How to distinguish the mediocrity of five character poems? How to distinguish between the plain and

There are five types of quatrains in five words, which are as follows:

One: Rhyme with the first sentence.

Peaceful, peaceful, peaceful. It's mediocre, it's mediocre.

Two: The first sentence does not rhyme.

Peaceful, mediocre, mediocre. It's mediocre, it's mediocre.

Three: Rhyme with the first sentence.

It's mediocre, it's mediocre. Peaceful, mediocre, mediocre.

Four: The first sentence does not rhyme.

It's mediocre, it's mediocre. Peaceful, mediocre, mediocre.

Ancient poems pay attention to rhyme, and its flat tone is determined according to the pronunciation of the word, one and two tones are collectively called flat sounds, and three and four tones are collectively called flat sounds.

This should come from its finals. Distinguish because their finals are different, so you can distinguish them from their finals.

The third and fourth tones in modern Chinese belong to the Xuan sound, and the first and second tones belong to the flat tone. Of course, some Chinese characters are different in ancient and modern readings, and there are differences in the reading of ancient poems.

How to distinguish between the flat and the flat, according to the tone, one and two tones, three and four tones.

One or two sounds are flat, and three or four sounds are flat.

Distinguishing the relationship between Pingtaek in five-character poems, which was very particular in the past, and generally lived as a unique doctor, it was to be read as 4 or 3 tones.

When distinguishing the tones of five-character poems, you should read the pronunciation of each word well and figure out how many tones it is, so that you can better read ancient poems.

The weekday characters of the seven five-character poems are five characters, but they are four sentences.

If you want to level out the tightly covered bottles, you can actually find the feeling in the **.

This is actually not very easy for him to distinguish, and the most important thing is to practice speaking.

To distinguish between the colorful and this flat, it seems that we don't quite understand how to distinguish this aspect.

First of all, the last one should be a little the same for everyone, and then it will be the first number.

Pingqian is the tone of words used in Chinese poetry. "Ping"Refers to straight,"Phew"Refers to twists and turns. According to the rhyme books revised from the Sui Dynasty to the Song Dynasty, such as "Cut Rhyme" and "Guang Rhyme", Middle Chinese had four tones, called Ping, Shang, Go, and Enter.

In addition to the flat voice, the other three tones have high and low changes, so they are collectively called the voice.

There is a certain format for the use of plainness in poetry, which is called metricism. Pingsheng and Pingsheng refer to the rhythm of poems composed of Pingsheng. Pingqian is an attempt to dualize the four tones.

The four tones are the four tones of ancient Chinese. The so-called tone refers to the height, rise and fall, and length of the voice. Pingqian is based on the four tones, with incomplete inductive method to generalize, flat refers to straight, Qi refers to twists and turns.

The upper voice, the lower voice, the sound is the voice, and the rest is the flat sound.

The Mandarin sound disappears, and the sound is classified into the upper two tones in the sound and the Yin Ping and Yang Ping in the Pingsheng sound, which leads to the error of using Mandarin to judge the poetry Pingxuan.

The theory of Pingqian is like dividing the students in four classes (four tones) into two categories according to their gender. As to whether such a division is even, it is not for the equalizers to consider.

The four tones, here refer to the four tones of ancient Chinese. To know the four tones, we must first know how the tones are composed. So let's start with the tone.

Tone, which is characteristic of the Chinese language (and some other languages). The height, rise and fall of the phonetic sound, and the length of the voice constitute the tone of the Chinese language, and the height and rise and fall are the main factors. In Mandarin, for example, there are four tones:

Yin Ping sound is a high flat tone (neither rising nor falling is called flat); Yang Pingsheng is a medium rising tone (not high, not low, and called medium); The upper tone is a low rising tone (sometimes a low flat tone); Desonication is a high falling tone.

The so-called "Pingxuan" is that each Chinese character has four tones of Ping, Shang, Go, and Enter, and in order to facilitate the use of it, it is simplified into two tones of Pingqian in the poem, and Ping is divided into two tones of Yin Ping and Yang Ping, and Qi is divided into three tones of Shang, Go and Enter. Therefore, there are five tones: yin, yang, up, go, and in.

Pingqian is the tone of words used in Chinese poetry. Middle Chinese has four tones, namely Pingsheng, Shangsheng, Jinsheng, and Xusheng. Pingsheng is the "ping" in "ping", and "ping" includes "upper sound, entering sound and sheng".

