Which character in The Fog of the Octagonal Pavilion has a difficult logic to understand?

In fact, Xuan Liang himself is also full of contradictions, he feels that he is about to drive himself crazy. But he still couldn't help but be overprotective of his daughter. This neurotic behavior made him miserable.

Zu Feng expresses the inner heart of the character very well, which gives us a feeling of helplessness.

If it were us, we might not be able to do it better than him, and maybe even crazier. Personality doesn't have to be likable and loved. I don't know what everyone thinks of this character.

I don't like the character anyway because he's very decent. My likes and dislikes often have a lot to do with actors. The characters portrayed by those powerful actors are rich in personality and deep feelings.

Even though he is the villain in the show, I still think he is the smartest.

On the contrary, I can't really love the characters played by some so-called idols right now. The performance is too superficial, and the inner activities of the characters are even paler. I felt embarrassed when I looked at them and couldn't wait to get him out of my sight.

Such a character, no matter how likable and charming the character is, I just can't like it when I look at it. Sometimes, performance is everything. Whether the audience likes the role or not is closely related to the actor's performance.

The most problematic thing in this drama except for ** is not the dead Xuan Zhen Everyone regards her selfishness and ignorance, lack of proportion, and brutality as a little girl's innocence, and she doesn't know the height of the sky, so she caused the disaster of killing herself, and everyone blamed Xuan Zhu for being withdrawn and indifferent.

If you don't see the end, it does

In the play, although Xuan Zhen did not appear once, it was indeed the cause of the whole case, and it was also because Nian Mei and Xuan Zhen looked too similar that there would be a recurrence of the old case later. The cause of the entire case was due to the personalities of Hyun Zhen and Ding Xiaolie.

Xuanliang. I can't figure it out, why I don't like my brother-in-law Yuan Fei, and I even have a hatred for my brother-in-law. Is it because Yuan Fei is a policeman that he has not solved the case of his sister's death?

I feel that Xuan Liang himself is also full of contradictions, he feels that he is about to drive himself crazy. But he still couldn't help but be overprotective of his daughter.

I've finished reading it, but I don't think the end is very reasonable,,, everyone is apologizing to Xuanzhen,,, but these nineteen years have passed, isn't Xuanzhu the one who deserves to be apologized the most, and it's been misunderstood for so long......

When Zhou Yamei was not analyzed, the monitoring couldn't see who was tracking, and the monitoring could see it after analysis?

I always feel that Wen Zhengrong will not play such a simple role.

As the mystery of the mystery in the film continues to surface, the imprint of family problems on each team slowly clears up. "Mystery" not only deeply interprets the target group of "everyone is a family role", "every person is a family member", but also introduces humanistic energy to the foreshadowing theme.

Everyone uses specific content for society, family and feelings, and Yuxiang uses suspense cases to build the entire plot structure. He wants the audience to have more imagination, thinking and shock about the truth, truth and nature after watching the TV series.

Why does "The Fog of the Octagonal Pavilion" rely on the conflict of the protagonist to slowly advance the plot?

In the plot and macro, the director organization takes "family problems" and "characters" as the key points, showing the changes in the period, the change of the family, and the relationship between their families. This kind of plot logic and content expression not only triggers users to re-examine the intimate relationship with their loved ones and the way they get along, but also extends to social issues such as how to maintain oneself in a positive environment and how to live one's life.

This drama takes the mystery case that has not been dealt with for more than ten years in the hearts of Xuan's relatives as the clue of the case, colluding with the complex interpersonal communication and joys and sorrows of the Xuan family, and the process of suspension breakthrough is also the process of the Xuan family's breakthrough of "researching and regenerating".

The nature of this drama itself is different from that of ordinary dramas. And excellent TV series generally promote the development of the plot through the struggle in the process of potato hunger. This kind of suspense film is definitely even more.

Although the play has a deeply intriguing background, it pays more attention to reflecting hot topics in society based on the background of the hanging era, reflecting the relationship between social changes and changes in the family environment and the friends in the family.

In the plot, the director organizes Jing Deficiency to take "family problems" and "character character" as the key points, showing the changes in the times, the changes in the family and the relationship between his family. This kind of plot logic and content expression not only triggers users to re-examine the intimate relationship with Liangzhou's relatives and the way they get along, but also extends to social issues such as how to maintain oneself in a positive environment and how to live.

