How is the calligraphy written in small letters?

First of all, let's understand the main classic representatives in the history of Xiaokai, as follows:

1.Wei Zhongxuan (representative work: declaration table) Characteristics: clumsy, simple;

2.Eastern Jin Dynasty Wang Xizhi (representative works: Le Yi Theory, Huang Tingjing) Characteristics: round, free and easy, rigorous;

3.Eastern Jin Dynasty Wang Xianzhi (representative work: Luo Shen Fu Thirteen Lines) Characteristics: handsome, generous;

4.Tang Dynasty Zhong Shaojing (representative work: Lingfei Jing) Features: tight inside and loose outside, shaking;

If you want to write clumsy and astringent, you must have this kind of beauty in your chest, from the inside out; Rather than purely using technology to express its beauty; In general, most of the calligraphy works with ancient and simple beauty were before the Tang Dynasty.

You have to keep practicing calligraphy.

Keep practicing.

Your handwriting is beautiful.

Practice one article repeatedly, from each word from large to small, familiar and natural. Do not completely horizontal and vertical, not to write art words, the mood is appropriately relaxed, comfortable, write a column at a time, pay attention to the air, do not have to be strict about every word is beautiful, mainly the size of the size, rhyme and smooth. You can't force yourself, read more of the experience of some calligraphers, and comprehend it in combination with your own practice.

I am now at least once a day "Heart Sutra", remember not to be greedy, self-obsessed, to know how to make trade-offs, to find a suitable oneself in depth.

1. The bone method is an important brushwork to express the texture.

Bone in the structure refers to the bone, that is, the most basic method of the glyph, in the pen refers to the center of the pen, is the expression of force. Beginner calligraphy, first seek bone strength, bone force is the common beauty of calligraphy art, and the center with a pen is an important means to produce bone force.

Write small letters, with a pen to be cheeky. The so-called belly is full, and it can be transported to the center to be full. In the thin one, it is said to be clear, and in the fat one, it is called plump. The method of clearing the flesh, wrapping the edge with the pen, lifting the fly is thin, the method of plumpness, using the method of paving, and the full is fat.

Write small letters, with a pen should be clear. The so-called clear is the meaning of clean, and the clear air is based on the center, and the pen head comes out. Where the tip to the root of the pen one-half of the waist for the waist, from the waist to the end, and can be divided into three points, make good use of the author, but three points, make good use of the edge, out of the pen end, the smaller the small block character, the clearer, not tolerate the slightest scum.

2. Strength is the material basis for expressing texture.

Writing small letters, the most important thing to pay attention to the pen power, the pen is abundant, deep into the bones, in order to give people a calm and dignified, introverted spirit of the beauty of the shape.

Force in calligraphy is nothing more than two forms of expression, one is the strength of strength, called bone force; The other is the power of forbearance, which is called tendon strength. The tendon is the muscle key attached to the bone, it has the characteristics of rigidity and softness, therefore, the calligraphers of the past dynasties believe that the tendon strength is higher than the bone strength, and the so-called multi-force tendon is the winner.

Writing in small letters, with a pen is more expensive than composure. The so-called composure, that is, with the pen fine, dot painting proper, deep but not falling, calm and not sloppy, force through the back of the paper, the pen does not wander, everywhere can keep the pen, press the paper, so that its dot painting such as carving, structure such as casting.

The pen should be calm, and the dot painting is expensive and flexible. The so-called smart is still in the movement, the pen has an opening and closing, there is a bearing, there is a turn, there is a germination, then the pen has a lively interest, the pen can afford to lift, the pocket can turn, then the words have a refreshing flying state.

3. The astringent pen is an external form of expressing texture.

Astringency is the most meaningful special form of Chinese painting and calligraphy art in the use of brushes. The so-called astringency, that is, the two sides of the dot painting are not only hairy, not slippery and rough, there is a kind of ups and downs, uneven turbulence, rich in astringency brush, dot painting is calm and frustrated, refined and dignified, very intriguing.

For beginners, start with the astringent method. When moving the pen, concentrate your thoughts and notice that the pen on the paper is constantly lifting and frustrating on the middle line of each dot, and moving forward against the trend back and forth.

Astringency is often manifested in the irregular ups and downs on both sides of the painting, while the strokes and gestures, the qi veins are straight, rich in a natural beauty, such as one side is smooth, the other side is like a jagged, if it is twisted like a spring snake and an autumn worm, it will go to the opposite side of nature.

Xiaokai uses a pen, and most of them are sluggish.

I think that we should start from the beginning, the brush should first learn to hold steady, if possible, draw circles on the exercise paper, and straight lines, until it does not tremble, and the mental state is also very important. Xiaokai can't be anxious, practice more, practice the feel.

