there is a frustration of the pen action, mostly with a square pen into the paper; And the pen is not concerned with folding the pen and pressing it again, but lightly lifting back the belt in the speed of the pen is slow; In the shape of the strokes, it is even and tight, and it is like a array. After such a transformation, the regular script font in the hands of Wang Xizhi, the configuration relationship between the strokes is basically established, the knot body becomes horizontal to vertical, regular and vigorous, graceful and elegant, and generous. This is a huge change.

In general, Wang Xizhi's calligraphy works have the characteristics of a peaceful and natural style, euphemistic and subtle gestures, and a beautiful and healthy style. Get rid of the Han and Wei pen style, become a family of its own, and have a far-reaching influence.

We hope you find it helpful

The characteristics of Wang Xi's travel book are as follows:

1. Changeable.

Change is the life of art, and it is also the basic requirement for calligraphy, so Wang Xizhi said in the "Theory of Gestures": "If you make a book on paper, you must have different meanings and do not make it the same." "Looking at the Wang's style of writing, the same strokes are curved and straight, the same side is wide and narrow, the same monomer is sparse and dense, and the same characters are varied.

Second, the state of exhaustion.

The glyphs are originally big and small, long and short, the posture is different, the natural is uneven, the general calligrapher likes "small characters to make big, big characters to promote small", Wang Xizhi is according to the word shape, bend its state, and even exaggerate, so that the big one is bigger, the small one is smaller, the elder is longer, and the short one is shorter.

3. Staggered.

Wang Xizhi believes that the book should be staggered, "if it is straight and similar, like an operator, the top and bottom are neat, and the front and back are flush, it is not a book, but it has to be dotted and painted" (Wang Xizhi's "Theory of Gestures"). Try to look at the Wang Ti Xingshu, regardless of the upper and lower structure or the left and right structure, it seems that the length is different, the width is different, the size is uneven, and the contrast is very strong.

Fourth, the side.

"Side" is one of the most typical and full features of Wang Ti Xingshu. There are four types of Wang Ti Xingshu: left, right, upper and lower, and left and right. The left and right sides are the font tilted to one side, and some are really tilted, and it is necessary to rely on the reverse tilt of the upper and lower characters in the chapter to "correct" the deviation, so as to form a dynamic sense of various postures.

5. Pretense.

Wang Ti Xingshu often borrows the structure of cursive and regular script, so the regular script is intertwined with each other, such as "Fast Snow Time Sunny Post", there are both "time, force, mountain" and other meticulous regular script, as well as "Dun, Shou" and other cursive script, the use of grass in the line of writing, can increase its momentum; The use of block letters in the line can enhance its sense of stillness. Movement in stillness, stillness in movement, can produce extraordinary appeal.

Wang XizhiMany of the calligraphy lines are mainly pressed, and occasionally the twisting brushwork is used, and the pen is neat and neat at the turning point, without the slightest sense of dragging mud and water, showing Wang Xizhi's extraordinary pen skills.

Wang Xizhi's calligraphy also has a feature is the use of the official calligraphy to write the line, from his collection of calligraphy can be seen, his calligraphy is a lot of the center of the pen, and the seal script with a pen is a major feature of the pen in the center, so the turning point in his line of calligraphy is close to the translation of the turn, so his calligraphy in the line is full and heavy.

The third feature of Wang Xizhi's book is that the chapter is exquisite, Wang Xizhi's calligraphy is smooth and elegant, but the words and lines echo closely, and the whole calligraphy has a sense of being completed in one go.