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Stranded porcelain was created and fired in the Tang Dynasty, and the production area is mainly in the Gongxian kiln in Henan Province and the Yaozhou kiln in Shaanxi. After entering the Song Dynasty, Henan Jiaozuo Xiuwudangyangyu kiln continued to be burned, becoming the heyday of stranded porcelain. Jiaozuo, named after the "Jiaojia Workshop", has a very close relationship with the ceramic industry and is an important birthplace of the Chinese nation.
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Summary. Stranded porcelain is also known as "stranded mud", "stirred porcelain", and "through-flower porcelain". Twisting tires is a new process in the ceramic industry in the Tang Dynasty, which did not appear before the Tang Dynasty and was lost after the Jingkang Revolution.
The so-called twisted tire is to knead two or more porcelain clay of different colors together, and then twist and pull the blank, make it into shape, pour a layer of transparent glaze, and fire it. Due to the different ways of kneading the mud, the texture changes endlessly. It can twist out the wood grain, bird feather pattern, cloud pattern, and flowing water pattern, some of which are like old trees entwined and intertwined, and some of which are like mountains and mountains that rise and fall, and the idea is ingenious and varied.
Hello, dear, I am very happy to serve you, through the official inquiry to show the twisted tire grinding decoration, the effect of colorful infiltration from the womb, constituting the unique rhythm of the twisted porcelain, ingenious yo, pro [flower Chang Youchang].
Stranded porcelain is also known as "stranded mud", "stirred porcelain", and "through-flower porcelain". Twisting the tire is a new process in the ceramic industry of the Tang Dynasty, which has not appeared before the Tang Dynasty, and it has been lost after the change of Jingshu with Yuankang. The so-called twisted tire is to knead two or more porcelain clay of different colors together, and then sell each other to pull the blank, make it into shape, pour a layer of transparent glaze, and fire it.
Due to the different ways of kneading the mud, the texture changes endlessly. It can twist out the wood grain, bird feather pattern, cloud pattern, and flowing water pattern, some of which are like old trees entwined and collapsed, and some of which are like mountains and mountains that rise and fall, and the idea is ingenious and varied.
What is the price of my Tang Huang glazed twisted horse, which is 10 cm high and 20 cm long?
Dear, your Tang Huang glazed twisted horse, ten centimeters high, 20 centimeters long, the price is about 9,000,000, it is worth <>collecting
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It is analyzed from three aspects: shape, soil and glaze
Shape: With the improvement of people's collection vision, the technology of imitation products has also made great progress, so under normal circumstances, the imitation of stranded porcelain in terms of shape has been relatively passable. That is to say, from the point of view of shape, it is now difficult to distinguish imitations from genuine products, so we should pay more attention to the aspects of tire and glaze when identifying.
Fetal soil: The fetal soil of the Tang Dynasty twisted tire ceramics is generally mostly lotus root powder tire and white tire, and the firing temperature of the old tire winch fetal soil is not very high, so the texture is relatively coarse; In the Song and Jin dynasties, the twisted tire ceramics were generally more meticulous in workmanship, the tires and billets were thinner, and the bottom foot was very fine; Due to the use of the current ball mill, the new imitation parts are more delicate and delicate, the adhesion is stronger, and the utensils generally feel heavier than before. In addition, the pedicure of imitations is generally not very particular, and there are more shoddy products.
Glaze: The opening piece is fine and the glaze is bright and genuine. The performance of the twisted ceramics of the Tang Dynasty is almost the same as that of the three-color ceramics of the Tang Dynasty, so the discrimination of the glaze is also similar.
The glaze of the stranded tire is the same as that of Sancai, the glaze opening is fine, and the edge of the opening piece is slightly upturned, and the glaze edge is generally not glazed. The general glaze of the new imitation is drier, the opening piece is large and thin, and there are many white lines at the opening piece.
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The successful firing of twisted porcelain is that people have broken away from the shackles of monotonous blue and white porcelain before the Sui and Tang dynasties, and it is the "underglaze painting" that goes deep into the fetal bone; It is a kind of pursuit of beautiful things for people.
