The river rain is full of rain, the river is full of grass, and the six dynasties are like dreams an

Bird. Appreciation of Wei Zhuang's "Taicheng".

Original poem: Taicheng Weizhuang (Tang).

The river rain is full of rain, the river is full of grass, and the six dynasties are like dreams and birds crying in the air.

The most ruthless is the Taicheng willow, which is still ten miles away

Appreciation: Taicheng, the old site in the south of Jiming Mountain in Nanjing, was originally the Houyuan City of Wu during the Three Kingdoms, rebuilt when the Eastern Jin Dynasty became the emperor, and since then to the end of the Southern Dynasty, it has been used as the location of the imperial court Taiwan Province (that is, ****) and the imperial palace. After the disappearance of the Southern Dynasty, Taicheng also declined, and by the time the late Tang Dynasty poet Wei Zhuang appeared in front of it, it was already dilapidated.

However, the poem does not directly show the reader the dilapidated state of Taicheng, on the contrary, it presents a picture with a Jiangnan flavor: the river is raining, the grass on the riverbank is slender, the birds are chirping brightly, and the willows on the riverbank are dense like smoke cages. The combination of these four scenes is a typical "good scenery in the south of the Yangtze River" (Du Fu's "Jiangnan in the Year of the Turtle").

Let's start with "empty". It is easiest to remind us of the poem Saint Du Fu's "Shu Xiang", "the good sound of the yellow oriole in the other leaf". Why "empty"?

Du Fu said "empty" because no one came to worship in the prime minister's ancestral hall, and although the cry of the yellow bird was beautiful, no one came to listen, and then knocked: Although Zhuge Wuhou's deeds are written, they have been forgotten. Wei Zhuangyan is "empty", because the prosperity of the Six Dynasties has long disappeared "like a dream", and the personnel are no longer there, although the cry is beautiful, no one listens to it.

This word "empty" immediately pointed out the unbearable state of Taicheng. If it is "ruthless" again, the grass and trees are already ruthless, so why accuse it of being ruthless? It can be seen that the poet actually wrote about Taicheng willow as a sentient object.

From the perspective of the traditional use of objects, "willow" is indeed related to human feelings: at the time of parting, the willow is folded and given away (the word "stay"), and the willow injury is seen after parting (such as Liu Yong's words "Where is the wine tonight?"). The decline and fall of the "Six Dynasties" is the farewell of an era, and the neighbors have a word cloud "If the sky is loved, the sky is also old", In the eyes of Wei Zhuang, the willow who witnessed the parting of the Six Dynasties should also be "old", but "still smoke cage ten miles embankment", a leafy leaf.

It is necessary to pay attention to the word "still" in this sentence, which reminds people of the word "also" in Liu Yuxi's "Stone City" "The old time and moon in the east of Huaishui, and the female wall in the middle of the night", they all form a contrast between the past and the present, and contain the poet's deep sense of "the changes of the world". I am afraid that it is precisely because of the special function of "willow" in traditional objects that the poet uses the word "most". The normal order of "ruthless is the most" is "the most ruthless", the intention of the inversion is self-evident, while strengthening the "ruthlessness" of Taicheng Liu, it also highlights the image of a poet who looks back on history with a little "resentment".

If we take into account that the poet lived in the late Tang Dynasty, we will find that the poet is not so much lamenting "Taicheng", but rather lamenting his own dynasty, which is more and more similar to the Six Dynasties; It is not so much that Liu is "ruthless" to the Six Dynasties, it is better to say that Liu will also "ruthlessly" witness the passing of another era.

The meaning of this poem is that the river is misty and rainy, and the green grass is like grass by the river. The six dynasties have declined one after another, just like a dream of Nanke. The river bird cries mournfully, and it sounds sad and sad.

Feifei: The drizzle looks like it's raining. Six Dynasties:

Refers to Wu, Eastern Jin, Song, Qi, Liang, and Chen. This poem is from "Taicheng" written by the Tang Dynasty poet Wei Zhuang, and the original text of the poem is as follows:

The most ruthless is the Taicheng willow, which is still ten miles away

The vernacular means that the river is misty and rainy, and the grass is green by the river. The six dynasties have declined one after another, just like a dream of Nanke. The river bird cries mournfully, and it sounds sad and sad.

