Verses about sorrow Ancient poems, what are the verses that write about sorrow?

How many tears are there to limit hatred, leaning on Lang Gan (Li Jing's "Breaking the Huanxi Sand") Chu Ke wants to listen to Yao Se's grievances, and when the moon is bright in Xiaoxiang late at night. (Liu Yuxi's "Xiaoxiang God") twilight into the high-rise building, some people upstairs worried (Li Bai's "Bodhisattva Barbarian") weak willow from the wind has been a lot, and the love is not over. Looking back, I still said:

Remember the green Luo skirt, pity the grass everywhere (Niu Xiji's "Shengchazi").

Suspiciously, Cong Lan was exposed like a scarf. Sitting alone also contains a cheek (Liu Yuxi's "Remembering Jiangnan") in the mountain temple to find Guizi in the moon, and the county pavilion pillow looks at the tide. When will I revisit again (Bai Juyi's "Remembering Jiangnan") think about it, hate it, and hate it until it is time to return.

The moonlight people lean on the building (Bai Juyi's "Sauvignon Blanc") when they are fast, they are bored and leaning on the door alone (Wen Tingyun's "Bodhisattva Man") and they are not thousands of sails, the slanting Hui veins and the water are long, and the intestines are broken Bai Pingzhou (Wen Tingyun's "Dream Jiangnan") is not old and Mo returns to his hometown, and he must break his intestines (Wei Zhuang's "Bodhisattva Man") The concubine intends to marry and rest for a lifetime. Even if you are ruthlessly abandoned, you can't be ashamed (Wei Zhuang's "Sidi Township") The waning moon is bright, don't cry in Qingxiao (Niu Xiji's "Shengchazi") make a thousand wishes in front of the pillow, and want to rest and wait for the green mountains to rot (Dunhuang words) I want him to return early, but let me go to Qingyunli (Dunhuang words) to look back in secret. Remains of double emeralds.

Riding an elephant on the back of a person to cross the water first (Li Xun's "Nanxiangzi") is often sick and drunk before the day, and he does not quit the mirror and wraps his face and thin (Ouyang Xiu's "Butterfly Love Flower") <

Ancient poets described nostalgia and expressed their sorrow in many poems, such as "raising a glass to eliminate sorrow and sorrow", which expresses the poet's sorrow. There are also many kinds of sorrow in ancient poems, such as nostalgia for the past and the present, nostalgia for talents, separation of friends, and so on. For example, Li Bai's "Difficult to Walk" and "Will Enter the Wine" all reflect the bitterness in the poet's heart and the grief of the difficulty of rewarding his ambition.

In Wang Wei's "Sending Yuan Er Envoy Anxi", "Persuade the gentleman to drink a glass of wine, and there is no reason to go out of Yangguan in the west." It expresses the poet's parting sorrow. There are many other verses that describe melancholy, as follows:

The white hair is 3,000 zhang, and the fate seems to be long. Li Bai's "Song of Qiupu".

Affectionate should laugh at me, early birth. Su Shi's "Red Cliff Nostalgia".

You don't see the sad white hair of Gao Tang Mingjing, and the morning is like green silk turning into snow at dusk. Li Bai's "Will Enter the Wine".

Forever remember the rivers and lakes to return to white hair, and want to return to heaven and earth into the boat. Li Shangyin, Anding the city tower.

Upstairs at dusk, the desire to rest, the jade ladder across the moon like a hook.

The plantain does not show the clove knot, and they are worried about the spring breeze.

Gifts", the work of the donor. There are two poems on this topic, and this is the first one. The poem uses a woman's voice to write about her sorrow that she can't meet her lover.

The time in the poem is written is the twilight of spring. The poet uses the technique of scenery to set off her thoughts and feelings from the lack of moon, plantain, cloves and other scenes that the protagonist of the poem sees.

The first four words of the poem point out the time and place: "Upstairs at dusk". The words "desire to rest" in the back delicately describe the woman's actions:

She walked to the top of the building, trying to look into the distance, but she stopped. Here, not only let us see the woman's posture, but also reveal her helpless expression. "Desire to rest" is a book of "Desire to rest".

"Hugh" means "stop" and "stop", and "desire" means wanting to see her lover; But why do you want to give up? The psalmist does not give a positive explanation of this, because it is easy to be revealing, and it is not poetic; He depicts the surrounding scenery to express the woman's feelings.

The Southern Dynasty poet Jiang Yan's "Advocating Women's Self-Compassion" wrote that the beauties of the Han Palace fell out of favor and lived alone, with the sentence "moss accumulates and silver pavilion is astringent, and the snares are full of jade ladders". "The jade ladder is empty" means that the jade ladder is fictitious, and no one comes to climb it. The "jade ladder is crossed" in this poem means that the jade ladder is traversal and there is no reason to get up, which means that the lover is blocked and cannot come here to meet.

This sentence is to say that the woman longs to see her lover, so she wants to look; But it suddenly occurred to me that he would not be able to come, so I had to stop. Desire is still resting, and the complex and contradictory psychological activities of women and the disappointment of loneliness and boredom are written in a subtle and realistic way. "The moon is like a hook" is a book of "moon hooks", which means the same.

It not only highlights the loneliness and bleakness of the environment, but also has a symbolic meaning: the lack of a moon is not round, just like a pair of lovers who cannot meet.

The third or fourth sentence still further reveals the woman's inner feelings by writing scenes. The second sentence is like a hook, the lack of the moon is the scene in the sky that the woman sees in the distance when she looks up; These two sentences are the scenery on the ground that the woman looks down and sees. High and low, far and near, staggered.

The plantain here is the banana that has returned from the heart of the banana, which is slightly later than the poet's Qian Jue's poem "Unexhibited Plantain", "The heart is still cowardly and cold in spring", which is written about this scene; The lilacs here are not petal-filled lilacs, but buds that do not open. They face the cold spring breeze at dusk, and their sorrow is infinite, which is not only a true depiction of the real scene in front of the woman, but also a borrowing of things to write people, using bananas as a metaphor for lovers, lilacs as a metaphor for the woman herself, and a metaphor for the two people who are in different places and one heart, both of them are sad about not meeting each other. The sorrow of things, which rises and deepens the sorrow of people, is "Xing"; The sorrow of things, that is, the sorrow of people, is also "comparison".

The plantain cloves are not only carefully arranged by the poet, but also seen as soon as the eye can see, and they come at hand, which seems so natural.

The integration of scenery and feelings, objects and people, the integration of "comparison" and "prosperity", and the meticulous compilation without any traces of artificiality and carving are the great success of this poem. Especially the last two sentences, the artistic conception is very beautiful, the connotation is endless, and it has always been praised by people, and the "Poetry and Discourse Edition" has specially marked it out, which is very appreciated. Here's an excerpt from me.