What do you think of Qiong Yao drama?

Personally, I feel that the plot of Qiong Yao's drama still has some authenticity, and it does draw on some historical events. Among them, "Huanzhu Gege" has become the ratings champion. may no longer adapt to the current network society with extremely developed media, but in the 90s and the beginning of this century, it was also a popular TV series.

It can be said to be a childhood memory for many people.

I always feel that it is the originator of mother-in-law's little romantic drama. It wasn't until one time, after watching a TV with my family that Qiong Yao **, I found out that Qiong Yao is such a warm author, and this love is far from the love between men and women. In those plots that make people cry, there is full of human warmth, mother-daughter love, father-son love, master-servant love, brotherly love, all of which are moving.

When I was a child, I watched a lot of Qiong Yao dramas, and I felt that the love stories in them were very enviable and moving, and the characters portrayed by Qiong Yao were lifelike and had different personalities, including some line theme songs, which are still very classic today.

Whether it is the same love as always, or the unbearable disgust, we have to admit that Qiong Yao drama has indeed accompanied us precious time. And the drama is still the same, but we have grown up and matured. When we grow up, we not only watch the joys and sorrows of the characters in the play, but also look at our own hot-blooded youth.

I don't know others, I love to watch Qiong Yao dramas in elementary school, my grandfather always says that there is no nutrition, I was poisoned by Qiong Yao at that time, thinking that parents do not let their children elope for love and hang themselves and cry is pedantic, so I instinctively think that my grandfather is pedantic, now I think about it, my grandfather said, "These people don't do anything every day, don't do anything, don't work, don't care about family affection, it's really for love" is the truth, I was young and my brain was poisoned, At that time, I was in favor of not working for love, family affection, morality, and not working, I thought it was really touching, I didn't know others, I really thought that my grandfather was pedantic and didn't understand love.

Qiong Yao's romantic drama. It's especially empathetic. Those poignant loves are heartbreaking.

There are some things that I thought were normal when I was a child, but I was very scary when I grew up. For example, Qiong Yao drama. When I was a child, I thought He Shuhuan was an affectionate boy, and when I grew up, I felt that he was a scum of the century. Qiong Yao's drama now seems to properly destroy the three views.

There is no need to watch romance movies such as Qiong Yao dramas, because it feels much more hypocritical than real. I think that indulging in it will lead to playthings, and it is not good to see more.

My opinion of Qiong Yao drama is that it is a show that women like to watch.

Lovers can see feelings, and laypeople can criticize them, and so far her old man is an insurmountable mountain in the romance world, and the younger generations are still playing with what she has played.

Although the plot is bloody, it is very attractive. Especially the female audience.

I like what Qiong Yao wrote**.

Qiong Yao drama is a TV series adapted from Qiong Yao's works.

Qiong Yao, whose real name is Chen Zhe, was born on April 20, 1938 in Chengdu, Sichuan Province, is a contemporary Chinese writer, screenwriter, film and television producer, and a member of the Chinese Film Literature Society.

Originally from Zhajiang Town, Hengyang County, Hunan Province, she graduated from Taipei Municipal Zhongshan Girls' High School. In addition to Qiong Yao, the pen names have also used Phoenix and Xinru. Qiong Yao's main representative works include "Outside the Window", "Sound of the Tide", "Between the Water and Clouds", "A Curtain of Dreams", "The Heart Has a Thousand Knots", "Plum Blossom Branding", "Seagull Flying", "Colorful Clouds Flying" and "Colorful Clouds Full of Sky" and so on.

In 1949, Qiong Yao followed her father Chen Zhiping from the mainland to live in Taiwan. Later, he entered the ranks of professional writers, and successively entered the film and TV drama production industry. When Qiong Yao was 16 years old, she published "Cloud Shadow" under the pen name Xinru, and at the age of 25, she published her first collection of short stories "Outside the Window".

Most of the ** works created by Qiong Yao have been adapted into movies or TV series, among which the more famous ones include "Deep Courtyard", "Plum Blossom Three Alleys" series, "Huanzhu Gege" series, etc.