If the first contact with the brush to start with the small block, there is a certain degree of difficulty, first of all, we must start from the copy, understand its font, stroke characteristics, to master the strength, control the wrist force, and personally think that it is best to start from the block, relatively easy to grasp the whole. The practice of calligraphy is a process of gradual accumulation, and it is impossible to achieve very satisfactory results at the beginning of practice.

The regular script is divided into large, medium and small, first write big characters, fold hooks, etc., and then practice small letters. It's very hard to practice Xiaokai.

How to write and practice.

I'm sure everyone has a lot to say.

The landlord will not see less.

The regular ones will not be repeated in many articles.

Let's talk about a little bit of my own experience.

The first thing to write is "calm", so that it is easy to make the word "peaceful and simple".

The second is to adjust the rhythm of relaxation.

It's not just a matter of working hard and getting results.

The third is pen, ink, paper, and inkstone.

Don't ask for much better, but ask for appropriateness.

Sometimes the tools don't come handy.

Words are not easy to write well.

Mood to be susceptible.

Fourth, every time you finish writing an article.

Be with the copybook and the words you have written before.

to compare. Figure out the gaps and shortcomings.

Gradual. Fifth, the development stage of self-style.

There is also a need for additional knowledge.

After all, "those who are like me die, and those who are like me are vulgar!" ”

In the end, you have to have your own stuff in it.

I form something that suits my own characteristics!

It must be a teacher, the pen and paper must be good, it must be moist, and it must be properly memorized. Another point is that the small block should be looser than the middle and large knots, and should not be too tight. Again, the pen should be mainly imaginary.

In fact, it is useless to say a thousand things and ten thousand. More pro posts are the last word. No matter how advanced the theory is, it only plays an auxiliary role.

Calligraphy, in the final analysis, still has to become a kind of hand-held skill, and it depends on hard work. No one can listen to the explanation, and they will practice it immediately, just show you the way, and you still have to rely on yourself to go on your own. I also like calligraphy, and I hope to have the opportunity to learn from you and make progress together.

Keep writing, don't look at the time, and finish it in a while. But it's tiring

In the process of writing, it is very important to hold the pen and move the wrist, pay attention to the wrist force when writing, the wrist is straight when writing, the palm is vertically written, and the small block paper pen is paid attention to the change of force, not with brute force. The strength should be moderate in hardness and softness, not just brute force, too much force is not good to move when the turn is made, and the words written with too shallow force have no momentum. The wrist force can not be too stiff, the power on the wrist is converted into the stroke of the press and turn on, the pen can not be flown and slippery, pay attention to the composure when the pen is forward, each word is not the same style of the pen, the relationship between the density is not the same, the words with more strokes should be compact when writing, and the words with fewer strokes should be loose when writing.

When writing overlapping words, recall the side structure and write it flat, not too long, such as the word "worry". The words with fewer strokes are written loosely, and they can't be written too loosely, and the whole should be fat, for example, the fat written "down" will be very full. On the contrary, words with more strokes should be thinner when writing, and the overall appearance of the pen is clear, such as the word "pour".

The words with arranged strokes are clean and varied when writing, and the density is more even, such as the word "letter" should be noted when writing.

Well, I practiced it when I was a child, so I guess you want to hand in your homework. My method is to practice the pen a little bit, and it is fast and more beautiful.

I think the wolf is better, because the wolf hair brush is harder and tougher. The sheep is relatively softer. Writing a small letter, you must practice the sitting posture well, after all, it is more troublesome to write a small letter, so the sitting posture should be good, and the selection of a good copy is also the key.

And you have to work the practice, and with diligence you can write well and believe in yourself.

This question seems to be the first foray into calligraphy. It should be understood that the sheep's hair is soft, the wolf's hair is hard, the sheep's writing is easy to write mellow and lovely, and the wolf's writing is more powerful. If you are a beginner, the soft front is easy to write soft and weak words, and the hard edge is easy to write shriveled and fleshless words.

Then it is best to choose a pen, that is, a pen that is coherent with wolves and sheep, which is easier to control! On the one hand, the use of sheep's hair and wolf's pen depends on the selection of style characteristics after the maturity of calligraphy, and on the other hand, it depends on whose character you choose. For example, if you practice a thin gold body, you can't write it with soft sheep's hair!

In addition, it is necessary to write a good Xiaokai kung fu, and you need to absorb Tang Kai's law more, study the ancient monuments and ancient posts, absorb nutrients from the tradition, and then think about innovation and write your own routine style! I hope that your calligraphy will progress and write a good Xiaokai as soon as possible!

Of course, it's a wolf's hair.

The sheep's hair is too soft. It's hard to master writing letters.

To write a good small block, you still need to have a certain foundation in the middle and large letters.

Read more posts and draw inferences.

