How to appreciate how to write Wang Xizhi s works, including poetry and calligraphy

In Shaoxing, in addition to the Lanting, the indelible in the history of calligraphy should be the Yunmen Temple.

In today's Liaoning Provincial Museum, there is an ancient painting "Xiao Yi Earns Lan Pavilion Map", which is the work of Yan Liben, a great painter of the Tang Dynasty. The story shown on this picture takes place in the Yunmen Temple.

It turned out that Yunmen Temple was formerly the former residence of Wang Xian, and it was the place where he practiced calligraphy in seclusion. Wang Xizhi's "Lanting Post" has also been preserved here for a long time. Wang Xizhi's seventh generation Sun Zhiyong once became a monk here and created the calligraphy "Yongzi Eight Methods".

Zhiyong has an apprentice named Biancai, who is also a famous calligrapher, and Zhiyong passed the "Lanting Post" to Biancai when he was dying. Tang Taizong Li Shimin loved this rare treasure, and he couldn't ask for it, so he sent his henchman Yu Shi Xiaoyi to disguise himself into Yunmen Temple, and designed to steal this post from the hands of Biancai and hand it over to Tang Taizong. According to legend, this ink treasure later became the funeral object of Tang Taizong and was never seen again.

Such a calligraphy legend is a very attractive old thing in itself.

It is also recorded that in the Yunmen Temple, there were calligraphy-related facilities such as the washing pond of Wang Xianzhi. The story of the "Retired Pen Mound" and the "Iron Threshold" of the monk Zhiyong's hard practice of calligraphy also happened here. In 675 A.D., Wang Bo, the head of the four masters of the early Tang Dynasty, still imitated the Lanting Yaji here and held a repair activity.

Provide an idea: to write about the appreciation of the character, it is necessary to have an in-depth understanding of the person's life, including temperament and temperament, etc., especially in the critical transition period of life, there must be good works to echo it, and then analyze.

The characteristics and characteristics of Wang Xizhi's calligraphy are that he has the habit of holding a pen in block letters, and pays attention to the colorful, exquisite and guaranteed position of the pen and the pen technique; It has the characteristics of the seal and the rhyme; sluggish pen rate; In the disposal of horizontal folds, calligrapher Zhao Mengfu applied twisting techniques more than turning point techniques; The pen is delicate, colorful, and varied.

Wang Xizhi's greatest achievement lies in changing the simple calligraphy style of the Han and Wei dynasties into a delicate and beautiful calligraphy style, creating a precedent for Yanmei and smooth line and cursive calligraphy. In particular, the book "Orchid Pavilion Preface" is like flowing water, chic and elegant, delicate bones, beautiful dot painting, sparse and dense, and ingenious white cloth, which contains a very rich artistic beauty within the size. Regardless of horizontal, vertical, point, apostrophe, hook, fold, pinch, it can really be said that the pen is extremely wonderful.

A calligrapher known as the "Saint of Calligraphy".Wang XizhiAbsorb the essence of the art of calligraphy of the ancestors, originality of a family, good at block letters, official calligraphy and cursive style, his words are beautiful and refreshing, "floating like a flowing cloud, like a dragon". Comprehensive Douban book reviews of all generations, calligrapher Zhao Mengfu's calligraphy is unique, varied, self-contained, and superb, that is, the regular letters, the official script and the grass style (today's grass).

Wang Xizhi's masterpiece

The regular script or the true script is a kind of script produced in the whole process of the evolution of the seal script. In Han Jian, the development process has been seen. In the Han Dynasty, when seal scripts were popular, the block letters were only fashionable in folk customs.

At the end of the Han Dynasty, the Three Kingdoms, and the Western Jin Dynasty, because of the production, processing and refining of literati and scholars, a posture different from that of seal script was produced, and it became a fashionable book style.

Wang Xizhi's regular script "has changed into an ancient form" and has made a positive contribution to the stereotype of modern regular script. During the Eastern Jin Dynasty, Wang Xizhi sprung up, and the small regular script written by him has been cherished by the people of the time. His representative works include "Le Yi Theory", "Huang Tingjing", "Oriental Shuo Painting Praise", "Taishi Zhen", "Luo Shen Fu", "Persuasion Table" and so on.

At the beginning of the Tang Dynasty, when Taizong of the Tang Dynasty collected the king's book, he included "Le Yi", "Huang Ting", "Painting Praise", "Lanting" and other posts into the inner house.

His calligraphy is mainly characterized by being very elegant, feeling very agile and powerful, with the rhyme of the seal; Its representative works mainly include the preface of the Lanting Collection, the Theory of Le Yi, the Funeral Post, the Early Moon Post, and the Huang Tingjing.

I think the characteristics of Wang Xizhi's calligraphy are peaceful and natural, the gestures are euphemistic and subtle, beautiful and beautiful, and he has created a precedent for beautiful and smooth cursive calligraphy; I think his representative works include the Preface to the Lanting Collection, the Huang Tingjing, the Le Yi Treatise, the Seventeen Posts, the First Moon Post, etc.

His calligraphy pen is strong and strong, the speed is even, the starting and closing movements are very delicate, the form is moderately rich, natural and subtle; Representative works include Huang Tingjing, Lanting Collection Preface, Early Moon Post, and Holy Religious Preface.

Very chic, particularly smooth, round, such as, different postures, the representative work has an orchid pavilion preface, is a very famous work.

