What are the couplets that describe Teng Wangge, and what are the poems that describe Teng Wangge?

The couplets describing the Tengwang Pavilion are: 1. Luoxia and the lonely bird fly together, and the autumn water is the same color as the sky; 2. Three autumns and one order, often make the Bafang ink painter carefully throw the pen; The huge waves are long and the wind is long, and the talented people from all over the world are boldly inscribed; 3. The pavilion is new, the butterfly is passed on, who looks for the old traces from the early Tang Dynasty; The article is eternal, the bullfighting light shoots, and the queen is a genius;

The article has a god, carrying the earth's spiritual treasure to pass on, reading the world for thousands of years, still seeing the painting building flying clouds, bead curtain rolling rain.

The lakes and mountains are unharmed, and the victory of the tail of Chu and Wu is good, and the fence is looking around, and the situation is more than the golden rope Mohan, and the iron pillar is in the sky.

Still extremely far away, I want to see the emperor in the pavilion.

Ande has a long wind and waves, and sends talented people on the river.

Re-look at Jiege Linjiang, the joy of the catastrophe is gone, leaving the true face of the lake and mountains;

Remembering Lian Qiao to resist the enemy, after ten years of battles, he sang and danced on the platform.

The rise and fall of the general situation, look at the lonely sunset, the autumn water is long, fortunately the lakes and mountains here are unharmed;

It's only a moment in ancient and modern times, and I asked the talented people on the river, the emperor in the pavilion, how is the scenery better than back then?

Where is King Teng? The remaining high pavilion is thousands of autumns, and the drama is painted with bead curtains, all of which turn into empty pools and cloud shadows;

Yan Gong can pass on, a preface to the scholar, and send a message to the southeast guests, don't look down on the talented people.

Talented people are on top, and they hate to kick over the parrot island, and the Yellow Crane Tower is smashed;

Sighing that the sea is bottomless, I think about Ban Dingyuan to put pen to paper, and finally Ziyun is invited.

Suck the Xijiang water dry, talk about moistening my dry lips, talk about the rise and fall of the day, how many mulberry fields become the sea;

Hold Nan Puyun with both hands and don't let him go, so as not to drift with the wind, and there will be no rain and common people.

Three autumns and one order, often make the Bafang inkmen carefully throw the pen;

The huge waves are long and the wind is long, and the talented people from all over the world are boldly inscribed;

It is difficult to cross the mountain, who is sad and lost the way.

When they meet in Pingshui, they are all passers-by from other places.

Nian Nu Jiao Teng Wang PavilionJiang Heyou. The sky is magnificent, looking at the Chengjiang River far away, and there are clear traces. The west control is slanting under the sun, and the green is green.

The green tile eaves fly, and the riverside painting building is like the country at that time. The pavilion is empty, but Yu Yunshu has been experienced.

On the Honggu Beach, the skyscrapers are one after another, and the photos surprise the visitors. I want to sing a song from the column, who knows what the night will be? The mulberry field has changed, but the vicissitudes of the waves have been flying for thousands of years. In the nine heavens, I heard the flute outside the curtain.

King Teng's high pavilion is near Jiangzhu, and Pei Yuming Luan sings and dances.

The painting hall flies to the south of the clouds, and the bead curtain rolls up in the west mountain rain at dusk.

The shadow of Xianyuntan is long, and the stars change a few degrees of autumn.

Where is the emperor in the cabinet now? The Yangtze River outside the threshold is empty and artesian.

Manjianghong Yuzhang Tengwang Pavilion.

The west wind blows me and King Teng.

Outside the threshold, Chu Mountain is rising, and Chu Jiangtao is doing.

Where to go to the end of the sails, sometimes wild birds fall on the sand.

Near the curtain hook, the twilight rain covers the air, today is still yesterday.

Autumn is getting tighter, adding a rope.

The sky is far away, and the injury is drifting.

Sigh ten years of heart, Hugh Momo.

There are no many people who are easy to grow old, although Qiankun is very sad.

To the dusk, the soul of the guest is gone, and the corner of the city.

Teng Wang Pavilion poems. - Wang Bo.

King Teng's high pavilion is near Jiangzhu, and Pei Yuming Luan sings and dances.

The painting hall flies to the south of the clouds, and the bead curtain rolls up in the west mountain rain at dusk.

The shadow of Xianyuntan is long, and the stars change a few degrees of autumn.

Where is the emperor in the cabinet now?

The Yangtze River outside the threshold is empty and artesian.

It means that the towering Tengwang Pavilion overlooks the sandbar in the heart of the river, and the luxurious singing and dancing of Peiyu and Luan bells have stopped.