Only the Taicheng willow tree is the most ruthless, and it is still a ten-mile causeway. This is a poem that hangs on the monuments of the Six Dynasties. During the Middle and Tang dynasties, the once prosperous Taicheng was already "thousands of households and thousands of doors into weeds"; By the end of the Tang Dynasty, it was even more deserted.

Meaning: The spring rain on the river is separated from the grass on the shore, and the six dynasties are like a dream, and only the spring birds are sad.

Inner text: Taicheng Weizhuang.

The river rain is full of grass and the six dynasties are like a dream bird crying in the air.

The ruthless is the most Taicheng willow, and it is still a ten-mile city.

Translation: The spring rain on the river, the grass on the shore is separated, and the past of the Six Dynasties is like a dream, only the spring birds cry sadly.

The most ruthless thing is the willows outside Taicheng, which still shrouds the ten-mile causeway like light smoke.

Taicheng is a poem composed by the Tang Dynasty poet Wei Zhuang to hang the monuments of the Six Dynasties. This poem contrasts the reality of the ancient city with the beautiful spring scenery in the south of the Yangtze River by depicting the beautiful spring scenery in the south of the Yangtze River, creating a lonely atmosphere where things are not people. The first sentence writes about the rain scene of Jinling, rendering the atmosphere; The second sentence writes that the past of the Six Dynasties is like a dream, and the prosperous Taicheng has long been dilapidated;

The third and fourth sentences show that the scenery is still the same, and the vicissitudes of the world. The poet touches the scene, uses the scene to express his feelings, alludes to the sadness of the present, and reveals a strong sentimentality in the ruthless emotion of the grass and trees.

This is a poem that hangs on the monuments of the Six Dynasties. Taicheng, in the Middle and Tang Dynasty, was already "thousands of households and thousands of doors into weeds", and by the end of the Tang Dynasty, it was even more deserted. Wei Zhuang was at the end of the Tang Dynasty, when the Tang Dynasty was in full decline, and the prosperity of the past was gone, replaced by chaos and misery.

In the third year of the reign of Emperor Xi of the Tang Dynasty (883), Wei Zhuang traveled to the south of the Yangtze River, and after witnessing the prosperity of Jinling, the former capital of the Six Dynasties, he composed this poem to express the emotion of the changing times.

Taicheng Tang Wei Zhuang.

The river rain is full of rain, the river is full of grass, and the six dynasties are like dreams and birds crying in the air. 62616964757a686964616fe59b9ee7ad9431333332626661

The most ruthless is the Taicheng willow, which is still ten miles away

This is a famous poem that hangs on Nanjing, the ancient capital of the Six Dynasties. Eastern Wu, Eastern Jin Dynasty, Song, Qi, Liang, and Chen successively built their capitals in Nanjing, which was the most prosperous place in the world at that time. However, with the changes of history, by the time the poet Wei Zhuang lived, it was already a scene of decay

The river rain and the grass are all together", in the late spring of March, the spring rain in the south of the Yangtze River, dense and fine, in the Feifei rain, the green grass by the river, the four looks misty, the smoke is shrouded in fog, such as a dream, it can not help but lead people to reverie.

The six dynasties are like dreams and birds cry in the air", the trees are verdant, the grass grows and the warbler flies, and the vitality of nature is shown everywhere. In the cheerful and tactful cry of birds, the poet recalled that the rulers of the Six Dynasties who had chased joy in Taicheng had already become passers-by who came and went in a hurry in history, and the luxurious and magnificent Taicheng City has also become a historical site for people to admire and pay respects.

The most ruthless is the willow of Taicheng", the most ruthless is the willow of the city, which does not care about the rise and fall of personnel and the change of dynasties, nor does it care about the sentimentality and melancholy of the rise and fall of the past caused by the poet's hanging historical relics.

(The luxuriant willows) are still swaying in the wind on the side of the smoky ten-mile embankment, which can still give people a sense of prosperity and remind people of the prosperity of the past.

