What are the eight basic mantras of calligraphy calligraphy?

Brush wordsThe eight basic mantras are as follows:

1. Sitting. Sit at the table in a correct posture, raise your head and chest up, and be peaceful;

Place your arms on the table and spread your legs apart.

2. Write. The three-finger pen should be clamped tightly, and the remaining fingers should be pressed against the brush tube;

Push and pull to write freely, and wrist strength is the key.

3. Writing. People are right, the pen is right, and the pen is right

The heart is calm and the word is also harmonious, and there is Zhang Youchi who will move the pen.

4. Strokes. The strokes should be written straight, and there is strength when encountering turns;

The center uses the pen is the key, and there is a law to press and frustrate.

5. Glyphs. Chinese characters are fair and beautiful, and glyph structure is the key;

There is a law for splitting and combining, and there must be a law for reasonable collocation.

Brush word practice skills

1. Exercises for horizontal and vertical centers. The key is to keep the brush process stable, the tip of the pen to keep in the middle of the stroke, the line to be full and powerful, and to experience the feeling of "cone painting sand". Start with a speed and a length, don't practice too long, wait until you basically find the feeling, and then slowly try to practice different speeds and lengths, no matter how long and fast, keep the center and the pen stable, not biased.

2. Horizontal and vertical lifting exercises. This is much more difficult than the previous horizontal and vertical line exercise, and the key is to add sharp in and out. But the same to find the feeling of "cone drawing sand", keep the tip of the pen running in the middle, the biggest difference is that the pen is not round but pointed, which should be achieved through the action in the air.

2. Circle exercises. The same is to keep the tip of the pen in the middle of the stroke, the purpose of the circle training is to practice turning the pen, and at the turning point, you must learn to use your fingers and wrists to cooperate to rotate the pen edge.

The eight basic mantras of calligraphy are:1. Write a penThe three-finger pen should be clamped tightly, and the remaining fingers should be pressed against the brush tube;

Push and pull to write freely, and wrist strength is the key.

2. WritingPeople are right, the pen is right, and the pen is right

The heart is calm and the word is also harmonious, and there is Zhang Youchi who will move the pen.

3. StrokesThe strokes should be written straight, and there is strength when encountering turns;

The center uses the pen is the key, and there is a law to press and frustrate.

4. Glyphs.

Chinese characters are fair and beautiful, and glyph structure is the key;

There is a law for splitting and combining, and there must be a law for reasonable collocation.

5. ChaptersThe calligraphy works have a meteorological, neatly arranged and most beautiful.

The layout of the chapter is beautiful, and the vivid rhyme is the king.

6. SittingSit at the table in a correct posture, raise your head and chest up, and be peaceful;

Place your arms on the table and spread your legs apart.

1. The square word is not square, and the left and right are insiders. (Tian Bai.)Dedication

The yin strokes are thin, and the right yang is thick and clear.

2. Italics are not oblique, and the whole should be upright. (Five Ancient Straights).

Although the oblique is obvious, standing stable is the main work.

3. The middle stroke is long and the horizontal arm is lowered.

Be clear. (Higo Lou'an).

A lump sum is used without losing the pillar.

4. The herringbone is crossed, and the fork is in the air. (Will alloy life).

The lower part should be aligned, not west-east.

5. The cross under the eight characters is also in the middle of the word. (Heavenly Father).

If it is biased, this word will not be formed.

6. The original word is upright, and the horizontal pen is obliquely upward. (Lord Wang Shengzheng).

If you want to be flat or down, you will reduce beauty.

7. There are words without a positive pen, and the line is oblique. (Yi Mu Li Nai).

The partial ones should be slightly correct, and the overall beauty is born.

8. Don't draw long, and draw down is the main work. (Pi Mutual Harmony).

The whole is between the two lines, and the arrangement should be moderate.

Sitting

Sit at the table in a correct posture, raise your head and chest up, and be peaceful;

Place your arms on the table and spread your legs apart.

Writing

The three-finger pen should be clamped tightly, and the remaining fingers should be pressed against the brush tube;Quarrelsome limbs.

Push and pull freely to write, and the strength of the limbs and wrists is the key.

Writing

People are right, the pen is right, and the pen is right

The heart is calm and the word is also harmonious, and there is Zhang Youchi who will move the pen.