Wang Xizhi's main works: "Sunny Post When the Snow is Fast", "Le Yi Theory", "Funeral Post", "Frequent Mourning Post", etc.

Among them, Wang Xizhi's "Orchid Pavilion Collection Preface" has been admired by calligraphers of all dynasties and is known as "the first line of calligraphy in the world". Wang is also good at li, grass, Kai, and line, carefully studying the posture, chasing the heart and hand, collecting the strengths of others, preparing all the bodies, smelting in a furnace, getting rid of the Han and Wei pen style, becoming a family of its own, and having a far-reaching impact.

The contribution of Wang Xizhi's calligraphy: Wang Xizhi's calligraphy has influenced generations of scholars. Ouyang Xun, Yu Shinan, Zhu Suiliang, Xue Ji, Yan Zhenqing, Liu Gongquan of the Tang Dynasty, Yang Ningshi of the Five Dynasties, Su Shi of the Song Dynasty, Huang Tingjian, Mi Fu, Cai Xiang, Zhao Meng of the Yuan Dynasty, Dong Qichang of the Ming Dynasty, these famous calligraphers of the past dynasties are convinced by Wang Xi's heart, so he enjoys the reputation of "book saint".

Wang Xizhi, a famous calligrapher in the Eastern Jin Dynasty, is known as the "Saint of Calligraphy". For thousands of years, Wang Xizhi's calligraphy has been based on the calligraphy as the mainstream of Chinese calligraphy, so what are the characteristics of Wang Xizhi's calligraphy? Let's explain the characteristics of Wang Xizhi's calligraphy.

Characteristics of regular script: Wang Xizhi's outstanding achievement in regular script is "changing the ancient form", which has made a positive contribution to the stereotype of modern regular script. His 'ancient form' in regular script should be relative to Zhong Xuan's regular script style.

Zhong Xuan's regular script authenticity, Wang Xizhi should have seen a lot at that time, and there is indeed a record of the "Declaration Table". In Wang Xizhi's regular script, Zhong Xuan's flipping and flying gestures are gone, and they are replaced by the regular and well-proportioned gestures of returning to the front. Wang Xizhi extended the vertical strokes downwards to make them straight, and the other dot strokes were symmetrical, so there was a tendency to spread vertically.

Wang Xizhi's pen, a change of Zhong Shu's subordinate pen start and end, in the beginning of the pen there is a frustration of the pen action, mostly with a square pen into the paper; The pen is not concerned with folding the pen and pressing it again, but lightly lifting the belt; In terms of pen speed, it is slow and urgent; In the shape of the strokes, it is even and tight, and it is like a array. After such a transformation, the regular script font in the hands of Wang Xizhi, the configuration relationship between the strokes is basically established, the knot body becomes horizontal to vertical, regular and vigorous, graceful and elegant, and generous. This is a huge change.

After this revolution, Wang Xizhi introduced the regular script into the dignified and vivid stage of "modern style". And the final completion of this change was in the Tang Dynasty, where the law was strict.

The characteristics of calligraphy: his "Lanting Post", the penmanship is rich in variety, the pen is strong, the speed is smooth, the form is colorful, natural and subtle, and the knot is flushed and peaceful, not excited. "Funeral Post" is fast, jumping and closing, with grass in the line, single words are connected, emotions are agitated, and the strokes are vigorous.

These two posts are the representative works of Wang Xizhi's new style of calligraphy, and have become the "legal code" of the calligraphy, which will be followed by future generations. As soon as Wang Xizhi's new style book came out, Zhong Xuan's book seemed ancient and old. The people of the Eastern Jin Dynasty admired beauty, and the trend of the times tended to be new and tired of the old, and Wang Xizhi's writing became a model for high-ranking officials and nobles, scholars and literati to imitate, thus ending the era when Zhong Xian's books dominated the book world.

After that, the development of Xingshu basically did not deviate from Wang Xizhi's rules and style.

Wang Xizhi's calligraphy has influenced generations of scholars. Ouyang Xun, Yu Shinan, Zhu Suiliang, Xue Ji, Yan Zhenqing, Liu Gongquan of the Tang Dynasty, Yang Ningshi of the Five Dynasties, Su Shi, Huang Tingjian, Mi Fu, Cai Xiang of the Song Dynasty, Zhao Mengfu of the Yuan Dynasty, Dong Qichang of the Ming Dynasty, these famous calligraphers of the past dynasties were convinced by Wang Xi's heart, so he enjoyed the reputation of "Calligraphy Saint".

Are you still satisfied, dear?

Wang Xizhi's calligraphy works have been copied by many people, which shows his high calligraphy attainments.

His works are mainly pressed, the lines are occasionally twisted, the pen is clean and neat, without the slightest delay, the whole text is fluid, and the lines are full and thick.

Therefore, looking at Wang Xizhi's characters, I really appreciate the charm of calligraphy.

Main features of Wang Xizhi's calligraphy:

1. The penmanship is exquisite, the pen is chic and elegant, and the gesture is euphemistic and subtle, like flowing water.

2. The body is beautiful, the bones are delicate, and the dot paintings are sparse and dense.

3. The chapter is ingenious, and there is abundant artistic beauty within the size. Regardless of horizontal, vertical, point, apostrophe, hook, fold, pinch, it can really be said that the pen is extremely wonderful.

Wang Xizhi's calligraphy is divided into three points, the strokes are smooth, and each stroke has a very tasteful taste, and is now used by many people as a model for copying.

Wang Xizhi's calligraphy works are peerless.