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The combination of fiction and reality can sometimes create a strong contrasting effect, thus highlighting the center of the poem. For example, Xie Fangde's poem "Qingquan'an Peach Blossoms" "Find a peach source to avoid Qin, and the peach is another spring." Hua Fei is not sent to follow the flowing water, for fear that a fisherman will come to ask.
The whole poem uses peach blossoms to lead to a paradise, skillfully combining the immediate reality of seclusion in the mountains with the ideal world written by Tao Yuanming, expressing the author's loneliness in the mountains.
The combination of fiction and reality can sometimes form a rendering effect, thus highlighting the center of the poem. For example, Cui Hu's "Title Capital City Nanzhuang" "Last year, in this gate today, the peach blossoms on the human face were red. The face of the person does not know where to go, and the peach blossoms are still smiling in the spring breeze.
Write a year of the Qingming Festival, the poet went to the suburbs of the capital Nanzhuang to go green, because thirsty, he asked a peasant girl for water to drink, the girl gave him a glass of water, and leaned on the peach tree to stare at him, this scene is unforgettable, the next year, he came here again, although the scenery is still the same, but the girl does not know ** go, so he wrote this poem on the closed door, expressing the feeling of missing the girl who is not in front of him.
In the examination room, you have to analyze specific problems on a case-by-case basis!
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The coexistence of the virtual and the real is the structural characteristic of the artistic conception. The virtual realm refers to the space of aesthetic imagination induced and developed by the real world, and the virtual realm is realized through the real world, and the real world is processed under the control of the virtual world, and the virtual and the real are born into a unique structural mode of artistic conception. Learners should pay attention to the different connotations of "virtual" and "real" and the dialectical relationship between the two, and understand them in relation to specific works.
Painting app. In the traditional techniques of Chinese painting, void refers to the sparse or blank part of a picture. It gives people room for imagination and makes people have endless memories. Real refers to the physical objects, real scenes, and places where the strokes are detailed and rich in the drawings.
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Original text] Thirty spokes are a hub, when there is none, there is a car. 埏埴 as a tool, when it is not, there is a tool for use. The chisel is a room, and when it is not, there is a room. Therefore, some are used for profit, and nothing is used.
Thirty spokes converge into a hole in a hub, and there is a hollow place in the hub to have the function of a car. Knead and clay to make utensils, and there is a hollow place in the utensils, so that the utensils can have the effect of utensils. Digging doors and windows to build a house, with the empty part of the four walls of the doors and windows, has the role of a house.
Therefore, "have" gives people convenience, and "none" plays its role.
The theory of fiction and reality is mostly in the art of war. It's the same as if there is any.
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The coexistence of virtual and real refers to the structural characteristics of artistic conception; The imaginary part in the coexistence of virtual and real refers to the sparse part or blank part of the painting, which gives people room for imagination and makes people have endless aftertaste; The real in the coexistence of virtual and real refers to the physical objects, real scenes, and places where the strokes are detailed and rich in the drawings.
1. Virtual Pinyin: xū
Interpretation: 1. Empty.
2. Untrue.
3. Cowardice in the heart.
4. Don't be complacent.
5. Abstract.
6. Weakness. 7. Star name, one of the twenty-eight Nakshatras.
2. Real Pinyin: shí
Interpretation: 1. Filled.
2. In line with the objective situation, true and sincere.
3. Fruits borne by plants.
4. Abundance. Kanji strokes:
1. Real [zhēn shí].
consistent with objective facts; Not false.
2. Honest [lǎo shi].
Honest. 3. Solid [jiē shi].
Firm, sturdy; Robust.
4. Solid [jiē shí].
Bear fruit. 5. 果 [guǒ shí].
A part of the plant body, after the flower is fertilized, the ovary gradually grows and becomes the fruit. It can be divided into true fruit, false fruit, single fruit, compound fruit, and aggregate fruit. Some fruits are edible.
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Those idealized things, telling the good things in the world, can be said to be empty, just like spices, those condiments themselves do not satisfy our hunger, but they bring us a lot of happiness, so that we can taste a lot of joy between simple meals and have never experienced it.
Those idealized works, whether they are literary works, comics, animations, movies, although they are imaginary, they undoubtedly add a lot of joy to our ordinary life, and many times they are the reason for us to live in this painful and numb world. Therefore, only in this void can we have the courage to go down. Fiction makes reality.
And the reality is the soil of the void, if he only cares about his emptiness, all day long in the cranky, erratic, does not fulfill his taxes in this society, living in this world obligations and responsibilities, then presumably his feelings in reality will not be good, a person who does not live well in real life, and you let him see anything of positive significance, he can't believe it, I live a relatively good life, a relatively relaxed person, it is possible to experience higher happiness with the help of fiction, There must always be greater courage to give more and give more. It is impossible for people who have not lived well in the first place, and agree with the saying that there is higher happiness in this world. Therefore, only in reality can there be emptiness.
This thing is like a building like the second floor, and there is no first floor that does not exist, but it is actually this first floor. You have to think faster, let yourself survive first, and be ordinary. Only when you find an ordinary person and fulfill the obligations and responsibilities of an ordinary person can you have the opportunity to experience higher happiness.
This is the truth that the real creates the false.
Reality and fiction are born together, first live their own lives, fulfill their responsibilities, and then take certain imaginary idealized things on time, make up for their shortcomings in the world, and offset the setbacks, adversities, pains, and even fears that must be encountered in the world. Organize your mind, recall your motivation and original intention, and find a reason to continue your efforts in the next step, so as to stabilize your efforts. In this way, we can achieve one goal after another smoothly.
Both the virtual and the real are indispensable.
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Virtuality and reality are born: Virtuality is realized through reality, and reality must be processed under the control of virtuality, that is, virtuality is based on reality. For example, in Wang Zhihuan's "Climbing the Stork's Tower":
The day is at the end of the mountain, and the Yellow River flows into the sea", which is written in real life, as if in front of you; "If you want to be poor, go to the next level", you can see the reality from the virtual, the scenery and the mind together, from the broad field of vision, you can imagine the ambition and magnanimity. The philosophical "virtuality" in the latter sentence should be based on the "reality" of the previous scene.
Combination of virtual and real: Combine abstract descriptions with concrete descriptions, or combine descriptions of real life in front of you with memories and imagination. The "virtual" and "real" here'It is a relationship similar to equality, it is all about the description of something, and there is no question of who is based on it.
For example, in the above poem, if the last two sentences do not summarize a philosophy in the scenery, but describe a memory of the Yellow River, or carefully compare the Yellow River to something, or describe it as a fairyland, it is called a combination of fiction and reality. Note that the two are both "descriptions", and the "virtual" is "born" from the "real".
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