Stroke. The strokes should be written straight, and there is the power to touch the wisdom when encountering turns;

The center uses the pen is the key, and there is a law to press and frustrate.

Glyph. Chinese characters are fair and beautiful, and glyph structure is the key;

There is a law for splitting and combining, and there must be a law for reasonable collocation.

Chapters. The calligraphy works have a meteorological, neatly arranged and most beautiful.

The layout of the chapter is beautiful, and the vivid rhyme is the king.

The eight basic strokes of the brush are point, horizontal, vertical, apostrophe, pinch, hook, pick, fold, master these basic ways of writing, no matter how the font changes, it is also ever-changing, more convenient for us to copy and learn calligraphy.

Horizontal use is very much, basically the head is square and the tail is round, the middle is slightly thinner, the pen is retrograde from right to left, the middle section is slightly raised, to the end, the pen is lifted, put down to the right, twist, and then quickly close to the right.

There are basically two kinds of verticals: vertical and hanging needle vertical, and it is necessary to write a little more straight and powerful. First of all, the pen is up, the pen is slightly oblique, the pen is slightly twisted, and then down, to the tail, slightly raised, to the left to close.

It is also said that Meng Tian's wife Bu Xianglian is also proficient in pen-making skills and is offered as a pen lady. In the Han Dynasty, the pen was more elegant, and Lu Wei was a master of pen making at that time.

The smooth flow of brush calligraphy is that learning books is expensive and constant, and practicing books must be attentive. The heart is right, and the pen is in mind.

The pen does not deviate from the point, and the turning point is expensive. There is a desire to receive, and the sketch is not mediocre. The left should be vertically exposed, and the right is straight and sharp.

It is like a golden knife, and it is like a rhino horn. Unrelenting, the layout is ingenious.

Calligraphy, in a sense, is a plastic art that uses a brush to write Chinese characters to create artistic conception and express feelings. Therefore, the beauty of calligraphy is all in the use of the pen. Learning calligraphy is not something that can be done overnight, and it takes a lot of time and effort to achieve something.

1. The mantra of the book is:

The writing should be smooth, and the main writing is the key.

Quick simplification is a feature, and the pen is light and thin, but not thick.

Flexible large variant multi-purpose pen is best for long edges.

Hold the pen with a pen such as cursive so that the ink must be moistened.

The pen must hang the elbow, and the head of the whole article is standard.

Flexibility and changeability are free, and it is necessary to penetrate in one go.

2. The mantra of Lishu is:

Fang Jin is clumsy, like a turtle and a turtle.

The head of the silkworm and the tail of the goose, the pen must be folded three times.

Geese do not fly in pairs, and silkworms have no two colors.

Dotted pitching, left to right.

Heavy turbidity, light and clear, to the point.

Summary. Hello dear, very happy to your question, the answer to your question is: the eight basic formulas of brush words:

1.The square characters are not square, and the left and right are insiders. (Tian Bai dedication) Yin strokes are thin, and the right yang is thick and clear 2

Italics are not oblique, and the whole should be upright. (Five ancient straight qualities) Although the oblique is obvious, standing stable is the main merit. 3.

The middle line is long, and the horizontal burden should be clear. (Xiwu Lou'an) a lump sum, without losing the pillar. 4.

The herringbone is crossed, and the fork is in the air. The lower part should be aligned, not westward.

Hello dear, glad to have your question, the answer to your question is the state quietly: the eight basic mantras of brush words: 1

The square characters are not square, and the left and right are insiders. (Tian Bai dedication) Yin strokes are thin, and the right yang is thick and clear 2Italics are not oblique, and the whole should be upright.

(Five ancient straight qualities) Although the oblique is obvious, standing stable is the main merit. Pickpocketing 3The middle line is long, and the horizontal burden should be clear.

Xiwu Lou'an) A lump sum of money, without losing the liquid traces of the pillar of Chang. 4.The herringbone is crossed, and the fork is in the air.

The lower part should be aligned, not westward.

Chinese brush, writing brush, is a traditional writing tool that is blind to China, and has gradually become a traditional tool for painting orange cracks. The brush was invented by the ancient Chinese in production practice. With the continuous development of human society, the industrious and intelligent Chinese nation has constantly summed up its experience, preserved its essence and discarded its dross