How to find the features of the sketch avatar and what is the structure of the sketch avatar

1. It is important to pay attention to the feeling that the large shape gives you, and the outer contour of the head is very important.

2. Extract the personalized features of the object, such as the shape, size, thinness, thickness, shade and other characteristics of the facial features.

3. Exaggeration strengthens its personality characteristics, age, gender, skin color, fat and thin, etc.

4. Learn to use the method of auxiliary lines, horizontal lines, vertical lines, one-half, etc.

5. Observe more, practice more, practice makes perfect.

The distribution and proportions are not the same. The first is to look at the overall feeling it gives you, the general composition and proportions, and then gradually analyze the details. There is also the feeling that I can imagine that I can draw the ideal composition smoothly, so I have a little more confidence first.

The rules are dead, there is no law that can be used as a rice bowl for eating, what is 3 o'clock and 5 o'clock, only more drawing, saying other things for nothing.

Sketch the human avatar structure at standard scale

1. Standard proportion: hairline to eyebrows is the upper stop, eyebrows to the bottom of the nose is the middle stop, and the bottom of the nose to the chin is the lower stop.

2. Three stops and five eyes: the widest part of the face is the distance of five eyes.

3. Perspective changes from different angles.

First, the head modeling structure.

1. The structure of the skull: The skull is composed of a spherical skull, frontal bone, cheekbones, orbital recesses, and upper and lower jaws connecting the teeth.

2. Simplify the observation method of the shape of the head: The volume of the head can be understood with the help of the simplest cube, and then further analyze the front and side are two faces in different directions.

3. Momentum and perspective of the head: Find that the center line of the head intersects at right angles with the three parallel lines of the eyes, nose and mouth, and their relationship remains unchanged when the head is tilted.

Second, the facial expressions.

1. Pay attention to the modeling characteristics and demeanor of the facial features: Be familiar with their body structure and understand the changes in the facial features due to the changes in facial expressions.

2. Eyebrows, eyes, nose, mouth, and ears: In-depth observation and grasp of the structure, and the perspective changes of various angles.

3. The role of muscles on expression: The head bones determine the shape of the head, and the facial muscles determine the expression of the face.

Master head proportions and perspective.

When drawing the head, we should observe the basic proportions of the head from all angles, "three courts and five eyes" is the most commonly used method to observe the proportion of the head, which refers to the length of the face is the length of three noses, and the width is the length of five eyes.

If you want to draw accurately, the best way is to observe more, exercise your eyesight, compare more when painting, and adjust in time.

Women are feminine, have long hair, the contrast of facial features is not as strong as that of young men, the eyes are large, the cheekbones are not obvious, the complexion is white, the eyebrow arch bone is soft and gentle, the face is relatively round, and the eyebrows reveal a gentle expression.

Women's ** delicate, when the tone is raised, the line should be tighter, or directly abandon the line, and use the method of "wiping" or "wiping" to depict her light and dark gray.

A woman's face can't be overtoned, just focus on her facial features. Be sure to leave more bright surfaces, and the highlight parts can be left with large points, so that it will feel smooth and delicate and very white.

Light and dark gray should be slow.

Women's faces are more rounded than men's. Therefore, you must pay attention to the use of lines to be round.

The methods are as follows: 1. The portrayal of facial features.

a. The portrayal of the eyes.

The eye is a sphere, and the orbicularis oculi muscle is related to the superior and lateral orbital borders, respectively.

b. Nose. base of the nose and orbicularis oculi muscle, descending glabellar muscle; nasal bone and upper lip square muscles canthus; nasal alar and nasolabial folds, nasal tip; the tip of the nose and the transverse part of the nasal muscles; the relationship between the nasal floor and orbicularis oculi muscle; The depth of the nostrils.

c. Mouth. The entire shape of the mouth is a cut cylinder, and the lips vary from top to bottom, left and right, and the middle suture of the mouth is particularly important.

d. Ears. The ear is composed of the outer ear wheel, the opposite ear wheel, the triangular fossa, the tragus, the earlobe, and the ear canal, and its inclination is almost parallel to the inclination of the nose.

2. Cheekbones. The starting point of the zygomatic bone is from the tragus - zygomatic process - the corner of the mouth, the zygomatic process is the high point, and the junction of the zygomatic muscle and masseter muscle is the low point. Therefore, the cheekbones appear in the form of facial limbs in any situation.