It is often said that there were three major breakthroughs in ceramic decoration in the Tang Dynasty: twisted tires, Tang Sancai and underglaze painting in Changsha kiln in Hunan. Imagine using several different colors of porcelain clay, not only to master the dry humidity, but also to master the coefficient of thermal expansion, firing this kind of deep into the fetal bone of the "underglaze painting", its process requirements and technical level far exceed the contemporaneous Changsha kiln underglaze painting.
Therefore, it can be said that at that time, the twisted tire ceramic was a high-tech product with a wide range of technologies. After the founding of the People's Republic of China, the state organized personnel to study and imitate it many times, but at least until the 70s, it had not achieved great achievements.
Historically, the twisted porcelain has also become a special luxury for the princes and nobles because of its high difficulty in craftsmanship. At high temperatures, the shrinkage rate of different colors of soil is different, and the tires made of them will be easy to crack, so the yield is very low, which is also the reason why the twisted porcelain will only develop when the economy is booming.
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"Stranded porcelain", also known as "through-flower porcelain", is made of two or more different colors of porcelain clay using a unique twisted tire manual technique of interphase kneading and baking. The porcelain pattern is born from the womb, the inside and outside are connected, the inside and the outside are transparent, one side of the child, can not be copied, it is called "the porcelain made up", and it is also known as the "gentleman in the porcelain" because of its consistent characteristics on the outside and inside. It originated in the Tang Dynasty, flourished in the Song Dynasty, and has been passed down from generation to generation in Jiaozuo, Henan Province for more than 1,000 years, because it is mainly produced in the area of Jiaozuo Dangyangyu kiln group, so it is commonly known as "Dangyangyu stranded porcelain".
The twisted porcelain pattern is pre-formed in the tire, not decorated and carved, mixed and natural, the finished porcelain has strong temperament, and the percussion sound is crisp and pleasant. The production process of twisted porcelain is extremely complex, the process flow is many, and each process is strict, which is an extremely valuable cultural heritage of Chinese porcelain-making technology.
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Stranded porcelain is bai
A new kind of craftsmanship that emerged in the porcelain industry in the Tang Dynasty. Twisted tire, also known as stirring tire or twisted mud, is to knead the white and brown porcelain clay together, and then make the molding, and the white and brown texture will naturally appear on the porcelain tire after molding; Then cover the light yellow lead glaze or white glaze baking, that is, the stranded porcelain. Due to the different ways of kneading, the texture is varied, or like wood grain, or like bird feathers, or like flowing clouds, or like flowers.
Loved by the people of the time.
Stranded porcelain was created and burned in the Tang Dynasty, and this kind of porcelain has been unearthed in Tang tombs in Shaanxi and Henan. In the Tang Dynasty Gongxian kiln site, also found the fragments of the small flower pillow of the twisted porcelain, the shape of the twisted porcelain generally has bowls, plates, cups, bottles, bowls, pillows, etc., and a small number of horseback riding figures are also made with twisted tires. Song dynasty.
Especially in the Northern Song Dynasty is the period of vigorous development of stranded porcelain, Henan Dangyangyu kiln of the twister made a symmetrical and neat texture like a bird feather pattern, in addition to Dangyangyu kiln, Henan Xin'an kiln, Shandong Cicun kiln and other places are also fired. After the Yuan Dynasty, the tire winch gradually died out, so the heirloom is precious.
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Each product of twisted tire ceramics has its different texture characteristics, its texture structure is only similar, not the same, it is unique in ceramic products with unique texture structure and color changes, and has become the leader among the porcelain, which can be called porcelain boutique.
Twisted tire ceramic production technology is one of the unique process technologies of Dangyangyu, twisted tire is the perfect combination of ceramic technology and art. It pushes the beauty of form to the extreme in the decoration of porcelain fetals. It uses the color of ceramic color, through the author's careful conception, kneading, arranging and white clay or other colored clay, followed by the texture or pattern, the appearance of both real and illusory artistic appeal, pleasing to the eye.
