What are the calligraphy works? What are the works of Lishu?

Lishu, there are Qin Li, Han Li, etc., it is generally believed that it is developed from the seal book, the glyph is mostly wide and flat, the horizontal painting is long and the vertical painting is short, pay attention to the "silkworm head swallowtail", "a wave of three stones".

According to the unearthed slips, the official book was founded in the Qin Dynasty, the legend is that Cheng Miao was subordinate, the Han Dynasty reached its peak in the Eastern Han Dynasty, the upper inheritance of the seal book tradition, the lower opening of the Wei and Jin Dynasties, the Northern and Southern Dynasties, the calligraphy of later generations has a non-negligible influence, the calligraphy industry has the "Han Li Tang Kai" said.

According to legend, the official book was sorted out by Qin Weicheng Miao in prison, and the glyphs became round and square, the strokes were changed to straight, and the glyphs were beautiful, flat and wide. Officials, so in ancient times, the official book was called "Zuoshu".

The writing method of Lishu dot painting is obviously different from that of seal script, and the dot painting of seal script can be summarized into three kinds of point, straight and arc, and the development of Lishu has 8 kinds of strokes in the eight methods of Yongzi. In the use of the pen, the seal script is mostly a round pen, and the official script has a square and round pen, and the thickness of the strokes has changed.

The points of Lishu are different from the middle point, the upper point, the left point, the right point and the horizontal point. The way to write the midpoint is to put down the pen, lift the pen against the front upward, turn the pen back to the right, pause the pen down, and then return the pen to close in the point. The difference between the point of the official script and the point of the seal script is that there has been a change on the side.

The writing of the upper point is slightly the same as the middle point, but the last stroke does not return to the point to close the front, but wants to gradually raise the front downward. The left and right points and horizontal points are written in the same way as the top point, but the starting position and the direction of the strike are different.

The writing of the left and right points in the official book is similar to that of the left and right points, but the difference is that the last stroke is longer.

The writing of the official script is the same as that of the seal script.

There are two kinds of short horizontal and long horizontal in the horizontal of the official book, the short horizontal pen is reversed into and out, and the tail is protected at the end of the horizontal, slightly like the seal book. Long horizontal pen Tibetan front upward reversal, followed by the square pen folded down to the right, so that it becomes the silkworm head of the pen, and then to the right line of the pen, the pen is slightly astringent, can not float slippery, to the horizontal two-thirds of the place, according to the pen to bring out a downward wave concave, followed by the pen slightly upwards to the front, the formation of dovetail. This movement pen is also known as a wave.

Lishu calligraphy works:1. Lishu's work "Nian Nujiao Chibi Nostalgia".

2. Lishu's work "Water Tune Song Head".

Su Shi's poems).

3. Lishu's work "Watching the Sea".

Lishu, a font of Chinese characters, there are Qin Li, Han Li, etc., it is generally believed that it is developed from the seal book, the glyph is mostly wide and flat, the horizontal painting is long and the vertical painting is short, pay attention to the "silkworm head swallowtail", "a wave of three folds".

According to the unearthed slips, Lishu was founded in the Qin Dynasty, and the legend is Cheng Miao.

As a li, Han Li reached its peak in the Eastern Han Dynasty, inheriting the seal book tradition, opening the Wei and Jin dynasties, the Northern and Southern Dynasties, and having a non-negligible influence on later generations of calligraphy, and the calligraphy world has the name of "Han Li Tang Kai".

1. "Zhang Qianbei".

According to the unearthed slips, the official book was founded in the Qin Dynasty, and according to legend, it was compiled by Cheng Miao in prison at the end of the Qin Dynasty. Simplify the complex, the glyph becomes round and square, the stroke is changed to straight, the glyph is beautiful, flat and wider. Pay attention to "silkworm head and goose tail", "twists and turns".

2. "Cao Quan Monument".

Lishu is divided into Qin Li, Han Li, Han Li reached its peak in the Eastern Han Dynasty, inheriting the seal book tradition, opening the Wei, Jin, Southern and Northern Dynasties, and having a non-negligible influence on calligraphy in later generations, and the calligraphy world has the name of "Han Li Tang Kai".

3. "Ritual Tablet".

The Ritual Tablet is one of the important representative works of the Han Dynasty Lishu, together with the "Ritual Tablet" and "Yiying Tablet", and is known as the three famous monuments of the Confucian Temple. The inscription records that Lu Xianghan decorated the Confucian Temple, added various ritual vessels, and donated standing stones to praise his virtues. On the side of the stele and on the inscription of the stele are engraved the names and coins of the officials who donated the standing stones.

Fourth, "Shi Chen Monument".

Han Shichen Tablet Inscription", also known as "Shi Chen Tablet" or "Zhan Shen Pei Shi Chenqian Tablet", "Filial Piety Han Shi Chen Confession Kong Yan Hou Tablet", also known as "Shi Chenhou Tablet", the two tablets are engraved with one stone and two sides. The inscription records the situation of Lu Xiang Shichen sacrificing Confucius.

5. "Yiying Monument".

The full name of Yiying Monument is "Lu Xiang Yiying Please Place the Hundred Stone Pawn Historical Monument of the Confucian Temple", also known as "Confucian Temple Hundred Stone Confucius Monument", no amount. 18 lines, line 40 words. Emperor Huan Yongxing first year (153 years) erected, the monument in Shandong Qufu Confucius Temple.