3. Masseter muscle. The masseter muscle is located behind the mandible, is a thick bundle of muscles, it and the zygomatic muscle are the laughing muscle and the buccal muscle, the masseter muscle and the mandibular angle are integrated, and its thickness is directly related to the space of the head and neck. The laughing and buccal muscles are below the zygomatic and masseter muscles, and their performance is related to the prominence of the zygomatic muscles.

4. Mental muscle. Its bulge is mainly supported by the quadratus and deltoid muscles of the lower lip, but the performance of the hungry and submental angle can directly reflect the thickness of the chin.

5. When looking up, the underside of the cube is represented by the digastric muscle, styloid muscle, mandibular hyoid muscle, etc.

6. Neck. In the neck, attention is mainly paid to the sternocleidomastoid muscle, trapezius muscle, clavicle and Adam's apple, especially the neck can be used as a cylinder.

Drawing Sketch Notes.

The whole of a painting is composed of several parts, and a painting without parts is not real; However, a painting only has a part of Heqi, without the whole, no matter how wonderful and in-depth it is, it is meaningless. The purpose of sketching is not only to practice a "good job", but more importantly, to cultivate an "artistic conception" of artistic thinking and a "thought" of how to observe things.

Without these two points, the practice of drawing loses its essential meaning. Since the whole is related to the success or failure of a sketch, the relationship between the part and the part, and the part and the whole, is very important.

The tone follows the bone structure, and the head is a quadrangular line, extending from the cheekbones, and it's obvious that you should have noticed it when you sketched, and besides, there are teachers who don't talk about this, and there are students who don't understand this.

According to the basic principle of "three courts and five eyes", we can find the length ratio of the three courts of the face of the head image structure more accurately: hairline to the brow bone brow bone to the bottom of the nose The proportion of the width of the five eyes to the lower jaw refers to the face: the distance between the outside of the two eyes to the side hairline is the distance of one eye, and there is a distance between the two eyes, each accounting for 1 5.

The structure of the human body includes not only bones but also muscles.

For more information, please refer to Burriman's Human Structure

Sketch avatar: back structure, skull, muscle anatomy, etc., must be ripe, and you can write with a pen! I don't know what the foundation of your plaster statue is?

If you don't have a solid foundation, it's best not to draw an avatar now, it may backfire, more sketching and more copying, now if you say a lot of theoretical things you may not understand for a while, or practice more I don't know how long you have been learning color, anyway, beginners have a common problem: color matching! There is nothing esoteric about color, it is the overall observation + shape of the pen to recommend a few good books to you, I hope there is a role in throwing bricks and attracting jade Avatar:

Portrait Series of the Repin Institute in Russia" "Jin Shangyi's Sketch Collection" Color: "Guo Zhenshan Color".

Isn't there a peeler, or the knowledge of anatomy, look at the plaster sketch of the peeler, and the skull is also painted, after the painting is completed, you will know where the structure is, in fact, just a few points to find the right line, cheekbones, frontal tuberos, orbicularis oculi muscle, orbicularis oculi muscle, laughing muscle, masseter muscle, these few are much better, the tone follows the structure, don't copy the surface color.

The shape of the face cannot be seen just from the surface. It is necessary to start with the basic bone points to understand the movement of bones and muscles. You can find two planing diagrams to understand and copy.

Draw the tone with your eyes squinted, first determine the deepest point, which is generally at the junction of light and dark, and then divide it into three major tones and five major faces.

Draw a sketch avatar.

Three pavilions: above the eyebrows is the upper pavilion below the eyebrows below the mouth and above the mouth is the middle hall below the mouth five eyes: the human face is seen from the front The width is equal to the width of the five eyes First, we make a vertical axis in the middle of the face through the forehead, the tip of the nose, and the chin of the human philtrum; Make a horizontal line through the arch of the eyebrows; Make a parallel line through the lower edge of the alar of the nose.

In this way, two parallel lines divide the face into three equal parts: from the hairline to the glabellar line; between the gbellar to the lower edge of the alar of the nose; From the lower edge of the nose to the tip of the chin, the upper, middle and lower parts of the nose occupy exactly one-third, which is called the "three courts". The "five eyes" refers to the length of one eye from the outside of the corner of the eye to the hairline edge on the same side, between the two eyes, which is also the length of an eye, and the other side to the hairline is the length of an eye.

This is the "Five Eyes". This is the most basic criterion.

On the vertical axis, there must be "four highs and three lows".

Four highs": the first is, the forehead, and the second highest point, the tip of the nose. The third highest, lip beads.

