Why is Warring States Policy between the sub history in terms of artistic style?

Updated on culture 2024-05-04
16 answers
  1. Anonymous users2024-02-09

    1) Character building: The characters portrayed in "Warring States Policy" have extraordinary wisdom and courage. Each article is written into an independent chapter, and the author consciously cuts the structure and highlights the image characteristics with the characters as the center.

    Pay attention to depicting the appearance and psychology of the characters, concise and concise, full of mood, and also highlight the characters through the rendering of the environmental atmosphere.

    2) Language arts: The characters in "Warring States Policy" are good at talking about things, whether it is the statement of personal political opinions, or the debate between the two sides, they like to exaggerate, give full play, speak freely, and have strong persuasive power. It can be described as "arguing and arrogant" and "wonderful chemical industry".

    3) Narrative level: "Warring States Policy" often opens and closes freely, and virtual reality is born together.

    Please click Enter a description.

    To sum up, the articles of "Warring States Policy" are characterized by "vertical and horizontal" and "extravagant", although it lacks the spirit and rigorous style of historical books, but its arbitrariness and fiction make it have strong literary meaning and aesthetic value. Therefore, "Warring States Policy" is neither a standard history book nor a standard sub-book, but a product of the confluence of "sub" and "history" in between.

    The reason why it is said that the Warring States Policy is between the sub-history in terms of artistic style:

    1. The Warring States Policy has created a series of lifelike characters, especially the images of a series of "scholars", which is a precedent for character-centered biography. For example, in "Feng Tanke Meng Weijun", the author uses methods such as first suppressing and then promoting, contrasting and contrasting to portray Feng Tan's behavior of hiding but not revealing, pretending to be foolish and clumsy, and skillful in temptation. Then, through a series of episodes, such as "Feng Chen's Signature," "Burning Coupons," "Righteousness of the City," "Seeking to Seek Revenge," and "Asking for the Establishment of a Temple," he expressed his character of knowing how to repay his kindness, being far-sighted, and resolute and scheming, and vividly portrayed the image of a "wizard" who was bold and good at planning, and at the same time was able to be unrestrained.

    2. The Warring States Policy remembers the words of the strategists, that is, the words of the lobbying of the columnists, highlighting the style characteristics of arguing and arrogant, extravagant, and imposing. "Qin Ceyi" Su Qin said that King Qin Hui was even horizontal, extremely exaggerated, and spread out layer by layer. Let's first talk about the geographical advantages of Qin, and describe the east, west, north and south; It is said that the country of Qin is rich and strong; In the end, the prospect of becoming the emperor shook the other party, and the king, chariot and cavalry, and the art of war were all kinds of favorable conditions.

    It is exaggerated and imposing. The words are arranged and the argument is beautiful and rich, and this kind of penmanship has had a great impact on the later generations.

    3. The Warring States Policy is easy to use words, especially good at quoting vivid fables, which effectively plays a role in reasoning. Many fables, such as "the snipe and the clam fight, the fisherman profits", "the snake is full of strength", "the fox and the tiger are mighty", "the sheep is remedied", "the cunning rabbit three holes", "the salary to fight the fire", "the north and the south", "the bird with the bow" and so on are still widely used today.

  2. Anonymous users2024-02-08

    Because the characters in "Warring States Policy" are good at talking about things and reasoning, they all like to exaggerate, give full play, speak freely, and have strong persuasive power.

  3. Anonymous users2024-02-07

    Language Arts: The characters in "Warring States Policy" are good at speaking and reasoning, whether it is a statement of personal political opinions, or a debate between the two sides, the artistic style of this book is very good.

  4. Anonymous users2024-02-06

    Character building: language arts, narrative level, etc.

  5. Anonymous users2024-02-05

    Narrative level. Characterization.

    Language Arts. These three points have long been its results.

  6. Anonymous users2024-02-04

    "Warring States Policy" has created a series of lifelike characters and described a series of "soldiers".

