Why are so many precious antiquities buried deep in the earth?

If the cultural relics are not buried in the ground, they can generally only be preserved by family transmission, and even this method can cause great damage to the cultural relics, such as genealogies, some magnets, and furniture. Cultural relics are easily damaged in turbulent times, and many cultural relics have been destroyed by wars in the past dynasties, so that they cannot be preserved, and a large part of them have flowed abroad. In addition, it is difficult for cultural relics exposed to nature to resist the erosion and weathering of nature, you know, even if it is a fossil of stone, it is necessary to protect it, and the surface must be coated with a protective layer, so most of the cultural relics we find are preserved underground.

There are many aspects to this.

One is that human beings do it on purpose. Tombs, crypts are the best examples.

The second is to be buried naturally after being abandoned. There are many remnants of human activity from prehistoric and protohistoric times. These have a certain era of use.

When these relics are abandoned for various reasons, such as the depletion of resources, the change of dynasties, and the change of status in society, various natural factors can cause the remains to be buried. These natural factors seem to me to include: natural weathering, accumulation of flowing water, subsidence of the earth's crust, etc.

The third is to bury the original things in the ground during the reconstruction process. I don't want to explain this, but I should be able to understand it.

Fourth, sudden burials caused by natural disasters. The most famous of this is Pompeii. The ancient city was buried under a thick layer of ash due to the eruption of Mount Vesuvius in 79 BC and was not gradually discovered until the 16th century.

The burials caused by such natural disasters are a complete and vivid preservation of the life of the people at that time. The value is high.

Such ruins are the most typical in China to the Lajia ruins of the Qijia culture.

It is difficult to preserve cultural relics if they are on the surface, and if they are buried in the soil, a protective layer is added.

As for why cultural relics are buried in the ground, it is because firstly, some of the cultural relics on the ground are not noticed by the owner, and secondly, some of them are buried in the soil for man-made reasons. Or is it a non-human factor, mainly a flood or something. The sinking of large buildings due to geographical reasons, etc.

Because the earth's crust is moving, there are many similar situations, for example, there is a section of the Great Wall in our country that is now underwater, when it was built, that part was on the mountain, because with the passage of time, the earth's crust moved, causing that part of the mountain range to subside, and it sank into the water, I think the situation you said should be similar to this, because of the movement of the earth's crust, which led to the sinking of the ancient city, and after too long, it was buried by the loess, which is the so-called vicissitudes of life.

I'm wondering why it's not collapsing when it's buried

It's normal, the land we live on now was probably an ocean a long time ago, and it's not surprising that there are shell fossils.

There are just and unjust wars: the former is a raging fire on the battlefield, burning with family, friendship, and class affection; What rises on the battlefield of the latter is a vast haze, swelling with the desire for materialism, money, and land.

Imitation: There are normal and abnormal love: the former love sublimates the feelings of each other, including family affection, friendship, and brotherhood; The latter has a burst of copper smell floating on his love, thinking about platinum, **, RMB.

Today, I asked the students to write a "Silent Night Thoughts" based on the text "Thinking of Relatives Every Festive Season", and I said to them: This is a "text" that you have created yourself, and it should be very fulfilling! Of course they were proud.

Moreover, because the poetry of "Silent Night Thoughts" is relatively simple, students are already very familiar with this poem in the lower grades, so they feel that students are very easy to write, and many students are writing in love, as if he is Li Bai.

The third grade is the initial stage of writing, and we all know that it is very important to lay a good foundation for writing essays in the third grade, but in reality, writing essays has always been a headache for teachers and students in the third grade. I often walked into the classroom in high spirits, thinking that I had carefully guided, but when the draft books were collected, many of the students' masterpieces were really helpless and had no idea where to start.

Today, I asked students to imitate and write, and I felt very relaxed, on the one hand, of course, because the subject matter of writing is relatively simple, and the students are quite familiar with it, plus there are texts to imitate, of course, students can write easily, but, on the other hand, I have learned some inspiration from it:

First of all, it is true that there are a lot of materials in the textbook that are very good, and we ask students to memorize and write silently, not only for the sake of taking exams, not only for students to make no mistakes when doing "fill in the blanks according to the content of the text", but more importantly, it must be really reflected in the minds of students, imprinted on the hearts of students, and one day can be accumulated thick and thin, can be condensed into a temperament, can be promoted to a kind of taste, such accumulation is really valuable. Of course, realistically, at least, students have accumulated, which can provide them with a foundation for better expression, and let them learn and apply it.

Secondly, under the guidance of examples, it becomes much easier for students to write essays, so how can we teachers lose no time in using some model essays, and how to improve students' expression skills, write some "sewer texts"? This requires us to be thoughtful people, and at the same time, constantly improve ourselves.

Thirdly, can we grasp the joy of writing generated by students in the process of imitation and tell them in time: Look, writing an essay is not difficult at all, as long as we have some materials, as long as we are good at imitating and processing, won't a good essay come out? Then, let the students know the importance of reading and accumulation, and let the students know the relationship between accumulation and expression, and when they can realize this, they will know that it makes sense for teachers to often urge them to read extracurricular books.

Imitation is a road from accumulation to expression, and I think that this road should be paved by us teachers, leading children to this intersection, and then letting them walk on it independently and happily.