The biggest controversy is the misalignment between the coat of suspense drama and the core of family drama. What the film wants to reveal is what the victim's family is like that has been shrouded in unsolved cases for more than ten years.

Like Xuanzhu in the play, Yang Yishu is also the less favored of the twins in the family. Growing up, she often had a sense of not being seen.

Many viewers asked why the characters couldn't be articulated. In fact, in the family, there will be experiences where you yell, say it many times, but no one listens to what I'm saying. This damage does not slowly melt away until a long time.

Yang Yishu repeated this kind of injury on Xuan Zhen, played by Hao Lei. Hyun Jin is the twin sister of Hyun Jin, a girl who died 19 years ago. Hyun Jin is cheerful and lively on the surface, good-looking, and is favored by everyone around her.

She also grows up to be an arrogant and selfish girl who tries to plunder everything Hyunjin has. After Hyun Jin's death, Hyun Jin left the town and never contacted her family.

Unfortunately, the story between Hyun Jin and Hyun Jin should be an important clue to solve the case, but it is precisely because of such a contradiction between young children that it is selectively ignored.

Wang Xiaoshuai and Yang Yishu tried to weave a network in the play, everyone has connections, but there are also unknown secrets, and everyone has a long-term backlog of emotions.

The first is the misalignment between the coat of suspense drama and the core of family drama. The signboard of "Misty Theater" makes the audience have the expectation of "high-energy reversal" and "breakthrough scale", but after opening, it is a "children of the Xuan family" who attaches more importance to presenting family relationships than solving cases. There is a post discussing the word-of-mouth of the show in the Douban group of the same name, "In the name of suspense, those who are attracted are basically suspenseful, and as a result, you make a family ethics drama for me" ranked second in the number of comments and likes.

The second is the dislocation between the creation of literary films and the audience of suspenseful web dramas. The narrative methods that literary film directors are accustomed to - hand-held shooting, cold color mixing, obscure lines, etc., when the suspense concentration of the story is not high enough, it does not have the icing on the cake for the plot. "Why does the camera have to be filmed?

This question received nearly 700 likes in Douban's short comments.

After talking to many of the main creators of "Octagon Pavilion Mystery Mist", Poison Eye found that this is essentially a story about the misalignment of creation and market perception. This drama was not born for the Misty Theater, and even the suspense drama attribute is weaker than the family drama, but it is full of widespread enthusiasm from fans of the Misty Theater last year. After the audience opens, there will inevitably be a gap.

It's like being in a script killing shop, with the expectation of a hardcore reasoning book, what is opened is emotional restoration.

This is where the controversy comes from.

The dislocation of the coat of suspense drama and the core of family drama. The signboard of "Misty Theater" makes the audience have the expectation of "high-energy reversal" and "breakthrough scale", but after opening, it is a "children of the Xuan family" who attaches more importance to presenting family relationships than solving cases.

In subsequent revisions, Wang Xiaoshuai weakened the originally relatively independent police storyline and focused on presenting the complex relationship between the Xuan family. The "vigorous" story of the trainee policeman, who was the core of solving the case, was reduced, and the police captain Yuan Fei played by Duan Yihong was also changed to the son-in-law of the Xuan family.

In Wang Xiaoshuai's view, the police detective or the binary opposition between the positive and negative factions is an inertial thinking, "We want to break it and make a suspense drama with a different family drama as the core." ”

There is a post discussing the word-of-mouth of the show in the Douban group of the same name, "In the name of suspense, those who are attracted are basically suspenseful, and as a result, you make a family ethics drama for me" ranked second in the number of comments and likes.

"I thought it was suspense before I opened it, but I found it to be a family after opening", which was criticized by many audiences, is the breakthrough and innovation of the project in the eyes of the platform.

Controversy is a family relationship. What is revealed is what the family is like that has not solved the case for more than ten years.

The most realistic plot in "The Fog of the Octagonal Pavilion" is that Ding Julie wears girls' clothes, and after being discovered, he is looked down upon by his family and is coldly spoken to; After being discovered by his friends, they scolded him in foul language from his hometown.

As a result, after he met Xuanzhen, a series of things happened, and finally led to Xuanzhen's death. It was a very bad ending, but it was also an expected ending. He and Hyun Jin are the same kind of people, they both love only themselves.