At the same time as this poem, the famous "Preface to the Pavilion of King Teng" was written.

Tengwang Pavilion is in Nanchang, Jiangxi, near the Ganjiang River, and was built by Li Yuanying, the twenty-second son of Tang Gaozu Li Yuan. King Teng is the title of Li Yuanying, when he was the governor of Hongdu (Nanchang), he established this pavilion as his own residence, and the "emperor" in the poem refers to him. In 675 A.D., Yan Boyu, the governor of Hongzhou, rebuilt the Tengwang Pavilion, after the completion of the banquet in the pavilion of the literati and scholars and asked them to make a preface to the Tengwang Pavilion, just in order to go to Jiaozhi (Vietnam) to visit his father and pass through Nanchang to participate in the grand event Wang Bo was gladly invited to write the "Tengwang Pavilion Poems and Preface", that is, this poem.

The poem is mainly written about the scene of the banquet and the scenery around the Tengwang Pavilion, which is not very good, but because the "Preface to the Tengwang Pavilion" is too famous, the poem has naturally been handed down together.

Teng Wang Pavilion Tang Zhang Qiao.

The former people's reading place, the corner of the river.

There are waves sometimes, and there are idle clouds without days.

The early cool first swallow goes, and the sail is lonely after the return.

Before the camp was returned, the old lake was full of Lingge.

Teng Wang Ge, Song Wang Anshi.

When the white waves are over the river, where did Chen Fan and Xu Ru go?

Sorrowful to the path of King Teng Pavilion, covering a monument of Wen Gong.

Teng Wang Ge Song Wen Tianxiang.

The five-cloud window overlooks the waves, and still smells the fragrance of Tang Han's ink.

At four o'clock in the sun and the moon, the ecliptic is wide, and the rivers and mountains are long.

Where to fight the wind and the geese, who sails alone in the freezing rain.

Looking back on the ten years of this wandering, the new willow in front of the pavilion has been completed.

Seven Uniques· Tengwang Pavilion.

Laughing for no reason, the cold rain wets my clothes.

I saw that the old building was not the old appearance, and the smoke was vast.

1, King Teng's high pavilion Linjiang Zhu, Pei Yu Mingluan sang and danced.

From: Tang Wang Bo, "Preface to the Pavilion of King Teng".

Translation: The towering Tengwang Pavilion overlooks the sandbar in the heart of the river, and the luxurious singing and dancing of Peiyu and Luan bells have stopped.

2. Passers-by pointed out the Tengwang Pavilion and watched the white envoy of Zhongzhou.

From: Don Bai Juyi's "Zhongling Delivery".

Translation: Passers-by pointed to Tengwang Pavilion and said, "Look, that's the white envoy who is sending Chungju to Zhongzhou." "3, the west wind, blowing me, King Teng Gaoge.

Outside the threshold, Chu Mountain is rising, and Chu Jiangtao is doing.

From: Song Wu Qian's "Man Jianghong Yuzhang Tengwang Pavilion".

Translation: The west wind helps me climb the Pavilion of King Teng. The waves of the Chu River were startled, and the clouds were churning.

4. The Zhezhi drum on the Tengwang Pavilion, and the West Iron Axle Boat of Xu Ruting.

From: Tang Du Mu "Zhongcheng Ye Shen Tao Strategy Ambition in Fame and Fame and Again Long Sentence and Advice".

Translation: There are still drums beaten during the Zhezhi Dance on the Pavilion of King Teng, and the iron-axed boat is still docked on the west side of the Xu Ruting Pavilion.

5. His Excellency King Teng met in the past, and it is difficult to visit this place now.

From: Tang Huang Tao "The Old Man of Zhongling".

Translation: His Excellency King Teng met in the past, and now it is difficult to find traces of the past in the same place.

There are many, many poems describing King Teng's Pavilion, how could it be impossible to copy everything he has to you? The most famous. Of course, it is the "Preface to the Pavilion of King Teng" written by Wang Bo. That's long enough, you can search the Internet for yourself. There are a lot of words.

1, "Zhongling Sweet Gift" Bai Juyi.

The green curtain and red feast are high in the clouds, and the song bell is heard by thousands of families.

Passers-by pointed to Tengwang Pavilion to see the white envoy of Zhongzhou.

2, "Preface to King Teng's Pavilion" Wang Bo.

King Teng's high pavilion is near Jiangzhu, and Pei Yuming Luan sings and dances.

The painting hall flies to the south of the clouds, and the bead curtain rolls up in the west mountain rain at dusk.

The shadow of Xianyuntan is long, and the stars change a few degrees of autumn.

Where is the emperor in the pavilion now, and the Yangtze River is empty outside the threshold.