This poem uses the "stillness" of natural scenery to imply the vicissitudes of the world, and the "ruthlessness" of willow reflects the poet's pain in the face of the changes of the times, and alludes to the meaning of hurting the present in the historical emotion. "Ruthlessness is the most Taicheng willow", on the surface, blame the willow for being ruthless, but in fact, in the face of the big waves of history, what can the willow do, and what can the poet do? So the psalmist should sigh as:

Why did the prosperity of the Six Dynasties disappear like a dream? The poet lived in the turbulent era of the late Tang Dynasty, and he relied on the rise and fall of the Six Dynasties, in fact, he was also lamenting the decline and decline of the Tang Dynasty.

Notes: Wei Zhuang: (836-910), a native of Jingzhao Duling (present-day Xi'an). Famous poets and lyricists of the five dynasties of the late Tang Dynasty.

Most of his poems are nostalgic, sad, and sorrowful, with a beautiful and natural style, and have been rated as "elegant and beautiful, graceful and graceful" by later generations; Its words are said to be the origin of the "Ancient Word Sect", and the context of the words is "beautiful and exquisite, the first day of hibiscus and spring moon willows". and Wen Tingyun are both important lyricists of "Flowers", and there is "Huanhua Collection" handed down.

Taicheng: the original Three Kingdoms period of Wu State Houyuan City, the Eastern Jin Dynasty rebuilt, so the site in the present Nanjing City Xuanwu Lake, also known as the forbidden city.

Feifei: The drizzle looks like it's raining.

Six Dynasties: refers to the six dynasties of Eastern Wu, Eastern Jin, Song, Qi, Liang, and Chen, which were successively established in Jinling (Nanjing).

The spring rain on the river, the spring grass on the shore is separated, and the past of the Six Dynasties is like a dream, only the spring birds cry sadly.

This is a poem by the Tang Dynasty poet Wei Zhuang, which was included in the "Three Hundred Tang Poems", entitled "The Title of Jinling Map", and the content of the poem is about the Taicheng of Nanjing.

The former site of Taicheng is on the south bank of Xuanwu Lake in Nanjing, after Jiming Temple, the east end is connected with the Ming Capital City, the west end is a broken wall, along the asphalt road on the east side of Jiming Mountain, through the gate of Jiming Temple to the west, you can find this section of the city wall. The city wall is full of meters, the outer height is meters, and the bottom is based on the stone, the height is meters, and the city bricks on the cornerstone are meters high. Because it is not far from the Jiankang Palace of the Six Dynasties, later generations usually call it Taicheng.

Meaning: The drizzle on the river is falling, the grass on the shore is green, and the birds are crying like a dream.

From: Wei Zhuang's "Jinling Map".

Question 1: Dream (2 marks).

Question 1: (3 marks) Anthropomorphism: Use Taicheng Liu to contrast the helplessness of historical decay regardless of the rise and fall of the dynasty, the angle is ingenious and intriguing. (Or write a contrast: contrasting the vigor of the Taicheng Liuyanlang Causeway with the decay of the dynasty highlights the ruthlessness of history.) ）

Question 1: Poetry appreciation is generally appreciated from three perspectives: content appreciation, theme appreciation, and technique appreciation, and the content is understood from the poem, so as to understand the theme of the poem. Be able to find out the "poetic eye" in the poem, and find it accurately;

Question 1: Appreciate the poems from the use of poetic techniques, and the expression is reasonable.

This is a new edition of Wei Zhuang's "Taicheng", the original text is as follows:

The river rain is full of rain, the river is full of grass, and the six dynasties are like dreams and birds crying in the air.

The most ruthless is the Taicheng willow, which is still ten miles away

The rhyming words are: Qi, Qi, Di, the rhyme is "i", Qiqi, the finals i (belong to the initials b, p, m, f, d, t, n, l, j, q, x, y, different from the five branches).

This is not the original poem...... rightThe original poem is.

The river rain is full of grass and grass, and the six dynasties are like empty hooves of dream birds.

The most ruthless is the Taicheng willow, which is still ten miles away

The rhyming words are: Qi, hoof, embankment, and the rhyme pressed is: ī