Hyun Jin's last was also because she said that foul language. This led to his complete outburst.

At the end of the story, it turned out that he had killed several people because they scolded him with the same foul language. That's why the shadows of his childhood flooded. Thus it turned into a tragedy.

It feels like this can't even be called a suspense drama. But all this also shows that this problem does have a shadow of childhood, and it does lead to some behaviors when you grow up. So these are some very real problems.

"The Fog of the Octagonal Pavilion" is a suspense type of show, which makes us keep guessing about the death of my sister, in fact, in this TV series, the most realistic plot should be for the separation of men and sisters.

In this TV series, everyone has secrets, especially the two sisters, who guessed this for a man and were finally killed, but the eldest sister's partiality is also very realistic, just because one has good grades and the other has bad grades.

The sorrow of the family The most speechless thing is that the finale is forcibly fulfilled But no one realizes that this tragedy is the connivance and doting of the family Forever immersed in the grief of losing Hyun Jin But I don't know the damage caused to Hyun Joo In the end, everyone said sorry to Hyun Jin Isn't Hyun Joo worthy of that sorry.

The family never feels that they are "partial", they will always say that a bowl of water is flat, and no one will reflect on Xuanzhu if she does not have an accident.

What is Xuanzhu's crime, it is obviously Xuanzhen's own sin, she was spoiled by her family, everyone is blaming Xuanzhen for her death, and who cares about Xuanzhu's decades of wandering.

Xuanzhu's only fault is to stay in this home and endure the pain that this family has given her.

The story told in "Octagonal Pavilion Mystery Mist" is actually very simple, a nineteen-year-old unsolved "Octagonal Pavilion Unsolved Case" shrouded the Xuan family in a haze, and the suspicion and alienation between relatives cannot be calmed like the mist of Water Town. When the murder case reappears, the dusty memories and pain once again plunge the Xuan family into the abyss of love and hate.

In the ending, the girl who died 19 years ago can finally be blinded, because the ** who killed her was found.

What is the most realistic plot in The Fog of the Octagonal Pavilion?

1.Sisters are suspicious of each other for the sake of men, framed and filmed palace fighting dramas under the guise of suspense.

Everyone is at fault, but Hyunjoo is not!! It reflects China's very serious practical problems.

First, the line of not abandoning and not giving up, second, the detail of the pomegranate tree, third, the regret that the octagonal has become hexagonal, fourth, the many thoughts of the Xuanmu, and fifth, the alternation of red and blue.

"Octagonal Pavilion Mystery Mist" is mainly a story about He Cong around the Xuan family. The Xuan family has an old mother, a son and three daughters. Xuan Liang is the eldest son, his wife is Xiuyuan, and he gave birth to a daughter named Xuan Nianmei.

Xuan Nianmei looks exactly like her little aunt who died nineteen years ago.

The second daughter's name is Xuan Min, and her husband Yuan Fei is a policeman, and he is also the police officer in charge of Xuanzhen's murder case. Because he has never solved the case and quarreled with the bridge, Xuanliang has never been waiting to see Yuan Fei. Yuan Fei had an apprentice named Liu Xinli.

The third daughter is called Xuanzhu, and her sister Xuanzhen left the town after her death, and she went out to work and never came back. The youngest daughter's name is Hyun Jin, who was killed 19 years ago.

Episode reviews

"Octagonal Pavilion Mystery Rises in Fog" is a "high-configuration" work, and film director Wang Xiaoshuai devoted himself to online dramas for the first time. The show was not well received by the general audience. During the broadcast, the audience thought that the show was "slow and suspenseful", and the audience's lack of patience led to its low rating; The other party believes that it is necessary to believe in the audience's aesthetics, although the production quality of the play is good, the script is relatively collapsed.

The play adopts the method of "slow suspense", pays more attention to the spread of life flow, and highlights the suspense of people's hearts under the background of the atmosphere. In the general direction, there is nothing wrong with this creative idea. Moreover, the show also has outstanding features in production.

For example, it is a relatively rare suspense drama filmed in Jiangnan. Continuous rain, dense fog, deep lanes, wet bluestone slabs, water lane canopies, white walls and black tiles, melodious Kunqu Opera. It has a unique flavor in the atmosphere, and the suspense also seems to have a wet and cold texture.