The poems describing the Tengwang Pavilion are: "Tengwang Gaoge Linjiang Zhu, Pei Yu Mingluan sings and dances." The painting hall flies to the south of the clouds, and the bead curtain rolls up in the west mountain rain at dusk. The shadow of Xianyuntan is long, and the stars change a few degrees of autumn. Where is the emperor in the cabinet now? The Yangtze River outside the threshold is empty and artesian. ”

Teng Wang Pavilion Wang Bo.

King Teng's high pavilion is near Jiangzhu, and Pei Yuming Luan sings and dances.

The painting hall flies to the south of the clouds, and the bead curtain rolls up in the west mountain rain at dusk.

The shadow of Xianyuntan is long, and the stars change a few degrees of autumn.

Where is the emperor in the cabinet now? The Yangtze River outside the threshold is empty and artesian.

Teng Wang Ge, Song Wang Anshi.

When the white waves are over the river, where did Chen Fan and Xu Ru go?

Sorrowful to the path of King Teng Pavilion, covering a monument of Wen Gong.

Seven Uniques· Tengwang Pavilion.

Laughing for no reason, the cold rain wets my clothes.

I saw that the old building was not the old appearance, and the smoke was vast.

The former people's reading place, the corner of the river.

There are waves sometimes, and there are idle clouds without days.

The early cool first swallow goes, and the sail is lonely after the return.

Before the camp was returned, the old lake was full of Lingge.

"Tengwang Pavilion, the Yangtze River outside the threshold does not go back" Song Dynasty Shi Hui machine.

The Yangtze River outside the threshold does not go back, and the willows before the threshold are planted. At that time, only Xishan was there, and I saw King Teng singing and dancing.

The poems describing the Tengwang Pavilion are: "The Tengwang High Pavilion is Linjiang Zhu, Pei Yuming Luan sings and dances", which comes from the Tang Dynasty poet Wang Bo's "Preface to the Tengwang Pavilion".

The poems describing the Tengwang Pavilion are: Luoxia and the lonely bird fly together, and the autumn water grows together in the sky; The west wind blows me and King Teng.

The water is exhausted and the cold pool is clear, the smoke is condensed and the twilight is purple, just riding on the road, visiting the scenery in Chong'a - "Preface to the Pavilion of King Teng".

Klook is easy to hurt in autumn, and the smoke scene in Jiangtian is desolate.

It is still extremely rich in autumn water, and the ancient cold tide sends the sunset.

King Teng's high pavilion is near Jiangzhu, and Pei Yuming Luan sings and dances. From: Tang Wang Bo, "Preface to the Pavilion of King Teng".

What we often read now is the "Preface to the Pavilion of King Teng", and few people read the original work.

King Teng's high pavilion is near Jiangzhu, and Pei Yuming Luan sings and dances.

The former people's reading place, the corner of the river.

Jie Shi Teng Wang Pavilion, ascending to the Si Ran.

Suyun opens the north, and the autumn water ends in the south.

Where is the emperor now, Wang Tongji is a unique biography.

There is no dwelling in the guest arms, in front of the mighty white gulls.

King Teng's high pavilion leans on the clear sky, and the twelve columns are close to the dipper.

The land domain is sealed with old classics, and the situation of mountains and rivers arches in the middle of the dynasty.

The three kings are full of rainbow light, and the five old heavens are cloudy.

Huaigudeng is in the future, and the new red wine is ripe for spring.

The emperor came to the south and built this building near the river.

People go with singing and dancing, and Teng stays from ancient times to the present.

The threshold is quiet, and the moon floats in the deep river.

The place where the teenager lands, he still has to revisit.

The high pavilion has been in the air, and Wang Sheng's writing has been modal and paste-resistant.

Jute is not given to the green worm, and the colored pen can be the pink butterfly picture.

Zeguo is full of waves and fairy sails and spring islands, and the heavy city is lonely in the mirage.

Visitors do not know the rise and fall of hatred, but the solution to the wind poured jade pot.

The emperor has been lonely for a long time, and the river flowers bloom and fall.

I'll read the remnant monument of Pin Hui, and the clouds will hang in the empty pavilion.

King Teng sang Yizhou on the pavilion, and traveled here twenty years ago.

Half is half non Jun Mo asked, good mountains grow in water and flow.

The former people's reading place, the corner of the river.

There are waves sometimes, and there are idle clouds without days.

The early cool first swallow goes, and the sail is lonely after the return.

Before the camp was returned, the old lake was full of Lingge.

Coming and going to Nanzhou, the old one, ascending to the sideburns and stars.

The garrison guards the Tengwang Pavilion during the day, and the stagecoach neighs in the autumn pavilion.

