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The original poem was written by the Qing Dynasty commentator Ye Xie. It is considered to be the most logical and systematic theoretical monograph in the history of China's literary and artistic theory after "Wenxin Carving Dragon". In this book, Ye Xie elevates the mode of studying poetry from the perspective of "poetic teaching" and "poetic method" to the level of aesthetics, so it is both a poetic treatise and an aesthetic treatise.
The main part of the text is divided into four chapters, which discuss Ye Xie's views on the subject of poetry creation, the object of poetry creation and the relationship between them, the criticism of poetry centered on the flow of poetry, and the historical contribution of the original poem. Ye Xie's "Original Poems" is considered to be the most logical and systematic theoretical monograph in the history of China's literary and artistic theory after "Wenxin Carving Dragon". In this book, Ye Xie elevates the mode of studying poetry from the perspective of "poetic teaching" and "poetic method" to the level of aesthetics, so it is both a poetic treatise and an aesthetic treatise.
**The preface discusses the origin of Ye Xie's family studies and the influence of his life experience on Ye Xie's thoughts, and examines the origin of Ye Xie's writing of "Original Poems" through the study of the current situation of the literary world in the late Ming and early Qing dynasties. The main part of the text is divided into four chapters, which discuss Ye Xie's views on the subject of poetry creation, the object of poetry creation and the relationship between them, the criticism of poetry centered on the flow of poetry, and the historical contribution of the original poem. The first chapter deals with the objects of poetic creation, "reason, matter, and emotion".
After entering the aesthetic field, the "reason", "matter" and "emotion" of nature are integrated into the "emotion" of the poet's individual. Ye Xie made provisions for the "reason", "matter" and "feeling" of aesthetic objects: that is, "the reason that cannot be named", "the thing that cannot be seen", and "the feeling that cannot be reached", and requires the aesthetic subject to "take the reason for the vague", "imagine the thing", and "take it as the emotion", emphasizing the importance of aesthetic imagery in the aesthetic process and highlighting the subjective creativity of the aesthetic subject.
The second chapter discusses the four qualities possessed by the subject of poetry: talent, courage, knowledge, and strength. Ye Xie believes that the foundation of poetry lies in the "mind" of the creative subject.
"Mind" contains and commands the four qualities of talent, courage, knowledge, and strength, and at the same time these four qualities.
Encyclopedia.
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Significance: 1. Help readers understand and feel the work deeply.
Understand the meaning of the work. For example, in the Chinese tradition, there are few direct descriptions of the psychological activities of the characters, and the writer only uses actions and dialogues to hint at the psychology of the characters.
To comprehend this kind of hint, it requires a keen sense of perception and careful speculation, and the average reader is prone to ignore the past. In the 36th episode of "Water Margin", "The Boat Fire Makes a Noise in Xunyang River at Night", there is a psychological description of Song Jiang, and its wonderfulness is appreciated by many readers thanks to Jin Shengsi's comments. Song Jiang was frightened on Zhang Heng's boat, and suddenly heard that someone rescued him, Song Jiang "When he got out of the boat to see, the stars were bright", Jin Shengxi commented
That's a wonderful eleven words. The non-cloud starlight brightly illuminated the man who came to the ship, but it was extremely written that Song Jiang was frightened for a long time, and he no longer knew what color the heaven and earth were, until then, he was suddenly saved, and then he still saw the starlight again. ”
2. Help readers to correctly select and identify works.
1) The guiding role of literary criticism in readers' reading.
What kind of emotional indulgence! What kind of beauty and simplicity are there in these descriptions! The ghost catches you, steppe, how good you are in Gogoljun's pen!
2) The role model of literary criticism in the reader's appreciation (textbook p262).
For example, Lu Xun's theory of Xiao Jianqiu's character traits in Roushi's "Morning February" is that "the turbid waves are crashing on the shore, the people standing on the hill have nothing to do with the droplets, and the tide is in the waves and don't care, only the people who are still neat and tidy and wandering on the seashore feel wet and embarrassed when they splash the water." ......In fact, he can't be a small gear, and he rotates with the big gear, he is just a pebble from outside, so he rolled a few, made a few sounds, and was squeezed to the female Foshan Mountain-Shanghai. ”
2) Help writers improve their creativity.
1. Help writers analyze and improve their creation.
1) Discover the value connotation of the work.
2) Point out the deficiencies of the work.
2. Guide writers to adjust their creation.
3) Influencing social values.
1. Literary criticism has the attribute of cultural value judgment.
Critics often analyze the relationship between a literary work and the social life it reflects, and analyze the political factors, moral factors, and other things with cultural value in the work. When Belinsky analyzed Gogol's early work "Sketches", he started from the artistic effect of the work to make people laugh, and pointed out that this kind of comedy implicitly reflects the vile side of real life, and implies the profound significance of exposing the evils of feudal serfdom. This kind of criticism leads the reader's receptive psychology from the realm of aesthetics to the concern and thinking about real life, and then grasps the huge ideological depth of the work.
2. Literary criticism has a value guidance and normative role.
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A brief introduction to literary criticism is as follows:
1. Concept: Literary criticism is an integral part of literary and artistic studies, which refers to the research, analysis, understanding and evaluation of writers' character and literary phenomena according to certain standards. Literary criticism is based on literary appreciation, and at the same time, it is the deepening and improvement of literary appreciation, and among the various forms of literature and art, literary criticism is the most active, the most frequent and the most common.
2. Value model: Under the conditions of Chinese socialism, Marxist literary criticism should adhere to the direction of "serving the people and socialism" and the principle of "letting a hundred flowers bloom and a hundred schools of thought contend", and correctly use the criteria of criticism to promote the creation and consumption of literature, promote the prosperity and development of socialist literature, and make itself develop.
The criteria of literary criticism should always be linked to the definition of literature.
Methods of Linguistic Criticism.
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