Xiaokai uses wolf hair, wolf hair is harder and wear-resistant.

Wolf is better, you practice hard.

Of course, "Lingfei Jing" is a more authoritative book to learn Xiaokai, the great calligrapher Zhao Mengfu of the Yuan Dynasty is to learn the "Lingfei Jing", you can also learn Zhao Mengfu's "Tao Te Ching".

The extreme of Xiaokai is the Wei and Jin Xiaokai, Zhong Xuan and the two kings are all Guigao. It is best to practice big characters before practicing small Kai, and it is best to start with Yan Zhenqing, as Lu You said, "learn to learn Yan", because Yan Zhenqing's calligraphy, regardless of regular script, line calligraphy, are upright, majestic and ancient, permeated with the atmosphere of the temple, is the pattern of calligraphers in the past dynasties to learn, such as Yang Ning style in the Five Dynasties period, Su Shi and Cai Xiang of the "Song Four Families", He Shaoji, who is known as the "first person of calligraphy in the Qing Dynasty", Fu Qingzhu (Fu Shan), and Liu Yong, the "Prime Minister of Thick Ink" in the Qing Dynasty, all originate from Yan's calligraphy. Yan Zhenqing has a lot of surviving inscriptions, "Yan Qinli", "Oriental Shuo Painting Praise", "Yan Family Temple", "Big Character Magu Mountain Immortal Altar Record" are all models that can be learned, and its books mainly include "Sacrifice Nephew Manuscript" and "Fight for Seat Post" and so on.

In addition, the famous contemporary calligrapher Wo Xinghua admires Yan Zhenqing the most, and his writings are rich, among which "Yan Zhenqing is calligraphy.""It can be used as a supplementary model for learning Yanshu. To practice large characters, you first need to learn the structure and penmanship of the characters, and secondly, you need to learn the majestic momentum of the characters, both of which are indispensable.

If you feel bored with the practice of the face, you can learn the Tang Dynasty calligrapher Chu Suiliang, whose calligraphy is a vein of the Wei and Jin dynasties, and you can learn its "Wild Goose Pagoda Holy Order", and the characters can be written in one inch size.

Although there are many calligraphers of each ** small Kai, such as Zhao Mengfu, Wang Chong, Dong Qichang, but they all respect Wei and Jin Xiaokai as the extreme, so in the case of a solid foundation in large characters (need to understand the structure and penmanship of the word), you can directly trace back to the roots of the practice of Wei and Jin Xiaokai, such as Zhong Xuan's "declaration table", Wang Xizhi's "Huang Tingjing" and "Le Yi Theory", Wang Xianzhi's "Luo Shen Fu", and its charm is not comparable to other generations of calligraphers. Other calligraphers can refer to the comparative study, but there is no need to make much effort to go deeper.

In addition, you can learn Xingshu (starting from Wang Xizhi's "Huairenji Shengjiao"), Lishu, Wei Tablet, and cursive script. However, it is necessary to keep in mind that only by finding the source of calligraphy learning can we fundamentally get rid of the vulgarity of calligraphy.

Finally, the choice of the pen is very important, the so-called "work wants to do a good job, must first sharpen its tools", calligraphy is especially so, I have been using the Zou farming pen village "Jin and Tang Dynasty style bones" and other small Kai special pen, you can go to the "calligraphy Jianghu **" order. Other famous brushes are now hard to buy in the market.

Calligraphy Forum:

It is more difficult to write good calligraphy with soft pen, and you should start with regular script or official script to learn to write, and then learn other calligraphy styles after mastering various penmanship. It is recommended not to practice Xiaokai without a solid foundation.

It's difficult, calligraphy starts with big characters, and ends with small block ......

In the study of calligraphy, there are many choices in small lettersLingfei Sutra。BecauseLingfei SutraIt is indeed a representative of the smart and elegant Xiaokai, and the most important point is that the Lingfei Sutra is very bookish in terms of calligraphy style. On the whole, the Lingfei Sutra is indeed as its name suggests, "spiritual" and illuminating people.

In calligraphy, especially regular script, the most important thing to test a person's calligraphy skills is regular script.

In ancient times, the imperial examination was basically based on writing small letters. Only Xiaokai can best reflect a person's calligraphy level and how much effort he can put into calligraphy and rhetoric. Those who talk and spend all day long have long been excluded from the entire examination system.

The Lingfei Sutra embodies such true talent and practical learning. Let's not talk about the content of the Lingfei Sutra, just talking about these fonts is already beautiful.

Some strokes are very delicately written, almost comparable to a strand of hair, while some strokes are very thick and steady, and they are a little more colorful. Only people who are very skilled in controlling the brush can achieve this realm. The Lingfei Sutra is already the highest representative, which is why those who study Xiaokai must learn the Lingfei Sutra.