The north of the ship is white, and the west of the building reflects the green of Tatezhou.

Who can give the robe toast? Laughing at Wang Lang's penmanship, it is light.

King Teng's high pavilion is near Jiangzhu, and Pei Yuming Luan sings and dances.

The painting hall flies to the south of the clouds, and the bead curtain rolls up in the west mountain rain at dusk.

The shadow of Xianyuntan is long, and the stars change a few degrees of autumn.

Where is the emperor in the cabinet now? The Yangtze River outside the threshold is empty and artesian.

King Teng's high pavilion leans on the riverside, and the king goes to the river to worship the gods alone.

Bai Xuehan invaded the words and guests, and Zhu Qian embroidered Yu Zhangchun.

The sun and moon float far away, and the island spits smoke and flies green.

Looking back at the pitiful wind and rain drama, I was thinking about the tears of the boat.

The pavilion is in the air and near the water, and the corridor faces the sunset credit.

The old country of Dongfeng buried the barren grass, and the high-rise building of Nanpu recognized the falling sun.

The emperor left to think, Jiang Ling intended to show his talent.

Ascending is not full of the sense of rise and fall, where is the spring jade tree flower.

Pei Yu Mingluan is a list of immortals, leaving a high pavilion open to the sky.

When the water post is a thousand collections, the name of the borrower is a preface.

The guests and hosts welcome the real event, and the wind and clouds are also the forefront.

I can't come to Linxing, and the lakes and mountains are still smoking.

The rivers and lakes are deep, and the smoke and sky are thousands of fathoms.

The shore flowers welcome half Wu Chu, and the mountain rain enters the curtain without ancient and modern.

The shadow of the city and the moon move the autumn trees, and the flute blows and the twilight tide is overcast.

There are no green shirts and tears at the end of the world, and they are not wet for the pipa.

The empty pavilion is majestic and cuiwei, and it was stationed here in the past.

Where are the Tengjiao Qifeng people, Pei Yuming Luan is no longer in business.

Nanpu is gloomy and cloudy, and the west mountain is rainy and flying.

Pedestrians by the riverside have passed on this day, bowing their heads and dying in tears.

King Teng high pavilion big river Xun, catkins fly when a appreciation.

The golden buildings are in ruins, and the pale yellow age is easy to invade.

It is difficult to be the same as the past, and the waterfowl and fishing boats are not different from the present.

The melancholy Yuzhang moved to Shuke, and it was the first time to turn over here.

1. The general relationship between the rise and the fall. Look at the lonely sunset and the long autumn water, fortunately, the lakes and mountains here are unharmed;

It's only a moment in ancient times. Ask the talented people on the river and the emperor in the pavilion, how is the scenery compared to that year.

2. Emperor Changzhou, the old hall of immortals;

General Arsenal, Bachelor Word Sect.

3. Where is King Teng? The remaining high pavilion is thousands of autumns, and the drama is painted with bead curtains, all of which turn into empty pools and cloud shadows;

Yan Gong can pass on, a preface to the scholar, and send a message to the southeast guests, don't look down on the blind tomato of the talented people.

4. Suck up the Xijiang water in one gulp, talk about moistening my dry lips, talk about the rise and fall of the day, and how many mulberry fields have become the sea;

Hold Nan Puyun with both hands and don't let him go, so as not to drift with the wind, and there will be no rain and no rain and common people.

5. Talented people are on top, and they hate to kick over the parrot island, and the Yellow Crane Tower will be smashed;

Sighing that the sea is bottomless, I think about Ban Dingyuan to put pen to paper, and finally Ziyun is invited.

6. Three autumns and one order, often make the Bafang inkers carefully throw the pen;

The huge waves are long and the wind is long, and the talented people from all over the world are boldly inscribed;

The article has a god, carrying the spirit of the earth and the treasure to pass on, reading the world for thousands of years, and still seeing the painting building flying in the clouds, and the bead curtain rolling rain.

The lakes and mountains are unharmed, and the victory of Wu Tou and Chu Tail is good, and the review is based on the railing, and the situation is more than the golden rope Mohan, and the iron pillar is in the sky.

Qing] Written by Li Wenmin.

Li Wenzhi did not touch Min, Xianfeng Jinshi, served as the governor of Jiangxi during the Tongzhi period, and this couplet was made during his tenure.

This couplet admires the text of the "Preface", and plays a sharp role in the couplet. There is both praise for the victory and appreciation of the preface. There are not many words, the landing is sound, the rhythm is bright, and the breath is resounding.

It is no wonder that people put this couplet in the newly built Tengwang attic to talk about it for people to taste.