The fourth tallest with a pointed chin. The "three lows" are between the two eyes, and the junction of the nose and forehead must be sunken; Above the lip beads, the philtrum groove is concave, and the philtrum groove of beautiful women is very deep, and the philtrum ridge is obvious; Underneath the lower lip, there is a small depression, for a total of three depressions.

"Three courts and five eyes" is the general standard ratio of the length of the human face to the width of the face, and if this ratio is not met, it will create a distance from the ideal face shape: if the distance from the tip of the nose to the chin is the same. Nowadays, on the basis of "three courts and five eyes", a more precise standard has emerged, and all parts meet this standard, that is, beauty, as follows:

The width of the eyes should be 3 10 of the width of the face at the same level; The length of the chin should be 1 5 of the length of the face; The distance from the center of the eyeball to the base of the eyebrows should be 1 10 of the length of the face; The eyeballs should be 1 14 of the length of the face; The surface area of the nose should be less than 5 100 of the total area of the face; The ideal mouth width should be 50 100 of the width of the face at the same level.

The face of the "Three Courts and Five Eyes" is divided into three chambers longitudinally, and the distance between these three chambers is equal, and the transverse distance is five eyes, that is, the distance between the roughly five eyes.

The fixed point should be determined by the initial fixed point, all the points must be determined by the initial point, it cannot be said that it is quite correct to set the eyebrows and draw the eyes, and then use the eyes to determine the nose, and always use the eyebrows to set, isn't there a big law of three courts and five eyes, although it is not a law, but the universality is still possible.

From the top of the head to between the eyebrows.

From the eyebrows to the underside of the nose tip.

From the tip of the nose to the chin.

Set the face shape first.

Then fix the nose or eyes.

You have to set a bad position, take the pen to the right and calculate the proportion.

It's good to publish your theoretical knowledge of sketches often, thank you.

Set the contour of the face first, and then the position of the eyes, about 1 2 places in the entire contour; Then fix the position of the nose, which is about 1 3 from the eyes to the jaw line.

Front: Three stops, five eyes.

The small tragus of the ear is on the front side.

Three-quarters One eye is three-quarters of the whole face should also be realistic, carefully observed, and dominated by reality.

The element of sketching is lines, in which lines can be used to distinguish three-dimensional and flat, and as for color light and shade, it is to strengthen and distinguish the relationship between the whole and the parts. The line technique of sketching also needs the aid of the plane technique. Flat techniqueWhen using charcoal chalk, the wiping method can be used on the contrast between light and dark.

Sketch the avatar, to achieve both form and spirit. The key to the similarity of the object lies in whether it can grasp the typical characteristics of the object, such as the face shape, facial features, and the characteristics of the structural bones and muscles.

At the same time, pre-painting observation can enhance the understanding of the subject's personality and help to portray the demeanor in the future.

Three courts and five eyes, set the rules first, set it very accurately at the beginning, I haven't seen it, it's all compared with the model in the back, and the more you practice, the more you feel, the more you feel like still life practice, the basic consciousness should be strengthened, painting is a whole, not a matter of drawing a good nose and then a mouth, it is necessary to synchronize and harmonize, from shallow to deep, and gradually advance the process.

At first, many of the models who focused on their characteristics didn't end well, because they strengthened the characteristics and went too far.

When forming, as long as it is not too out of place (the human face is regular, otherwise it will be too scary) The characteristic shape is a matter of later.

Adjust the blend.

Whether it is a character bust or a character head, a person's facial features are very important. The teacher of Boyi Studio said that if you can master a good proportion of facial features, you can naturally get twice the result with half the effort.

Eyebrows, eyes, nose, mouth, ears. Except for the nose and mouth, which are on the central axis of the face, the eyebrows, eyes, and ears grow symmetrically on both sides of the central axis. The facial features have a fixed position on the face, and the distance between them has a certain proportion and regularity.

"Three Courts and Five Eyes": It is a summary of the general law of the proportional position of the five facial features of the head in ancient Chinese painting theory.

Three courts: hairline to eyebrow line = eyebrow line to nasal base = nasal line to chin base.

The "five eyes" means that the width of the face (the distance between the ears) is equal to the five eyes, the width of the nose is equal to the width of the eyes, and the width of the mouth is times the width of the eyes.

When viewed from the side, the distance from the outer corner of the eye to the ear is equal to the distance from the outer corner of the eye to the corner of the mouth.

The eyes are in the middle of the head.

Eye length = distance between eyes = nose width.

Five eyes: the length of the right external ear hole to the outer corner of the right eye = the length of the right eye = the distance between the two eyes = the length of the left eye = the outer corner of the left eye to the left external ear hole.