How to link the realm of Wang Guowei with separation and non separation to discuss the shortcomings

The first realm: Last night, the west wind withered the green trees, and I went up to the tall building alone and looked at the end of the world. (Yan Shu's "Butterfly Loves Flowers").

The second realm: the clothes and belts are gradually widened and they will not regret it, and they will make people haggard for Yi. (Liu Yong, "Butterfly Loves Flowers").

The third realm: The crowd looked for him, and suddenly looked back, but the man was in the dim light. (Xin Qiji's "Qingyu Case").

Wang Guowei proposed the aesthetic concepts of "separation" and "non-separation". "Separation" and "non-separation" are a comprehensive evaluation and concentrated summary of a series of aesthetic activities and aesthetic phenomena that occur in the process of poetry creation and appreciation. From the horizontal aspect, there are three major factors: "feelings", "scenes" and "words"; In terms of verticality, it includes three links: the formation of the artistic realm, the materialization of the artistic realm, and the reproduction of the artistic realm.

Separately, the three major factors and three links are different from each other and are used for their own purposes, and any improper handling of any point can affect the aesthetic effect and cause different degrees of "separation"; On the contrary, in order to obtain the best aesthetic effect of the work and achieve a higher aesthetic realm - "no separation", it must be the dialectical unity of all factors and links. In terms of writing "love", Wang Guowei believes that "truth" is "not separated", and decoration is "separated".

Therefore, the connection between the separation and the non-separation and the three realms is close.

As far as the first realm is concerned, "Last night, the west wind withered the green trees, and I went up to the tall building alone and looked at the end of the world." "It's an obsession, or an obsession. "Persistence" means to do it deliberately. It does not meet the requirements of "true" in the realm of "no separation".

The second realm "the belt gradually widens and does not regret it, and it makes people haggard for Yi." It can be said that it has begun to break away from the realm of "separation" and move towards "non-separation", but this still has not reached the "true" realm of "non-separation". Although it is a catharsis of sincere feelings in the heart, its "dissipation of emaciation" is overly obsessed with form, and there is no such unpretentious and home-to-basics realm.

If it is not true, it is "separated".

The third realm "looked for him in the crowd, and suddenly looked back, but the person was in the dim light. It is a kind of sudden awakening, according to ** and Buddhism, that is, "epiphany", "truth", and "origin". is no longer obsessed with external magnificence, but cares about the natural outpouring of inner true feelings, without any pretentiousness or showing off.

"It turns out that in the past, I was too formal. Suddenly, I realized that he was in that 'lamplight', which was unnoticeable, and looking back, the simplest thing in the lamplit place was the real 'Tao'. This kind of realm is "truth", and the "non-separation" after the lead is washed away is also what Taoists say, "return to the basics, and the way of heaven will naturally become".

Whether it is writing an article or reading, the "true" realm that is not separated is the best realm, not for fame, not for profit, but for the true innocence.

In fact, the realm of separation and non-separation is not only used for writing articles and reading, but also for being a person, doing things and so on.

Wang Guowei's theory of separation and non-separation is to explore how poetry creation can not only rely on language, but also transcend the limitations of language, and "separation" is that the expressive power of the words used is not enough, so as to affect the expression of emotions and will. "Not separated" means that the words are used just right, without piling up allusions, so that people can directly perceive the emotions contained in the poem without conjecture.

The first realm: Last night, the west wind withered the green trees, went up to the tall building alone, and looked at the end of the world. It means that if you want to do something, such as creating, it must be lonely and difficult at first.

The second realm: the belt gradually widens and does not regret it, and it makes people haggard for Yi. I didn't know how to go in the process, so I thought about it, forgot to sleep and eat, and became thinner and thinner.

The third realm: the crowd looked for him, and suddenly looked back, but the person was in the lamplight. When you accumulate a certain level of literary skills, you will find that it is just that simple to accomplish a thing.

If she is empty, the whole paragraph will make sense.

Wang Guowei's understanding of the three realms: the first realm is "standing", the second realm is "keeping", and the third realm is "gaining". The first realm is determination and determination, and only when this condition is met will there be a first.

Second, the third realm.

Mr. Wang Guowei extracted these famous sentences from the words of several great poets in ancient times to talk about the three realms of learning. The first realm: "Last night, the west wind withered the green trees." Go up to the tall building alone and look at the end of the world. "This realm is the confusion of life, loneliness and ignorance of the road ahead.

The second realm "the belt gradually widens and does not regret it, and it makes people haggard for Yi." "Projection to life, the second realm is to have a goal, on the road of chasing, after not wanting to describe the emaciation but continue to chase without regrets.

The third realm: "Find him in the crowd." Suddenly looking back, the man was there, and the lights were dim.

This realm indicates that those who are determined to chase have become qualitative changes after sufficient accumulation, and have inadvertently chased them.

Wang Guowei's character introduction

Wang Guowei's original name is Guozhen, the word Jing'an, Boyu, the first number of the auditorium, the evening number of the Guantang, and the number of Yongguan, and the loyalty of the people. A native of Haining Prefecture, Zhejiang Province (now Haining, Jiaxing City, Zhejiang Province). Wang Guowei is a well-known scholar with international reputation at the intersection of modern and modern China.

In his early years, Wang Guowei pursued new studies, integrating Western philosophy and aesthetic ideas with classical Chinese philosophy and aesthetics, studying philosophy and aesthetics, and forming a unique aesthetic ideological system.