  7. Anonymous users2024-02-03

    Because of the book of Warring States Policy, it has this advantage in both aspects, and it has been told in both aspects.

  8. Anonymous users2024-02-02

    Because the Warring States Policy has created a series of lifelike characters, especially the images of a series of "scholars", it has set a precedent for character-centered biography.

  9. Anonymous users2024-02-01

    The characters in "Warring States Policy" are good at talking about things and reasoning, and they all like to exaggerate and exaggerate, and they are highly theoretical.

  10. Anonymous users2024-01-31

    Warring States Policy, also known as "National Policy", is Liu Xiang in the Western Han Dynasty.

    A national history book compiled. The original author is unknown, and it is generally believed that it was not written by a single person. Most of the materials date back to the Warring States period, including the works of strategists and historical records.

    The original title of the book is unknown, the author of the Chinese chapter of the book does not know who it is, and the conclusion of the book is not provisional.

    During the Spring and Autumn period, the mining system was destroyed and eventually abandoned, iron farming tools and animal power appeared, a large number of private fields were produced, and a large number of freemen and peasants were produced. With the decline of the imperial family, the Xindakai national alliance with the Zhou royal family as the core gradually collapsed, marked by the "three ethnic groups" and "Tianjia Daiqi", the old slavery system collapsed, and the social system.

    Beginning to feudalism.

    Transition. In such a large historical environment, some scholars who are well versed in learning have begun to pay more attention to politics and their own development, focusing their attention on the development of the times and new social phenomena, and taking the lead in breaking the old traditions, so a group of "scholars with different opinions" have emerged in society. They pay attention to the changes in themselves and society, and gradually form their own theories.

    Against this historical background, military science and strategic thinking, diplomatic strategy, and strategic principles came into being, and the continuum of these ideas and strategies was designed or operated.

    of lobbyists stepped onto the stage of history. However, the process of lobbying is not simply lip service and gambling. After all, lobbyists are generally high-level or even core figures in various countries.

    If you want to impress the other party, you must understand the political, economic, military, cultural, diplomatic and other issues of the country or power where the lobbyist is located. It is likely that the manuscripts or primary materials of the Warring States Policy were textbooks or lecture scripts used by these lobbying individuals or groups on how to persuade the target to accept their opinions under certain conditions, even if they stubbornly insisted on their opinions.

    1.There are still many popular idioms left in the book "Warring States Policy", and some people count as many as 204. These idioms are not necessarily the four-character cases commonly used in later generations, some are extracted from sentences, and they also have the same meaning but different expressions, such as "a hundred dozen times", "a hundred steps to catch a teenager", "the hub beats the shoulder", "the shoulder rubs", "the opposite direction", "Beiyan Chu" and so on.

    2.The language of "Warring States Policy" is to Han Fu.

    There are certain influences, including euphemism, sarcasm, scrutiny, and exaggeration. Many scholars believe that those in the book are imitations.

    The essence of the advice is the rhetoric, in other words, the resignation of later generations is directly related to the rhetoric of the "Warring States Policy".

    3.There are many reasons why Han Fu has a great influence. In addition to some social contradictions in aesthetic concepts in the early Han Dynasty and the Warring States period.

    In addition to similarity, there is another one, that is, the "Warring States Policy" as a historical book must be constrained by the principle of authenticity, and historians must treat historical facts as objectively as possible. The same is true of Han Fu, which does not focus on expressing the subject like other genres, so it is easy to adopt the penmanship of historians.

  11. Anonymous users2024-01-30

    It is mainly to record the social outlook, and also to record many large-scale economic and military activities such as the Qing Dynasty. It can let people understand the living conditions of the Warring States period, and it is also an excellent historical work, which is convenient for people's research.

  12. Anonymous users2024-01-29

    I believe that the purpose of the ancients in creating the Warring States Policy was to reflect the social outlook and the spiritual outlook of the scholars at that time; With vivid and tortuous stories to portray lifelike characters, his family holds the text and is fresh and fluent, full of literary brilliance, Wang Hezhi makes people understand the historical materials of the history of the Warring States Period, which is of great value to historical research.

