The breeze and the moon are priceless, and there are all feelings near the water and mountains

The breeze and the moon are priceless, and there is love near the water and mountains" is not a poem, it is a couplet, and this couplet is a superb collection of couplets.

This is the Canglang Pavilion, a famous garden in the Song Dynasty.

The couplet on the stone pillar is taken from Ouyang Xiu.

's "Canglang Pavilion" "The breeze and the moon are priceless, but unfortunately it only sells for 40,000 yuan", the next link is taken from Su Shunqin.

"Passing through Suzhou" "The green poplars and egrets are all self-satisfied, and there is love near the water and far mountains".

Translation: The leisurely natural scenery of the breeze and the moon is priceless, but it is impossible to meet, and the flowing water in front of you and the mountains in the distance contrast with each other, which is unique.

These are two lines of poetry from Ouyang Xiu's poem "Canglang Pavilion", and the full poem is as follows:

Wu Yue complained for a thousand years, and the two palaces were sad and moved to the fishing song.

So far, there are only waves and waters, and I have seen Mr. to the royal boat.

The translation of the poem is:

It has been a thousand years since Wu Yue fought for hegemony, and the distant mountains and rivers are still bathed in the spirit of the Jinling Emperor.

Only the waves flowing under the Canglang Pavilion have seen Mr.'s imperial boat.

"The breeze and the moon are priceless, and there is love near the water and the distant mountains" means that the breeze and the bright moon are everywhere, but for the laity, money can't buy them.

This is a collection of sentences obtained by Liang Zhangju because of "Canglang Pavilion Chronicles", which is connected to Ouyang Xiuju and Su Shunqin to be connected, all of which are Canglang Pavilion's skills. It shows that the author is very happy with the environment he is in, so as to give the mountains and rivers around him feelings.

This joint uses the antonyms "have" versus "no", "all have affection" versus "this is priceless", which means that the breeze and the moon are everywhere, but for the laity, money can't buy it; The mountains near the water were originally ruthless things, but in the eyes of the poet, they have become sentient things, and the contrast is strong.

Saying that "near the water and the distant mountain" is neat to the "clear breeze and bright moon" refers to the self-alignment in the sentence, that is, "remote mountain" to "near the water", "bright moon" to "clear breeze" is very neat, and "near the water" and "remote mountain" are opposed, which is more interesting.

The meaning of this sentence is the breeze, the bright moon is everywhere, but for the laity, money can't buy it, and the mountains near the water are ruthless, but in the eyes of the poet, they have become sentient things.

This couplet uses the antonyms "have" vs. "no", "all have affection" vs. "this is priceless", and it is said that "near the water and distant mountains" is neat to "breeze and bright moon", which refers to the self-alignment in the sentence, that is, "remote mountain" vs. "near water", and "bright moon" vs. "breeze" are very neat.

The breeze and the moon are priceless - the beauty of the breeze and the moon cannot be bought with money.

There is love near the water and far away mountains - (because people love mountains and rivers, so in the eyes of people) mountains and rivers have emotions.

This is Liang Zhangju's collection of sentences obtained because of "Canglang Pavilion Chronicles", the upper contact Ouyang Xiu sentence tells the world, and the lower contact Su Shunqin sentence, all of which are Canglang Pavilion skills. It shows that the reseller is very happy with the environment, so as to give the surrounding mountains and rivers feelings.

This coupling uses the antonyms "have" versus "no", "all have affection" versus "this is priceless", which means that the breeze and the moon are everywhere, but for the laity, money can't buy it; The mountains near the water were originally ruthless things, but in the eyes of the poet, they have become sentient things, and the contrast is strong. Saying that "near the water and the distant mountain" is neat to the "clear breeze and bright moon" refers to the self-alignment in the sentence, that is, "remote mountain" to "near the water", "bright moon" to "clear breeze" is very neat, and "near the water" and "remote mountain" are opposed, which is more interesting.