Many cultural relics attractions have "no photography" signs, many people do not understand this kind of regulation, thinking that patting, and do not touch the cultural relics, will not cause damage to the cultural relics. Experts explained that the main reason why photography is not allowed is that the flash will damage the cultural relics when taking pictures. In fact, most of China's ancient buildings are wooden, which is easy to be damaged, and the paint on them is also easy to fade and fall off.

When taking pictures, the repeated illumination of the flash is very damaging. Therefore, it is generally forbidden to take pictures. The exhibits on display, such as calligraphy and paintings, silk fabrics, murals, lacquered wood and other cultural relics, are easy to fade by the light, causing damage to the cultural relics, so in principle, they are not allowed to be photographed.

Other artifacts such as sculptures, bronzes, ceramics, seals, and other exhibits that are not easily damaged by sunlight are allowed to be photographed. Individual artifacts that are not allowed to be photographed, if visitors do not use flash, the general management does not interfere.

On the one hand, there is the issue of intellectual property rights or copyright, and for this reason, not only will the photo be taken, but the video will also be prohibited. This is especially true when the exhibits are dominated by artworks such as calligraphy, paintings, and murals. On the other hand, for the sake of protecting cultural relics, even if photography is allowed, the use of flash and tripods is prohibited.

The principle is also very simple, that is, the light shining on the cultural relics has a destructive effect on the cultural relics. Different materials of artefacts can withstand different amounts of light. Artifacts that are particularly sensitive to light are:

Calligraphy and painting, textiles, brushes, gum paintings, dyed leather, plant specimens, etc.; Those that are more sensitive to light are: bamboo, wood, rattan, lacquerware, bone ware, oil paintings, murals, horn products, natural leather, animal specimens, etc.; These two types of artifacts should not be photographed even if the museum does not prompt them. Those who are not sensitive to light are:

Metals, stones, glass, ceramics, jewelry, enamel, enamel, etc., the last of which would not prevent photographs if not for intellectual property considerations.

Antiques are a general term for all that has been left out of antiquity. Antiques are the part of antiques with high artistic value, which is something that people value from their ancestors to the present, and their economic value is also higher. Generally speaking, the older the antiques, the fewer they are, and the rarer they are, the more expensive they are.

General antiquities are not necessarily, although they are not worth much, such as some of the coarse porcelain bowls that have been circulated a lot, they are ancient and not worth much. Such antiques will not increase in value much if they are left for a long time.

nono...Only then does something have artistic value or record relevant information

That's not right.

Antiques should have artistic value.

Otherwise, it's not worth a penny.

Because every part of this land is sacred. The Indians didn't want to let the land hurt anymore. Don't want the war to happen again.

That's why the Indians transferred the land (Seattle) to the whites. They had to move to the reservation. I'm also in 6th grade!

Because the Indians loved the land and didn't want the war to destroy it. As long as the land can be protected, it doesn't matter who it belongs to.

Because the leaders of the British District wanted to buy this land, and the Indians didn't want to, they tried, they tried, but they either died or left here and went to the reserve, so Seattle would make this decision - move out of this lovely land. They're here to survive, and I think, if it were you, you'd do the same! I'm in sixth grade, and I think that should be right.

They should love this land with integrity, they should love it, so they should be happy, just like people. To love something, you can't bind it forever, but give it upright happiness.

It's not that I like it, it's that I want white people to do with the land.

I learned. I believe in 6th grade.

Talked about how to deal with water, air, animals.

Seattle has a lot of respect for white people.

**There are two endings to "Ghost Blowing the Lantern", both of which are written by the original author Tianxia Basing, and one is the revised ending.

The two endings of Ghost Blowing the Lantern are as follows:

The ending of "Ghost Blowing the Lantern" originally written by Tianxia Ba Sing is that the fat man Wang Kaixuan and Hu Bayi are dead, and they will always guard the secret of the essence in the dark. But in order to write a sequel, the ending of "Ghost Blowing the Lamp" was changed to another version, and the fat man and Hu Bayi escaped and went to the United States with Shirley Yang.

Introduction to the revised finale:

Although I have decided to go to the United States, I can't just leave, and there are many things to deal with before going abroad. Da Jinya's home is in Beijing, during this time he and the fat man sold antiques, I went back to Fujian to visit relatives, and then went to visit the families of several sacrificed comrades, during which he and the fat man went to Inner Mongolia, which had been in the queue, and it took nearly two months before and after to finish all the work.

Introduction to "Ghost Blowing the Lamp":

"Ghost Blowing the Lantern" is a series created by the world's top singers**, "Ghost Blowing the Lantern" was first ** in the Tianya Forum in 2006, and then obtained ** copyright by the starting point Chinese network, and in September of the same year, "Ghost Blowing Lantern: The Essence of the Ancient City" was published as a book.

The storyline of Ghost Blowing the Lantern revolves around a family heirloom secretary fragment that tells the story of Hu Ba.

1. In order to solve the eternal mystery of the disappearance of the tribe, Wang Fatzi and Shirley Yang, three contemporary school captains, use feng shui secret techniques to interpret the pulse of the world's mountains and rivers, so as to find the story of the lost Dragon Tower Treasure Palace.

"Ghost Blows the Lamp" sets up suspense, but there will be a logical explanation before the end of the story, which can be justified, and the main line is smooth and clear, but the disadvantage is that the structure is single.

This is a fake ending, and the real physical book ending is that Hu Bayi, Fat Man and Shirley Yang have gone to the United States, and they are no longer fighting.

One is the real book, the other is the Internet, and what is said upstairs is the first one, and I think what he said is right.