  13. Anonymous users2024-01-28

    It is to allow people to understand the ancient history, understand the political struggles during the Warring States period, and understand the changes and regime changes at that time. It will affect the literature of future generations, and it will also make people more aware of the Warring States Period, unify the ideological content and the form of Yichai Lap Shed Technique, and also improve the literary value of Suize.

  14. Anonymous users2024-01-27

    1. The order of time is different.

    "Left Biography" is in the front, and "Warring States Policy" is in the back. "Zuo Biography" is essentially an independently written history book. It starts from the first year of Lu Yin (722 BC) and ends in the 14th year of Lu Mourning (453 BC).

    The Warring States Policy began to be compiled by Liu Xiang in the Western Han Dynasty (202 BC).

    2. The system of secretary is different.

    Zuo Chuan is a chronicle of ancient China. It is to arrange relevant historical events with chronological clues as clues. Chronicles are time-centered, chronicling historical events in the order of year, month, and day.

    Because it is based on time and historical events, it is easier to reflect the connection between various historical events in the same period.

    "Warring States Policy" is a work on the history of the state of the country, which takes the country as the unit and describes historical events separately.

    3. The focus of the two Jixiang factions is different.

    Zuo Chuan mainly records the decline of the Zhou royal family and the history of the princes' struggle for hegemony, and describes and comments on various etiquette norms, rules and regulations, social customs, ethnic relations, moral concepts, astronomy and geography, calendars and seasons, ancient documents, myths and legends, songs and rumors.

    The Warring States Policy mainly describes the political propositions and strategies of the Zonghengjia during the Warring States Period, shows the historical characteristics and social features of the Warring States Period, and is an important classic for the study of the history of the Warring States Period.

  15. Anonymous users2024-01-26

    1, "Warring States Policy".

    The more specific and detailed the description of the characters' personalities and activities, the more vivid and lively they are. 2. The rhetoric of the strategists who hit the rock recorded in the "Warring States Policy" often cites vivid fables, which is also a literary means to help reason. 3. The details in "Warring States Policy" are concise and expressive.

    4. The description of characters in "Warring States Policy" is very extensive, involving more than 610 and constituting more than 540 events. 5. Fuming Yu is in literature. The language of "Warring States Policy" is bright and fluent, indulgent and changeable, and the songs are enjoyable.

    Warring States Policy is Liu Xiang of the Western Han Dynasty.

    The original author of the country-specific history book is unknown, and it is generally believed that the quarrel is not the work of one person. Most of the materials are dated to the Warring States period.

    Includes the writings of the strategists and the records of historical sources.

    "Warring States Policy" is a record of the Warring States period to the Qin and Han dynasties.

    A collection of sayings by some strategists who analyzed the internal and external situations and formulated strategies for the sovereign who worked for them in response to the situation of each country at that time, in order to seek wealth or realize their own ideas of governance.

    The people-oriented ideology is a very valuable part of the "Warring States Policy", and in the era of frequent wars and precarious times, if the interests of the common people can be safeguarded a little, the ruling class will be particularly popular.

  16. Anonymous users2024-01-25

    "Warring States Policy" is not only an important historical work, but also an excellent collection of essays, marking the development of historians' essays to a new peak. This book is a collection of some important historical facts and lobbying materials of the Warring States Period, although there are many "embellishments and non-truths", which cannot be fully believed, and is still the basic historical material for the study of the history of the Warring States Period. "I didn't catch Confucius, I didn't do it, and I only had "Warring States Policy" and "Taishi Gongshu" in the literature of the time.

    Sima Qian also said: "There are also those who can adopt the power changes of the Warring States. From a literary point of view, this book has also achieved many achievements, and it deserves to be regarded as a far-reaching masterpiece of prose.

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