Famous masters include: Cai Yong, Zhang Zhi, Shi Yiguan, Wang Cizhong, etc.

In the Tang Dynasty, there were: Wei Ze, Han Zemu, Li Chao, Cai Youlin, Xu Hao, etc., and in the Qing Dynasty, there were: Zheng Ruqi, Wan Jing, Jin Nong, Ruan Yuan, Yin Bingshou, Deng Shiru, Wu Xizai, etc.

Modern Lishu master: Mr. Liu Bingsen.

Zhang Qian Monument", "Cao Quan Monument".

Zhang Qianbei is a work of the late Eastern Han Dynasty. It is simple and simple, majestic and powerful, and can be called the representative work of this style in the Han monument. The whole article uses more "square pens", with sharp edges and corners of the pen, with the characteristics of Qi, straight, square and flat.

The thickness of the pen is between two and three points. There is less white cloth in the characters, the sense of heaviness and volume is particularly obvious compared with other Han monuments, and the space occupied by each character is also relatively symmetrical, and the complex changes are expressed in the strokes. The stele is on the knot body with the flat square for the Hui Na Zen master, the form of the word is unique, the square is neat and strong, the structure is strict, and the penmanship is concise.

The style of writing is upright and simple, and Fang Jin is vigorous. At first glance, it seems to be clumsy, but only after tasting it carefully can you see the exquisiteness, and the chapter and line qi are also smart, calm and powerful, and the ancient and abnormal.

Haoyang Ling Cao Quan Monument (National Treasure Cultural Relics). It is an important inscription in the Eastern Han Dynasty of China, engraved on October 21 in the second year of Zhongping in the Eastern Han Dynasty (185 AD). Cao Quanbei is the representative work of Lishu in the Han Dynasty, the style is beautiful and colorful and the body is well-known, and it is highly respected by calligraphers of all dynasties.

Judging from the calligraphy of this stele, the characteristics of its pen are obvious. Reverse in and out, mainly round pen, such as homeopathic push boat, rarely squat big jump pen, not excited, steady gesture, graceful and graceful, bright and multi-faceted. The feminine beauty of this monument is characteristic.

The front dust is graceful and colorful, the posture is slender, glamorous but not vulgar, beautiful and especially clear, the middle palace is tight, the essence is hidden, stretching like a group of cranes flying wings, elegant and dignified, luxurious and luxurious in the ancient thick, elegant and beautiful between the wind and the moon, the eggplant Zen pen is exquisite, plump and contained, the love is longitudinal, super easy and excellent, the spirit is harmonious, and the enlightened and beautiful and elegant all the way.

There is such a work in the history of Chinese calligraphy, which can be called the "most beautiful" official script in ancient times, like such a beautiful official calligraphy, almost 1000 years, only one came out, this word is a mess! This work is the famous calligrapher Xi Kui of the Qing Dynasty "Lishu Thousand Character Text"! It's so beautiful!

Xi Kui's name in the history of calligraphy is not loud, like many people who have been submerged in history, just because there are no more works handed down, and there is no prominent origin, Xi Kui's name can be preserved only because he wrote this famous "Lishu Thousand Character Text".

Xi Kui is a native of the Qing Dynasty, once served as the governor of Guangxi, and his official reputation is not big or small, but his calligraphy and painting are very famous at that time, but few people know it in contemporary times!

The best calligraphy works are:

Lishu Introduction:

Lishu is a common solemn font style in Chinese characters, it is generally believed that it is developed from the seal script, the glyph is mostly wide and flat, the horizontal painting is long and the vertical painting is short, and the "silkworm head swallowtail" and "twists and turns" are emphasized. Lishu was founded in the Qin Dynasty, the legend of the silver search Jane Cheng Miao as a li, the Han Li reached its peak in the Eastern Han Dynasty, the seal book tradition was inherited, the Wei and Jin dynasties, the Northern and Southern Dynasties, the calligraphy of later generations has a non-negligible influence, the calligraphy world has the "Han Li Tang Kai" said.

Structural features of Lishu:

1.The glyph is flat and squared and left and right. The strokes shrink the vertical gesture and strengthen the horizontal division.

2.Start the silkworm head and close the goose tail. This is a typical feature of the official writing pen, especially the main pen horizontal and horizontal painting in the official character almost all use this method.

3.Turn the circle into a square and the arc into a straight. These are the two basic ways to simplify the seal script of the official script.

4.Change the painting to the point, change the connection to the break. The point in the official book has been erected alone, and it is no longer attached to the painting.

5.Intensify the change in the thickness of the lift. Lishu deliberately emphasizes the action of lifting and pressing, forming a significant change in the thickness and vicarious change of the stroke trajectory.

Lishu's representative works:

In the Tang Dynasty, there have always been Han Zemu, Cai Youlin, Li Chao, and Shi Weize. Among them, Han Zemu is the first of the four families, and his representative work is "Sacrifice to Xiyue God Confession Tablet". Shi Weize, known as "Shi Shilang", is known as "Shi Shilang", and his representative work is "The Monument of the Great Wisdom Zen Master".

And Cai Youlin and Li Chao rarely have works handed down. In addition, the famous works of Lishu in the Tang Dynasty include Xu Huan's "Songyang Guanji", Tang Xuanzong's "Shitai Filial Piety Classic", Li Bai's "On the Balcony", Du Mu's "Zhang Haohao's Poems" and so on.