When Yangyu's stranded porcelain, the earliest appeared in the Tang Dynasty, when the stranded technology was not yet mature, most of the stranded texture is mainly chaotic, back grain, on the surface of porcelain or pottery for twisting. The glaze color applied is mostly low-temperature weasel and green glaze, and the porcelain white is poor. In the Northern Song Dynasty, the technology of Dangyangyu was very mature, the technology of the tire twisting technology has developed rapidly, the process has become more mature, the whiteness of the porcelain tire has been greatly improved, and the texture technology is more perfect, and the surface and the inside are the same.
There are more than 10 kinds of texture variations of mat weaving pattern, wheat ear pattern, feather pattern, rotary pattern, wood swirl pattern, and quicksand pattern.
According to the writings of Yang Xia, the only contemporary Chinese master of twisted porcelain arts and crafts, we can know that the decoration of stranded porcelain can be divided into 16 basic ornaments. The theoretical research and process exploration of stranded porcelain, Henan Jiaozuo Dangyangyu is also at the forefront. The contemporary twisted porcelain craft breaks through the constraints faced by its predecessors, is richer in expression, and absorbs many other art forms to give it a new look.
Due to the progress of high-temperature pigment technology, it is now possible to fire brightly colored porcelain works even at high temperatures, which is more in line with the aesthetics of contemporary young people, so it can be better accepted by young people and better inherited by young people.
Stranded porcelain can better express its material beauty by combining it with carving art, and can make more collectible works of art by combining it with art porcelain. The design can also be borrowed from bronze, glass and jade, which enriches the cultural connotation of stranded porcelain.
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The Tang tombs of Shaanxi and Henan provinces have unearthed such utensils, including cups, cups, three-legged small plates, rectangular pillows, etc. The cups are mostly small, some are slightly taller, and some are shallower. The cup has the string pattern of the Tang Dynasty, the mouth is skimmed, the body of the cup is shallow and nearly vertical, and a string pattern is raised in the middle of the body, and the foot is circled.
The three-legged small plate is shallow, the handicap is folded along the edge, the bottom of the plate is flat, and there are three short nipple feet below. The rectangular pillow is a popular style in the late Tang Dynasty. The production method is roughly to make the prepared stranded tire clay, cut into thin slices, and then glued into a shape, (the bottom generally does not need to twist the tire) after the four corners are rounded after drying, dig a round hole on the back, and finally glaze the blank into the kiln to fire.
The production process of stranded porcelain is more complicated than that of ordinary glazed porcelain. There is also a kind of small pillow in the twisted porcelain, three groups of round flowers are twisted out on the pillow surface, arranged on the pillow surface in an equilateral triangle, and the three groups of flowers are roughly the same, constituting a highly decorative pattern. This twisted tire seems to mimic the rhinobi technique of lacquerware.
There are many heirlooms of twisted tire pillows, and there are many scattered abroad. A piece in the collection of the Shanghai Museum, the pillow surface is also three groups of flowers, and the bottom of the pillow is engraved with the words "Dujia Flower Pillow". There is another one in China, which is engraved with the words "Peijia Flower Pillow" at the bottom.
It can be known that this kind of porcelain pillow in the Tang Dynasty is called "flower pillow". According to this, it can be seen that there were workshops specializing in the production of flower pillows at that time, and there were famous artists such as "Du" and "Pei". In 1978, the Palace Museum collected a fragment of a flower pillow at the kiln site in Gongxian County, which was a plain firing blank, according to which it can be seen that the flower pillow was fired first, and then the top sleeve was burned.
Judging from the fragment section, the twisted tire flower only accounts for one-third of the thickness of the pillow surface, and two-thirds is a white tire, which is very similar to the bezel inlay method of wood, the surface is inlaid with precious wood, and the inside is lined with secondary materials. There is already physical evidence of burning flower pillows in Gongxian County, but whether the "Dujia Flower Pillow" and "Peijia Flower Pillow" are in the area of present-day Gongxian County still lacks confirmed information, and it is to be found in the future.
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