The method of distinguishing between the two tones in the new poems is easier to master: one tone in Mandarin, the second tone is the flat tone, and the third tone and the fourth tone are the sound of the Ping.

To distinguish the plain in ancient poems, we also need to use reference books.

Generally speaking, one or two tones are flat.

The three and four tones are the sounds, but the specific situation is analyzed on a case-by-case basis.

The main rules of the five laws are:1. Orange oak preparation.

2. Ping Ping (Qi Qi Ping Closing Type).

3. Ping Qian (Ping Qi Qi Qi Cheng Type).

4. Ping Ping Qi Ping (Ping Qi Ping Closing Type).

Features:

1. Alternate the same sentence.

Taking Wuyan as an example, where the first rhythm uses "Pingping", then the second rhythm must use "Ping", and the third rhythm must use "Ping", on the contrary, the first rhythm must use "Pingping" for the second stanza, and the third rhythm must use "Ping". Seven-character poems and so on, are the rules of sentence formation.

2. The upper and lower sentences are relative.

For example, if the sentence is "Ping Ping Ping", the couplet should be "Ping Ping Yuan", and the sentence should be "Ping Ping Ping", and the sentence should be "Ping Ping Ping", and so on, which is the binding rule.

3. The upper and lower links should be "sticky", that is, the same, which is the rule of the group.

Near-body poetry. There are only four quatrains in the middle line, there are no upper and lower couplets, and there are eight sentences in the rhythmic poem, each two sentences are one couplet, and each poem is four couplets.

The rules of the five-character rhythm poem are as follows:

1. Alternate the same sentence.

Taking Wuyan as an example, where the first rhythm uses "Pingping", then the second rhythm must use "Ping", and the third rhythm must use "Ping", on the contrary, the first rhythm must use "Pingping", the second rhythm must use "Pingping", and the third rhythm must use "Ping". The seven-word poem and so on. is a rule for group sentences.

2. The upper and lower sentences are relative.

For example, if the sentence is "Ping Ping Ping", the couplet should be "Ping Ping Ping", the sentence should be "Ping Ping Ping", and the sentence should be "Ping Ping Ping", and so on. is for the concatenation rule.

3. The upper and lower links should be "sticky", that is, the same, which is the rule of the group.

There are only four quatrains in the near-body poem, and there are no upper and lower couplets. There are eight verses of the poem, each two sentences are a couplet, and each poem is a couplet.

Flat purpose

The artistic conception of a poem can give people a sense of beauty, it can please the reader, or it can convey feelings and inspire people. So some people thought about why not let the sound of poetry also give people a sense of beauty, and the reading was subdued and catchy, and the theory of plainness was born.

With the deliberate development of the theory of Pingxuan, to a certain extent, it restricted the play and expansion of the momentum and artistic conception of the poem, and became the poet's crappy shoes or burden, which greatly went astray and violated the original intention.

In particular, the theory of equality varies from time to time, from place to place, and from person to person, and it is difficult to unify the opinions.

First, it is difficult to standardize, so that the learner is at a loss, and the learner cannot use it, which is the self-closure of poetry and literature, and is extremely unfavorable to the inheritance and promotion of poetry culture.

The ultimate purpose of poetry is to enter the public and serve the public, and we cannot reject people because of the imperfect traditional and imperfect theories, which make people feel unattainable and daunting. Poetry is only a kind of literary style, which should go into the classroom, into the textbook, and into the examination papers, so that teachers, students, and even the public can enjoy it and participate together.

The main rules of the five laws are:

1. Flat and flat (仄起仄 collection type).

2. Ping Ping (Qi Qi Ping Closing Type).

3. Ping Qian (Ping Qi Qi Qi Cheng Type).

4. Ping Ping Qi Ping (Ping Qi Ping Closing Type).

Wuyan poetry is a genre of traditional Chinese poetry, referred to as Wulu, which belongs to the category of near-style poetry. This style originated in the Qi Yongming period of the Southern Dynasty, and its prototype was Shen Yue and other new style poems that paid attention to sound rhythm and duality, and it was basically stereotyped in the early Tang Dynasty and the Song Dynasty, and matured in the Tang Dynasty. There are a total of eight sentences in the whole article, each sentence has five words, there are two basic forms, and the two couplets in the middle must be opposed.